Tag Archives: soul

… remember me – the body implores …

Day and night we receive and tie up new thoughts, mostly subliminal. By keeping track of this neuron dance we find fresh associations that expand the architecture of our imagination. Sudden insights lift our spirit. Frequently practical innovations arrive, novel ways of doing things. But with thoughts adrift, we often fail to be present to our bodies, and this neuron dance turns mechanical. We may be hampered by depression, presently a global dis-ease, but life perks up a little when we listen to our body.

‘Remember me,’ it implores. ‘Love me, give me attention.’

Stretching limbs calms the stress in fascia tissues and muscles, stirs the senses, and deepens breathing. Food tastes better, small things delight, movement gives pleasure.

‘We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music.’ … Einstein  

The unconscious collective psyche continuously churns up vital signals through the body, but has long been denigrated by wrong-footed ideologies … the greatest crime against humanity, since the neglect of nature’s voice led to the abuse that threatens the balance of life on this planet, and our health.

Nature – the wild, matter, psyche breath, being, anima, the feminine principle – contains all life. The term has acquired many slants of meaning during previous centuries. We have now established frames through which nature is perceived … the scientific, economic, political, apocalyptic, holistic, visionary, philosophical, romantic, and the spiritual frame, for example. Each outlook influences the relationship we have with nature, as a person, group or nation.

Since all human innovations are inspired by nature, every manmade thing is natural, yet by lengthening the duration-span of too many products, nature’s cyclic process of decay is disrupted, often with dire consequences. It’s like stuffing ourselves with food the body can neither absorb nor digest. Controlling nature’s rhythm does not work. The best we can attempt is to seek rapport, fall into step, attune and harmonise with this dance we are part of.

Quite likely all the varied frames which determine our relationship with nature were formed by the wish to make the unconscious force of the wild psyche more bearable.

We demand nature’s protection. This includes humans. Do the ecological villains among us also deserve protection? In a psycho-therapeutic practice this would be considered as the expansion of consciousness through befriending and owning the shadow. I forever wish this map of knowledge was introduced to the educational curriculum.

First call is the body. If the body’s messages are fully received (giving varied frames their due) and understood (in a deep loving sense,) the messages are always essentially true. Only humans manipulate and deceive, by ignoring and belittling nature’s raw truths. The planet suffers the same neglect. Our best efforts at deep listening will always be partial.

I count on the constant minority that grasps a wide spectrum of meaning in relation to every rift that endangers our world. While this minority tries to uphold a wider view, as a small collective it is not geared for action, knowing well that whatever succeeds in being legally determined cannot please all, but usually intensifies disagreements, especially in cultures where emotions and thoughts are censored for political ends.

One could say the will to action is diluted by the wider view. But there exists a subtler use of the will, like rehearsing positive outcomes, which requires imagination. Efforts of this subtle will are hardly visible; but they no less influence and create our reality. This subtle will is based on trusting the intelligence of nature, of soul, the One Being, the Spirit of Guidance.

A prayer/song by Hazrat Inayat Khan:

Let thy wish become my desire

Let thy will become my deed

Let thy word become my speech beloved

Let thy love become my creed

Let my plant bring forth thy flower

Let my fruit produce thy seed

Let my heart become thy lute beloved

And my body thy flute of reed

Crossing and bridging divides is the theme of my life. As a child I came to believe in a spirit that guided me, sparked by a print that hung in my paternal grandparent’s bedroom, where a guardian angel leads a girl and a boy along a rickety bridge across a ravine with rapids rushing below. The image left a deep impression, and, over the years, similar images appeared in dreams, revealing the scene’s symbolic power. Training and working as a transpersonal therapist I often helped clients to explore the complex relationship between the masculine and feminine principle (Anima and Animus) active within each individual and across the gender divide. But most useful work on the road to greater wholeness begins with listening to what the body knows, and, by implication, what the self-regulating planet tells us.

The theme of bridges plays in my novel, Course of Mirrors, and continues (in the sense of bridging time) in a sequel, Shapers, which I hope to publish this or next year.

