Tag Archives: reading

… sentences in novels that make me pause …

In Haruki Murakami’s novel, ‘Killing Commendatore,’ an artist is on the run from himself after his wife told him she does not want to live with him anymore. Not having had success with abstract paintings, he settled for painting portraits on commission for a living. His clients were not required to sit still for hours, days and weeks on end, just a confessional interview, supplemented by a few family snapshots would do. To maintain the integrity of his work, the artist looked for what was shining from within a person.

While driving aimlessly north, to gain distance from imagined scenes of his wife in the arms of a lover, he occasionally stops at roadside restaurants. In a restroom he finds himself staring at his image in a mirror, and wonders …

‘Who the hell am I …  were I to paint myself, would I be able to discover even one thing shining within me?’

This is not a review; I haven’t got far into this long novel, just to say, I like how Murakami masters the slow and subtle development of a theme.

I read in printed books in bed for an hour before sleep. At pivotal points in the text, like the one above, I close the book and take the thought into my dreams. Once I hit the cushion and allow my muscles to relax, my mind holds the thought that made me stop reading.

As for the above thought: what shines from within, I pondered that this shine, or whatever else one might choose to call it, is what I’m looking for in nature, in art, in friends, or new acquaintances, and in myself. These moments when I glimpse something shining, visibly or just felt, without or within, are of essence, and leave a deep impression, adding a thread of light to the tapestry of my existence. These are also moments when associations, informed by my senses, flow like a sparkling mountain stream.

When such impression fades it upsets me. Distance and time are not at fault. My intuition tells me that the conscious fabric of my existence extends way beyond space-and time. Where people are concerned, the fading could be due to a lingering hurt or misunderstanding. Once I’ve been able to perceive an inner shining, I grieve the loss of a dimming connection.

It made me think how in relation to a few people in my life I’ve let my heart mirror collect dust. Maybe the other begun to let my shine fade, but that’s no excuse. I can’t change how people mirror me, but if so inclined, I could bring clarity to my own heart mirror.

How do we resurrect that shine, the light which illuminates who we are from under the debris of relationships, within ourselves, others, nature? I guess much flows from the first gaze that beholds us.

In Sufi terms this is polishing the mirror of the heart, which generates life and beauty.

You, dear readers, may have more or other thoughts on this search for what ‘shines’ from under surfaces If so, please share.

It warms my heart to think that readers of my novels might come upon a sentence that makes them pause and ponder a meaning for themselves, a bit like finding a jewel in a generous setting.

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… my spot in the sun, maybe a last hot day this year …

Reading Elif Shafak’s ‘The Islands of Missing Trees,’ sent by a friend.

It’s an apple, not a fig tree, but the voice Elif gives to the fig tree in her story would be true for my apple tree, which now rains fruit. The way she puts it …

… to sit under its branches is like a place that makes one forget, even if for just a few hours, the world outside and its immoderate sorrows …

I know, not many of us have a spot to sit alone or with friends to enjoy peace and forget about the troubles in the world for a while. But I thought I share my blessings. And yet …

‘We are like islands in the sea, separate on the surface but connected in the deep.’ – William James

Right now thunder growls nearby and a few raindrops drum on the skylight.

Sorry for the duplicated tags. Can’t delete them, and finally, after an hour, I lost patience.

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… meeting my foxy child in twilight …

a tall fox appears

in the garden’s night shadow

he stops – sits – alert

cautious from a safe distance

we eye each other

he triggers my cunning child

buried long ago

since grownups detest smartness

even hunt their kind

yet through our meshed lineage

recognition plays

in the nimbus between us

we affirm being

and our shape shifting stories

Next day I strung up my little hammock near that magic spot, with different views:                                       

 

 

 

 

 

 

 

Mostly, during these surreal lock down days, I sigh and groan a lot, bewildered by hilarious media stories and the never ending blame games, which, given people are bored, have gained major entertainment value – and this from my perspective of not having watched TV for years.

