‘Shapers’… the end of chapter 6
The random excerpt of Shapers, below, is where I’ve got earlier today while working through a last round of revisions, before proof reading and formatting towards an initial e-book, if I find the funds. From Course of Mirror’s mythic theme, the cast re-appears in a future SF setting, not on other planets, but on earth. The main protagonists, Ana, Cara and Mesa, connect back and forth in time. They are really one and the same, a triple soul. It’s a compelling work of the imagination with strong, memorable characters. Even my son agrees 🙂
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The hall rocked with the rhythm of drums. All eyes were on Zap, who did a thrilling dance with silk ribbons, and at the same time juggled a round of colourful balls. They slid down his back and legs and with a kick of his heel were flipped back into rotation. He spotted Mesa and waved his ribbon, inviting her to join him, which she did, with sudden abandon. Her responsive dance provoked gasps of admiration. Elim stepped up with his violin, improvising melodies to Mesa’s sensual movements. Her waist undulated between the flowing ribbons, while her arms rippled like snakes.
The sight filled Cara with happiness, until she spotted Dillon staring at Mesa with rapture in his eyes. An intense bout of jealousy overtook Cara. Her lover was a pushover for mystery. When the muse grabbed him all else ceased to exist. She invited the pain, almost welcoming the torture of feeling rejected, though reason argued that Dillon’s infatuation would pass, like any storm, eventually. Still, she felt inept. And yet, only an hour ago she herself was irrationally impressed by another man. What was his name? He was not unlike Dillon, yet different, obscure, and more complex. The thought of him made her skin tingle as she ploughed through the crowd in search of Tilly, and the stranger.
The Stranger
Gart had escaped the festivities. Standing at the cliff’s edge, he clutched his flapping cape, while shouting into the storm, into the void. “Talk to me!” A deep rumble shook the ground. “What is it I am? Answer me!” A blinding streak of lightning split the night and dispersed across the fluid orb of black waters. “Who dropped me here? Take me home to my name.” Thunder resounded in his skull, a force surged through him, fused his feet to the rock under him, and roused senses he had no words for. “What’s expected of me? These people here … they sap my strength, and … I glimpsed something I’ve never seen before … forms behind things … behind her.” As if in response, the apparition of a woman, illuminated from within, rose from the waves below him. Gart sunk to his knees. “What are you?”
A name echoed from the cliffs, but was drowned out by another clap of thunder. The spectre of the figure scattered into shards of silver speeding out in all directions, the sea, the sky, across the sweep of rocks called Kerry.
“Aren’t the waves magical?”
Gart turned towards the voice and was confronted by the girl, Mirre, who by casually touching his shoulder at the banquet had made the hall spin. What was it about her? “Stay away from me!”
“Why?” Mirre’s eyes sparkled from under her windblown red curls.
Her candid question annoyed and intrigued Gart.
Mushki, having caught up with Mirre, skidded to a halt. Searching his holdall, he set up a tripod, screwed on a camera and focused the lens towards the flashes at the horizon. “You,” he motioned to Gart, “you obstruct my view.”
“Don’t be rude,” Mirre said. “Here, use my tablet. It records images in three or more dimensions.”
“No thanks. If I keep the shutter of my lens open I get the effect I want,” Mushki said, and readied himself. He was in luck. Another rumble … giant branches of light filled the sky.
Mirre shrugged and fixed her gaze once more on Gart whose looks reminded her of Crim, her favourite author of animations. “Tilly says you’re a Guardian. Their red uniforms are grand, but you’re not wearing one.”
A spasm gripped Gart’s spine. His head throbbed, and the memory of his identity flooded back. His eyes darted from Mirre to the ivy walls of the estate, to the bay where he glimpsed his airbus, and back to the girl. He burned the image of Mirre’s freckled face into his mind, turned on his heels and dashed down a path towards the beach, away from the chaos that had gripped his mind, familiar faces he couldn’t place. His Guardian training should’ve protected him from such emotional turmoil. What was wrong with him?
He now recalled a repeated interference on his console while heading for Rhonda after his spying mission in Sax. Someone called Zap seemed lost in Derrynane. Annoyed, yet curious, he had demanded his craft to find the place. Then the horizon wobbled, and as if taken over by some spook, he nearly crash-landed on this alien stretch of coastline.
With shaking hands Gart pointed the sensor towards the dolphin-shaped airbus glinting in the dusk. The craft responded. The signal light came on. Only a few more steps and he would be able to lift off from this bewildering place. A sense of vertigo made him stop. All sound ceased. For a brief moment he felt as if his body did not belong to him. Into the silence stirred a soft breeze. An invisible hand seized his and led him to where the water lapped at the sands. Before him the air wavered and the shape of an old woman appeared, more ancient than the yew trees on the peninsula. The crone looked at him like a fox, tilting her head. Her voice was firm. “When a heart cracks its myths flow free and the stories of river and sea mingle.”
Gart opened his mouth and closed it again. A melodic tune drifted across the waters.
Twinkle, twinkle, little rat … how I wonder what you’re at …
A subtle fragrance reached his nostrils bringing memories. Years of harsh drilling for leadership had sealed away images of his childhood. An ornamental garden with birdsong and blossom, a nursery filled with flowers, toys, and humour – a woman reading dreamlike stories to him. Children raised as Guardians were not read stories. They were trained from infancy to obey commands. He was different. Phrases he used as triggers to control his army had no effect on him. He tossed his hair back trying to shake off the confusion. The crone watched him. He realised his thoughts were exposed to her ageless knowing.
“You were led here to experience the sweet agony of emotion, what it’s like to be lovesick, and to yearn for a lost place,” said the crone. Her words seeped under his skin.
