We’re first forced to catch our breath when the umbilical cord is cut. In that instant the lungs must exchange liquid for air. Some wise midwives promote, when appropriate, not to cut the cord immediately, but allow time to soften the transition for the infant and enable a gentle new bonding with mother.
Once separated, we’re alone, but if welcome and made to feel safe we hardly pay attention to our breath unless its rhythm is upset, usually through physical strain, excess tension, anxiety, or unresolved anger and resentment.
I wrote shortly about breath before, in the context of bio-rhythms. If this interests, here’s the link.
With this post I’ll share a practice I’m presently in need of myself, a conscious breathing ritual with a focus on the elements of earth, water, fire, air – and the subtle element of ether. The easy-to-learn sequence, aided by concentration and imagination, bestows relaxation and renewed energy. Parallels to this practice can be found in ancient spiritual traditions. The Sufi version below is thought to derive from Greek mystery schools. Unlike some forced breathing techniques, it is safe to use alone.
A purifying practice of breathing through the elements. Repeat the breath for each element five times and allow the colour to suffuse your cells …
EARTH … imagine the colour yellow (like desert dunes, or wheat fields)
Breathe in through the nose – count four
Pause one count
Exhale through nose – count six – imagine a horizontal spreading movement.
WATER … imagine a blue-green colour (like a lagoon or a river)
Breathe in through the nose –count four
Pause one count
Exhale through mouth – count eight – imagine a downward flowing movement
FIRE … imagine a golden red colour (like a sunset, or a flame)
Breathe in through the mouth – count four
Pause one count
Exhale through nose – count ten – imagine an upwards rising movement
AIR … imagine a transparent blue colour (like a pale sky)
Breathe in through the mouth – count four
Pause one count
Exhale through mouth – count eight – imagine a dispersing movement
ETHER (optional)
Image a transparent mauve colour
Breathe in through nose – count four
Pause one count
Exhale through nose – count twelve
To ground your energy, return once more to the earth-breath. You may want to ignore the counting for the out-breaths, to begin with. The basic idea is to allow more time for breathing out, until the body naturally draws in a new breath.
* * * To expand the imagination, here some more notes in relation to the elements:
The Earth Element
The early Christian hermits, living alone in the desert, used to concentrate on the earth’s magnetism as a way of restoring their vitality during long vigils. Native American elders have said that the loss of a sense of relationship and communion with the earth is the main cause of psychological and physical imbalances. Standing or sitting, feel like a tree with roots extending firmly and deeply into the earth. Feel the strength and magnetism of the earth. Breathe in through the nose and out through the nose, not forcing the breath.
Imagine drawing healing power through the soles of your feet (if standing) or the bottom of your spine (if sitting). You may have felt the healing power of the earth in your feet while walking barefoot outdoors or in your hands when working in a garden. Try to sense a subtle reality, a crystalline lattice-like structure, behind the denser aspects of the physical plane. The earth is not a singular organism, but is part of its solar system and part of a galaxy …
As you exhale, release your tiredness, disharmony and agitation. Now concentrate on the magnetic field of your body, similar to that of a magnet. Feel as though you are aligning your own field to the magnetic field of the earth, the way that iron filings align around a magnet. When magnetic power is weak, the iron filings are in disarray. When the power is strong, the filings align in symmetric, harmonic patterns.
The Water Element
The breath of the water element brings a sense of flow, of vitality and purity, and helps unleash creativity. It is also useful in breaking free from habitual thinking patterns, and flowing around obstacles rather than hitting them head on. Breathe in through the nose and out through the mouth. You might imagine yourself immersed in a mountain stream. Feel the drops of water penetrating your cells, dripping off of your fingertips. Feel water reaching your chest and heart, helping to loosen any tightness and obstruction there. Feel energized and renewed, again focussing on those parts of the body that are in need of healing, and those that lack life energy and vibrancy. Concentrate on the purity of a crystal clear lake or stream, high up in the mountains. Let yourself become the water, and let the qualities of purity, life energy and power flow into your immediate environment.
The Fire Element The breath of the fire element is a quickening. It sparks inspiration and is useful when you feel drowsy and dull. Breath in through the mouth, hold the breath for a moment and then breathe out through the nose. On the inhalation, imagine fanning a fire in your solar plexus. Purse your lips and draw in a thin stream of air. As you draw in, visualize the embers of the fire glowing. Then hold the breath momentarily and bring your attention to a few inches above the solar plexus. Exhale through the heart, imagining that you are radiating golden sunlight.
On the inhalation, evoke your aspirations; your desire to be authentic; to make your life meaningful and worthwhile; to stand up for what you believe in. On the exhalation, radiate light as if from a miniature sun in your heart. Subject your self-doubt, cynicism, addictive patterns or resentments to the fire. Avoid making pledges you won’t keep. Simply clarify your intention and allow the purification process, instead of using will power to change things.
The Air Element
Breathe in through the mouth and out through the mouth. The breath of the air element relates to freedom, ecstasy and transcendence. Imagine yourself like an eagle perched high on a mountain. Feel the wind ruffling your feathers, blowing through all your pores. Feel the coolness and freshness of the air. Soar upwards on the currents of air. On the inhalation, feel yourself buoyant and free, like a zephyr crossing a lake and lifting upwards. On the exhalation, allow yourself to reach out beyond the boundaries of the body. Let your being disperse with the wind, and let your consciousness reach out into the cosmos. Enjoy a sense of vastness and, if it helps, visualize vast landscapes, such as a mountain, canyon, or the starry night sky.
* * * After you completed the purification breaths, reflect upon the effect of the elements taken together. Separately each of the breaths emphasizes different forces and qualities in our being, together they bring about a sense of wholeness. According to your own affinities, you may feel the need to place more emphasis on one or another element in order to attain greater balance.
For me this is the WATER breath.
Also – I admit I frequently fall asleep to this … consciousness is wherever consciousness is placed, and what travels on our breath travels either mindlessly or with intention.
‘Thoughts are beings that generate … One thought of kindness gathers a thousand beings of love and kindness around one.’ – Hazrat Inayat Khan
The eye-catching miniatures created by Yuji Agematsu pulled me back to my student phase in Munich during the 1970ies, when a group of friends looked out for small items like roots, twigs, leaves, seeds, grasses, feathers, stones, shells, dried or fresh flowers, the occasional bottle top or bits of shiny sweet wrappers, and sampled such bits into cellophane bags. We then handed these tiny poetry worlds to pedestrians or people sitting outside cafes in the then student district of Munich, Schwabing. It gave us thrill when recipients expressed a shock of surprise.
In this delightful interview (press for link to a separate page) he shares how his passion for collecting started during his childhood. Here a few more snippets: ‘I see each object as a notation in terms of music. Each has its own sound and rhythm,’ or, ‘Each person has to find his or her own sense of scale,’ or ‘… my objects are accidental objects, already consumed. The object itself stimulates me. The subject relationship is reversed. I’d say that one is consciously unconscious, and the other is unconsciously conscious.’
Yuji’s search for trash treasures developed into a language that emotionally embraces urban archaeology. He attracts bits of litter we may regard with a smirk, mostly ignore or simply not notice. While his miniature installations are scaled down to finger size sculptures, the mind-expanding and transformative effect equals grand scale installations. My experience, apart from the cognitive surprise, was being left with a bodily sensation, a deep feeling connection with these miniatures.
I have miniature installation in my home, on windowsills … unable to resist picking up feathers, seeds, leaves, driftwood, pebbles and so on, which often hold the story of an eternal moment in time.
A small black stone, for example, features prominently as a protagonist in my novel, Course of Mirrors..
Course of Mirrors 