Keep sane my friends.

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… as writer or reader I drift and dream …

Writers and readers have their unique (often indirect) discernment of text and image; a fluid perception spots moods in the sky, or envisages what’might be happening behind doors.

We look towards individuals to interpret our humanity, or the lack of it. But given the electric maze of mirrors that has come to represent our interlinked minds, what attracts us, what makes sense?

Global media outlets thrive on sensational reports of events, and equally sensational opinions. What merges to cohere and assumes meaning in our inner world swings day in day out  from the shocked, incredulous to the sarcastic, while many of us yearn for resonance with something deeply felt, be it a past, present or future versions of reality. We hope for a truth just around a corner, or a poetic hint towards the hidden place of our own chest of treasures. Food for thought comes through the stories that spring from our collective psyche, asserting we’re not alone, but part of the bliss, and part of the pain of existence.

As a writer, I struggle to express what is not obvious or visible – an insular task, with pitfalls and doubts. Readers who respond with sensibility to imagination that springs from dark and private places of solitude are rare. What wings into the air from solitude, poems among them, fleeting and shy like butterflies, can at times trigger unexpected flashes of light and shift our thinking and feeling.

Imagination is the cornerstone of my novel, ‘Course of Mirrors.’ Combining fragments of my life into a fabric of mythic realities – probabilities wedged between rational deduction and magical alternatives, the story is however psychologically embedded in universal experiences, the ambivalent realities familiar to any reader.

Feedback to my writing sustains me, especially now, once more, the feedback to the ‘Shapers’ manuscript from beta readers/editors during the process of polishing. For such gifts, I give deep and heartfelt thanks to my angels, Zohra, and Susanne.

This question has been put to novelists: … When you write, what readers do you have in mind?

I pass … I’m the only reader I know.

What I write flows from my perception. Words I put into the mouths of characters are based on how I imagine myself into their skin and psychological existence. I follow their trials, immersed in the narrative, just like readers will be immersed in the movie they make in their minds while reading, along with the sensations evoked.

As a dreamer, my writing is playful, personal, fed by unconscious processes, like sharing a dream with a friend in a walled garden, not going on stage to entertain the whole town. In other words, the shape of my novels evolves with no thought of addressing a broad generic group of readers.

Pre-plotted novels can be page-turners and offer welcome entertainment, but they tend to preclude my emotional involvement, which is not to say that I don’t admire the art of wordsmiths wherever I find them.

Intuitively drafted novels, with or without plot, have a different feel for me, with elements of surprise. Intuition applies to my life in general. Writing is an inner demand. I’m most alive when I drift and dream.

Can you, writers and readers out there, add to these reflections?

My post from five years ago relates … better than the present one 🙂 I may need a holiday. https://courseofmirrors.wordpress.com/2014/09/30/moans-from-an-unruly-writers/

I cheer the unruly folk, including fools, dreamers, innovators, artists, poets and writers with an ear towards the hidden …

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… the afterglow of relationships …

My dream vanished. It’s going to be one of those weird days, I reckon, soon confirmed by a fleeting glance while passing a mirror. My morning ritual includes stretching muscles while coffee filters into the cup. I breakfast before the screen, skim through emails and various online papers, shake head at captions ranging from atrocious, futile to hilarious, the latter due to brexasparation. The scene beyond the window calms – wispy clouds, birds flitting from hedge to tree to hedge, familiar cats slouching across frosted grass, the ginger, the black & white bushy monster, the nimble black tom with white paws and white-tipped tail, much like an exclamation mark.

With no commitments today, I embark on my weekly shopping trip to town. Small wonder I can’t get warm, the steep drop in temperature is topped by a bitter wind. Minding the weirdness of my day, I’m super careful on the road and pay for two hours parking, anticipating a disorganised shopping round. Sure enough, I miss items on my scrawled list and retrace my steps time and time again through a lattice of chilled shelves. I tell the woman at the checkout, ‘I can’t get warm today,’ a detail of hardly any interest to her or anyone, including me.