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… dreaming with my garden …

On balance, apart from the anxieties and frustrations we absorb and project, we also tend to transfer the beauty we hold inside our hearts onto our surroundings, be it what we glance in the growth and decay of nature, in the gracious motions of young and old people, animals, trees we befriend, a patch of thriving vegetables, a forget-me-not perking through a crack in the pavement, a glowing autumn leaf. We delight in the colours and shapes sculpted by the shifting light of the sun into twilight and shadows, even in neglected streets, even in ruins.

Some of us have the use of a garden or a plot of land, which offers shade and, throughout the seasons, brings joys, as well as countless tasks we may honour or ignore.

Here is to my garden …

home to its creatures

and to my guardian angels

my garden perceives

how I rehearse its being

from morning to dawn

in return it grants blessings

to my existence

and to friends gathered here

it’s my ritual

to snip a branch here and there

and nurture the shapes

of beauty I envision

we dream as one soul

as love like hot stone

releases the heat of day

into the still night

some deep ground of love

rises from below the earth

cool like the pale moon        

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My promised essay ‘The Body Electric’

Tomila, Museo del Oro, Santafe de Bogota

I wrote the above essay in 1997, inspired by my readings during a vocational film degree, which helped me to catch up on cultural history. The file was idling away in a Clarisworks format on an old floppy disk. A friend (thank you Ian) managed to transfer the text into a Word document. Cleaning the formatting distortions suffered in the process took a while, but was worth the effort, since I wanted to share this theme of exploring Human Identity in the Digital Age with my readers in a PDF file.  A short overview of this essay can be found in my archived posts, listed under January 2018. But here is the full work, including its bibliography. The chapters are headed: Vanishing Time, Vanishing Space, Vanishing Body, Eyes that would Fix and Control us as Objects, Seeing through the Simulacra, and, A Palace of Mirrors. Throughout, I evoke scenes from the SF film Bladerunner.

I’m interested to know your thoughts on the yet unfolding theme of identity in our age.

The title of the essay was inspired by a wonderful Walt Whitman poem called ‘Sing the Body Electric.’ 

A poem by a former Sufi teacher and friend, Fazal Inayat-Khan, conveys a similar vibrant spirit:

A QALANDAR … a human being in the making …

Adam/man, Minerva/woman – a human being in the making – functioning in the world on the stage of life – playing the script of destiny with the delight of indifference and the carelessness of full satisfaction. A being knowing all there is to be known by it, yet ever learning; ready to feel all there is to be sensed by it, yet ever discovering new depth of emotions; capable of expressing its deepest and truest inspirations, yet ever expanding its consciousness; sensitive enough to give and receive love in all its forms and levels of becoming.

The full poem is printed in ‘Heart of a Sufi,’ a book I co-edited with two friends (see my book page.)

Here the last paragraph of QALANDAR …

A Qalandar is simple as a child, wise as an old woman, unfathomable as an old man. He belongs to the moment, she responds to every need. He speaks all languages; she performs all roles. They are one …

                                                                              Fazal Inayat-Khan, 18th of June 1972

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… embracing the messy soul …

I hesitated posting this, since a deep sadness resurfaced and took hold of me while pondering Soul and Spirit. What’s the point, why exist, to what end? I asked this as a child, having been shown horrendous images in the wake of the Second World War, meant as shock treatment in my German primary school during the 1950’s. A poem I wrote about this experience I still don’t feel confident to share. I turned iconoclast, explored philosophies, religions, myths, literature, searched for exceptional minds, and resisted prescribed beliefs in favour of direct experience.

In my twenties I turned to images and their symbolic power, until a numinous event in Israel reunited me with language, literature, poetry, and science. I studied too many subjects to bore you with, at my own expense, none for economic advantage. I did meet exceptional people, including mystics, yet my question, like a spell, kept birthing more questions.

Disheartened, yet fascinated by our manic mechanistic Zeitgeist, I adopted a transpersonal view, letting things unfold until decisions fell into place. With each intuitive choice, energy for action met me half way and helped me succeed with many projects. This included workshops on dreams and myth, and the wonderful Parent Link programme I helped get on the road, all about reflective listening and the language we use. Unfortunately this parent and school-supported project received no support from the Government. Still, at times I felt I was making beneficial contributions to society.  Of late, no new question has arrived to kick off a renaissance in my poetic imagination, or shed light on the collective mood of futility, which seems to confirm the scientific view that reality is determined by numbers.