A gentle wave splashed over his feet. His toes squished in his sandals. Droplets of sweat soaked his brow. What was she talking about? He glanced back at his craft. Would the tide reach it? He must get away.
Heat shot up his spine when Cassia took a step towards him. “Stop your haste. Imagine deeply. What do you desire? Listen to what the sea whispers in your ear. Accept contradictions. They’re indispensable. You were raised to command the Guardians for a purpose.”
His head hurt. His skull seemed too small to accommodate this garbled talk. He blinked as the crone became fuzzy, then transparent, and finally vanished altogether.
Her last words echoed, “A woman needs your help, and you’ll need hers.”
Gart rubbed his eyes, squinting at the shimmering air before him. Some Shapers were known to materialise out of thin air. Was she one of them? Clinging to his wits he rushed to his airbus and fumbled with the console. How can the sea whisper? And how can a heart crack? His curiosity had often led him to unearth illegal information. He knew how to access a glossary of emotional terms outlawed in Rhonda. Agony – another troubling term – sounding like a woman’s name.
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In late May I visited London – for the first time in almost three years. I met with my son, his wife, and her mother from Darwin. We visited the Tate Modern exhibition on ‘Surrealism without Boundaries.’ That’s for another post.
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To fill in the distorted or simply incomplete gestalt gathered from early caregivers, we find ourselves during our lifetime in families of various constellations … in groupings of friends, educational settings, teams working towards a project, callings, interest groups, animal care, subcultures, political, vocational and spiritual clusters. In these groups we slot into roles we project, or are projected onto us with qualities others are drawn to engage with, for whatever reason, often to explore a hidden part inside, mother, father, sister, brother, child, lover, hidden in the light or hidden in the dark. Much of this search now happens virtually, through screens, though it can’t replace the actual physical resonance a gestalt needs.
Family can also mean a collection of symbolically meaningful objects, toys, letters, books, art, tools, stones. I collect stones and endow them with memories. My ex-husband extended his loving father role to string instruments. (I wrote about his loss in my previous post.)
At stages in our life we fit, or are fitted, into a network of psychological potential. These are intense phases. Yet irrespective of time gone since people parted ways, families dispersed, places were lost … when a former close friend dies, insight descends, rises, arrives from the past, from the future and from spheres unknown. Memories will shift their meaning. Slowly our sense of self is re-aligned. We capture a condensation of what was symbolically exchanged, essence is revealed.
The year before the millennium, a then dear old friend of mine, Sitara Brutnell
Democracy starts inside us. One way to explore our inner crowd is through allowing the different aspects of our personality to have a voice, including ones we dislike or suppress, like parts burdened with shame, self-loathing and self-hate. Together with their inner persecutors and defenders, they tend to pop up involuntarily with strong emotional force during stress, or an experience that all too often had its first traumatic installment way back in childhood.
Unable to afford Jungian analysis, my spiritual search become an escape from what I saw as our revengeful, destructive and corrupt world.
And then consider Carl Sagan’s tender reflections on the pale blue dot, the Mote of Dust, as in a sunbeam, the home we all have in common, a selfie, seen from afar. “Where everyone’s love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives.”
A few days ago, waking at dawn, I had retained a dream vision:
Maybe the dimension of Tate Modern’s Turbine Hall could suffice, but only a Turner price gets you there. In case you don’t know, the Turbine Hall is the place that allowed visitors to touch the sun, like my son did during an Olafur Eliasson’s weather project exhibition a few years ago.
Normally, a writer’s work is condensed and hidden between the neat covers of a book, or captured on e-book screens, one click by one click. The concept of spreading the pages out in real space fascinates me, and ideas keep tumbling in. Like making the text respond to the concentration of the reader, or the lack, in which case sentences would ripple, as if floating on water.
The midwife rushed after us, having overheard we wanted a home birth, but were told she had retired and the new midwife would not arrive in time. ‘Not true,’ she said, which settled it. In my wisdom I had brought my husband along. Sister Heney was delighted to attend a rare home birth for her last delivery. All went well. My epiphany snow baby, she later said. It didn’t take a helicopter landing on the opposite field to transport us to a hospital, only a police land rover to bring this dear midwife up through ice-covered lanes and snowfall to the cottage in the Quantock Hills where snow baby was duly born. We lived in this Somerset hamlet for five blissful years, with the kindest neighbours one could wish for.
My son recently had another birthday. He allowed me to share a blog-post. In it he relates his holiday in Darwin, Australia, where his wife’s family lives.
When not actually engaged with it every single day, at least contemplating the in-depth editing of ‘Shapers,’ is my daily routine.
The wind blustered cold though, and I was grateful for the hat I brought along, and the tissues to dry my runny nose and watering eyes.
The 39 meters long fog tunnel took me by surprise. I hardly saw anything beyond a meter around me. Space became mysterious and unfathomable deep. I had a sense of being totally lost while also feeling held, though assured in the knowledge that my son was near, and that I could call him and reach out for his hand.
In one room, a kind of Plato’s cave, our back-lit bodies made colourful shadows ahead that shrunk or grew in size as we stepped forward or backwards, or overlapped and multiplied as we moved sideways. The magic was achieved through a row of primal coloured light beams projected onto the wall we visitors faced. Thing is, we are more intrigued, animated and comforted by reflections than the light itself.
Here is a ceiling looking back at me. When ceilings fill the frame of our perception, the only landmark we catch is our own image.
We mostly think through conventional forms and givens, for practical reasons, while another way of thinking embraces invisible and unknown dynamics via intuition – like the seeming particle/wave paradox in quantum mechanics, where a local particle also exists as a non-local wave. The two perceptions can potentially mingle creatively, but, notably in times of social uncertainty, they clash, and fewer people maintain the ability to tolerate
Course of Mirrors 