‘It will get colder,’ she nods, shrewdly.

At home, I store away stuff and screen up again. Beast from the East weather forecast, blog posts, articles. Weirdness continues. I cancel plans for more editing on my second novel, Shapers, and grab the vacuum cleaner instead, as if it could suck the dust from my mind. The effort earns me another coffee. Then a thought tumbles in from nowhere …

Often people are worth more dead than alive – where the heck did that come from?

My vanished dream lights up. Faces re-emerge, of friends who passed on during the last two decades, some through death, others through metaphorical deaths, that is, circumstantial rifts and distancing. The dream brought a vivid afterglow of relationships, insights of unconditional love, as well as shadow aspects – what I judged and misread in the behaviour of others, what others judged and misread in my behaviour. The dynamics of projections are illuminated by a revision of experiences through layers of time, and through the imagined intuitive eyes of others. Broken threads reweave into fresh patterns, consciousness expands.

I deeply appreciate the dreams that provide an afterglow to the relationships in my life, be it the ones marked by kindness and love or the ones distorted by projections and a narrow reading of intentions. The insights that dreams bring help me to renew my sense self, no matter how delusional, it’s what I need to function in this world.

We can always benefit and also contribute towards collective harmony with a widening of perspectives through other eyes, including the eyes of strangers.

I’m reminded of one of my first posts, about the shadow

Click on the above link and you’re there.

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… first long review – this is not your mom’s fairy tale …

Once a novel is released into the public domain it belongs to readers who, when snatching the story from a stream running by, engage with it from their own perspective.

I’m a slow reader of novels. I like discovering myself in other worlds. When I’m not intrigued by chapter three, I drop the book. The language may excite me or put me into a pleasant trance. I may admire or envy the writer’s way with words, or think, huh, I’d have expressed this differently. Sometimes I find fresh metaphors that resonate or come upon a sentence that makes me catch my breath and pause for a while, at other times I rush through a story for the sheer adventure.

Reviews, feedback, short or long, are gold nuggets for a writer. What took years to compose is finally shared. Close-reading of a 400 page novel that sits grinning apologetically behind stacks of neat categories is no small feat. Joe Linker, a blogger friend from Oregon, had fun.  On amazon.com he heads his review  ‘Girl Disguised.’

Brilliant. Had this been the title, algorithms might have set it next to recent bestsellers, since ‘girls’ are the new trend. Joe posted the review originally on his blog  ‘The Coming of the Toads.’ … Go there and also check out the comic page, showing his ingenious electric doodles.

I was thrilled reading Joe’s thoughtful review. Here a few snippets:

… She’s interested in neither shame, nor honour … The holy grail of ‘Course of Mirrors: An Odyssey’ is a story of its own … This is not your mom’s fairy tale. … We are on a rogue adventure in a picaresque tale where disguise and subterfuge are necessary and ordinary … The writing style moves with the scenes … There is economy in the writing that is expedient, efficient … How serious is all this? … First, it’s great fun … Myth is not false news. It’s a way of telling a story.

An animated film quality is touched upon, likely influenced by my love for film, and, possibly, aided by the creative distance from my mother tongue that writing in English allows, giving me the liberty to step into multiple characters that resemble aspects of my suspended and ever-changing self, variously dormant or expressed in my life.

Last year I posted a review here on Joe’s novel, Penina’s Letters, about love, friendships and passion for the ocean, which made me grasp the exhilaration of catching a wave.

If you’re a member of Goodreads, please  consider entering the give-away for 3 free copies of ‘Course of Mirrors,’ running from today, Sunday 11th June until Monday 19th June.

Apart from a chance to win a signed copy, your entering of the contest will increase the visibility of the novel, and, hopefully bring a rainbow of reviews. All different.

What fun.

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… sunshine ☼ parties between rain drops …

Last weekend I stepped out of my recluse bubble. It’s been a while, and I truly enjoyed a spell of rich socialising.

My editor visited and stayed over, enticing me to celebrate the release of ‘Course of Mirrors’ into the world. She brought along an excellent bottle of sparkle. I wish every writer was blessed with such a generous editor friend.

Truth be told, without Zohra’s editing support I would not have reached the confidence to publish my first novel, to continue writing a sequel and even start a third book.

Saturday’s party was to celebrate another friend’s birthday, once more with champagne, and a feast of the most delicious food, prepared by his partner, Ruthie. The afternoon was crowned by the appearance of an auspicious rainbow.

to greet the party – in a sky like rippled silk – a blessed rainbow

For the Sunday occasion a bunch of friends gathered in gratitude, giving honour to the memory of Rahima (Elspeth Milburn-Spottiswood) – a remarkable woman, painter, Sufi and Jungian psychotherapist.

The venue was a beautiful old barn in Surrey, surrounded by green lawns and lush, colourful gardens. We listened to recordings of our friend’s resonant voice reciting poetry by D. H. Lawrence and Rumi. And we watched film clips that brought back into awareness her kindness, knowledge, and her inspirational insights during seminars on archetypes we co-facilitated for many years. Stories were told, readings were offered – and music played. Among the gathering were strangers, new contacts, friends of friends, in the way networks grow.

The sun was warm enough to have a nap on the lawn. Family members, and some of the younger generation attended the day, which was heartwarming.

 

 

 

 

 

 

Rahima is sorely missed. I wrote about her on this blog before. In 2012  – October 2016 – and in January 2017

Miraculously, the weekend had only the occasional short shower between long spells of sunshine, augmented by the warmth of friendships.

I feel deeply nourished, and am left with the pleasure of knowing that Course of Mirrors is now travelling across the world, and readers, some of you among them, will already be immersed in the story, and hopefully post reviews.

The light in green shoots encapsulates the weekend.

Information on my first novel is on my book page here.

 

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How do I read?

one of my notebooks

one of my notebooks

I jotted this question in my notebook a while ago. How do I read, in the widest sense? There is plenty of observation and advice on the art of writing, composing music, painting, photography, film. Less is said about on the art of reading, perceiving, interpreting, or how we reject or embrace what is expressed by others, and ourselves, even how we read our dreams.

I conclude there’s no difference between, let’s say writing, and reading, other than visibility, since any creative composition derives from an inner process of reading, the picking and shuffling of impressions into our frame of reference in relation to the larger myth of reality.

One could say the secret of being read lies in one’s talent and ability to read one’s inner psychic world, even when filtered through one’s most personal and eccentric imagination.

Long before communication was easily reproducible and reached greater audiences, people were reading the world, though only a tiny fraction of inspirations and inventions was circulated. Today’s media channels swamp us with communications. It’s confusing. We must choose.

In reading novels, I follow my intuition. The gimmick of an instant attention grabbing action scene puts me off. A proposal may be impossibly fantastic, but if I detect an authentic voice, rhythm and movement, I travel along. Invited into a mind, an atmosphere, a time, a place, I want to be absorbed in this other world and experience myself anew in a conflict between light and shadow from within the heart of another consciousness.

Whether meaning is intended or not, I read my own meaning into what has been imagined by another mind. An insight, a memory may surprise. Some books I treasure for one or two illuminating sentences, so I guess reading for me is a bit of a treasure hunt, which begs a question. What am I hunting for?

world objects for sandtray work

world objects for sandtray work

My interest is fleeting when events are contrived, plucked from the air. Characters convince me when they are embodied and grow around obstacles, reaching towards the light, while spreading roots and producing seeds (new thoughts,) even when they come from mythical creatures, kings and slaves of the past, or explorers of distant futures. As long as events happen in a believable psychological setting, I engage.

Then again, I’ve been convinced by writing that made no sense at all, until, with a little patience, I discovered a new comprehension shining through an abstract form. It’s a wonderful feeling, and important feedback for writers, who may be surprised by what is evoked in readers. Once I finished my present project, I intent to spend more time on reviewing – a most giving art of reading.

Stories for stories sake can be dull, while stories in which nothing much happens outwardly can be riveting when they resonate with the human condition, where, quite often, what seems true becomes false, and what seems false becomes true.

It is said we write the books we want to read. When writing, I search to combine words that convince intellectually and emotionally, until something true is mirrored back. Maybe what I’m hunting for in my reading and writing are fitting metaphors for the miracle of existence.

I always delight in discovering neglected writers, like Marlene Haushofer,  or the poet W S Graham, whom I wrote about here as part of a post in Sept 2013.  And beyond new works, there are innumerable old favourites, including H G Wells. The link connects to a post I did about one of his lesser known stories.

Thinking about photography, my other passionate reading, I was inspired by Henri Cartier Bresson – the link leads to my post about him.  And here the archive of the street photography of Andre Kertesz – enjoy.  I’ll leave film alone, that’s a whole other story.

What are your reflections on reading?

 

Some related blogposts:

Storytelling and the primary world.

Mother-tongue and other tongue.

Memory and Place.

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… moans from an unruly writer …

Installation by Frederick Franck

Installation by Frederick Franck

While I write, wrestle with style, query words battling for attention and set out sequences to string ideas together, anyone watching me might assume I’m a nervous wreck. My body, perfectly able to string an arrow to a bow and hit a target, has a wild notion of focus when it comes to writing. It shifts and wriggles, gets up pretending I need a coffee, ends up cleaning the sink, checks the porch for post and so on, all the while allowing my word sculpting to continue until, bingo …. I rely on intuition, which slips into little silences, opens a crack in the surface of things and reveals a hidden layer, and, occasionally offers a glimpse into the infinity of now. A tiny glimpse is all it takes to relax, sharpen senses and spark a creative dialogue between my inner voices that often quarrel and fool around like the average family.

I respect moderate conflict, it stirs up mud but clears the air, and even when the inner crowd gets fed-up with listening – grace, solitude, or a good night’s sleep bring additional insights, bridge divides and re-establish a tolerable rhythm of chaos and peace.

Am I fooling myself? Is my knack for intuition just guesswork. Is it inborn? Does it evolve with experience, as a kind of deeper listening skill humanity moves towards? Can it be learned? Is it worth defending? Or is it the relic of a go-with-the-flow philosophy that avoids closer analysis of my thought processes and behaviour? I seem to struggle with two kinds of temperaments, one looking for the particle and the other for the wave, stretched between rational and irrational numbers. The two temperaments compete but need each other.

Pilgrim Fool by Celcil Collins

Pilgrim Fool by Celcil Collins

Scientists and statisticians tend to approach the unknown rationally, and seem set to eradicate human incompetence and messiness. Some frenzied rational prophets go as far as knocking anything that can’t be quantified and evidenced. I value logic, what annoys me is the attitude that scoffs at people who hold hands with the fool.

There are more reliable methods than the vagaries of intuition, shown in a New York Times piece by Gary Wolf ‘The Data Driven Life’ from April 2010,  a long but brilliant article that received many pages of diverse comments. Not everyone is keen on the Quantified Self.

I resist being monitored and quantified by data, fixed as particle, ticked off for my risk-taking folly, my random cross-referencing. The geeks and outliers the article describes have fun recording their every move. And I grant that someone suffering from high blood pressure or apnoea benefits from being nudged by a gadget to take a deep breath. I remember being excited and applauding the first biofeedback devices that affirmed how thoughts affect our physiology and vice versa. When it comes to data dependency, I have a hunch it will starve emotional intelligence, which I strongly believe develops through mastery of language.

Working a few years for Social Services, we used to write narrative assessments until a computer programme with tick boxes was introduced. We hated it. Conveying observations in writing was shoved aside as time-consuming, subjective and vague, while quantitative recording was hailed as reliable, though its data hinges no less on interpretation and application.

Recently I skimmed an article suggesting future novels will be written by computers. My cynic leapt from its slumber and argued that a machine hasn’t got 100 Billion neurons and can’t be intimate with nature, is immune to changing metabolisms and moods – hour by hour, night and day. Immune to what comes on the breath, with wind, dust, rain and radio waves that travel through the cosmos, nor is a machine influenced by dreams, synchronicities, diets, layers of revolving memories, kind gestures, general anxieties, rejection, loss of control, loss of a loved one, global news … the unpredictable influx of thoughts and emotions that our mind continuously sifts, evaluates and re-interprets.

Irrational humans can’t be quantified and controlled, which may be why since ancient times there has been an ambition to create artificial beings.  Here a bit of fun from Turing and his colleague Strachey – a reasoned-out love letter, achieved through programming a 1951 computer to make sentences via algorithms, having been fed on love synonyms from a Thesaurus:

Honey Dear – My sympathetic affection beautifully attracts your affectionate enthusiasm. You are my loving adoration: my breathless adoration. My fellow feeling breathlessly hopes for your dear eagerness. My lovesick adoration cherishes your avid ardour.

Yours wistfully, M.U.C. (Manchester University Computer)

…. M. U. C. is eager, if a little verbose and breathless 🙂

Since then, artificial intelligence is even more breathless with numbers, but operates highly sophisticated technology that improved the quality of our lives. I admit I’m fascinated by the concept of cyborgs, but don’t want to get plucked into the human network protocol .

Our privacy is at stake. And our relationship with nature? … its record of life and the human experience, the treasure house of the collective unconscious, translated and re-membered through DNA, invisible spheres and the very light we breathe. Anything alive changes from moment to moment. And our experiences, insights and expectations have a vital part in the changing.

Nature is the book I grew up with, it taught me stuff:                                                                                                       About growing … put a seed into earth, tend to its needs and its story flowers.                                                        About resilience … a seedling lost in a dark corner will grow towards any spot of light, no matter how it must bend and curl its stalk around obstacles.                                                                                                                                       About connections … the dynamic geometry of the tiniest plants and vast galaxies are reflected in each other.

Enough samples to show the obvious – nature teaches through metaphors. My theme is resilience. I take risks and accept that struggling makes me inventive, expands my consciousness, polishes my heart and challenges me to think for myself.

My moan extends to the growing practice of enticing people to emulate machines in service of progress and economic efficiency, in jobs that dull the senses and dull the mind.

Meanwhile I cheer the unruly folk, including fools, dreamers, innovators, artists, poets and writers with an ear towards the hidden – who translate past and future newly into the present – the open-minded, who can tolerate conflict, value intuitive signals that chime in the heart, and who can occasionally endure being suspended like a leaf on a gossamer thread.

What do you, my reader, think?

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… Alice moments …

‘Who are you?’ said the Caterpillar.

This was not an encouraging opening for a conversation.

Alice replied, rather shyly, ‘I hardly know, sir, just at present – at least I know who I was when I got up this morning, but I think I must have been changed several times since then.’

‘What do you mean by that?’ said the Caterpillar sternly. Explain yourself!’

‘I can’t explain myself, I’m afraid, sir,’ said Alice, ‘because I’m not myself, you see.’

Illustration by Arthur Rackham

 

A character in my book is having one of those Alice moments.

When I thought about it a little, l had to admit, so do I.

Having discovered this wonderful 1907 edition of Alice in Wonderland among my books, illustrated by Arthur Rackham, I’ll outwit my writer’s block and re-read one of my favourite stories.

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