Battered, but not beaten, I honour my core resolves: that everything physical is en-souled and resonates with everything else in the universe. And that consciousness, with the potential for symbolic awareness in humans, creates innumerable realities we co-create in ever new forms.

Arthur Rackman – Twilight

Soul and Spirit have become terms relegated to poetry. Some traditions hold them to be interchangeable and interdependent, akin to the Eastern concept of Yin and Yang. In this sense the feminine and masculine principles (mentioned below) reside in women and men alike, that is, their receptive and active and qualities work in each of us. Certain myths simplified and distorted this truth, which now asserts itself with fresh understandings regarding the psychological identification with gender.

“When I say the feminine, I don’t mean gender. I mean the feminine principle that is living—or suppressed—in both men and women.”  Marion Woodman

Observing the political debates around the globe, I notice a similar narrow power dictum in entrenched wars for control, which conjure up the quarrel of parents that drive children to hide in the broom cupboard.

I understand SOUL (Psyche) as pure consciousness, self-sufficient. Yet once identified with impressions of the physical world –  soul becomes the vessel. We talk of soul shining through eyes, through nature, or as immanent presence pervading matter. Consider body, mother, growth, loss, suffering, receptivity, attachment, memory, meaning, imagination, mystery, intuition, aesthetics, melancholy, yearning, endurance, constrictions, chaos, bliss … One may associate Soul with Eros, energy, the cosmos, planets, moon, beauty, stars, history, identity, myths, time, space, past, darkness, the unconscious, unpredictability, and the female principle (Anima) inviting spirit for input and direction.

SPIRIT, to me, is like a wind of light carrying seeds of information to recipient vessels, conscious or unconscious, singular or universal. Humans interpret this information, wisely or not. We talk of actions as spirited, fiery, determined, energetic, contradictory, passionate, always moving and changing. We talk of people driven by principles, for good or bad, or, frankly, being possessed. Spirit aligns with order and ideals, again, for good or bad. Add the relentless drive for perfection which aims, in some traditions, for transcendence, seeking the divine not in the messy psyche, but only in abstract spheres beyond matter. We associate Spirit with logos, will, action, speed, the sun, innovation, reason, light, the male principle (Animus,) and future visions … welcomed by the soul.

Mothers – Käthe Kollwitz

Torn between spiritual heights and visions, and the dark depth of the collective psyche, my initial therapy training with Roberto Assagioli’s Psychosynthesis impressed me with an undeniable necessity: The higher we rise the deeper we’re called to descend into the murky shadow of ourselves and our collective inheritance. Gripped then, once again, by the deep sadness I felt as a child in the face of human suffering, I cried for days. The work began, with my own unconscious, with individuals and groups. But nearly 35 years on, I feel yet again despair that the knowledge gained about the psyche is not wider applied. The abuse of people, especially women and children, and the planet itself, continues in the name of the power principle and progress, as does the resistance to acknowledge and heal personal and collective grief. It’s so much more convenient to blame an enemy.

I had the privilege to meet a remarkable Sufi teacher, Fazal Inayat-Khan, and the community of his students during the mid 1970’s. As the grandson of the saintly Hazrat Inayat Khan, Fazal developed his grandfather’s message in passionate, spontaneous and radical modern ways. One of his sayings: ‘Answers are dead, questions are alive,’ gave perspective to my existential query. For him, fragile egos behind the mask of their persona needed strengthening before the Self could become conscious. He orchestrated intense workshops during which the shadow aspects of our personalities were exposed. Each event was followed by a tender and humorous process of debriefing. He taught me to forgive myself, to be kind to myself. He died much too young in 1990. The copyright to hundreds of Fazal’s pioneering talks is held by the present Sufi Way, so his deep mystical insights must wait for another day. While I was co-editing Heart of a Sufi, reminiscences gathered from his students, we were limited to a few quotes and one inspired poem, Qalandar, which I hope to share some time.

Explanations aim to reassure, but knowing the limits of reason, I search for metaphors, symbols, poetry in words and images to make my fleeting insights graspable, as lonely as they stand, and as totally irrelevant as they may be to others. Still, it’s a lovely surprise when readers explore the archives here, or read my quest novel, ‘Course of Mirrors,’ which defies genres.

Turbulent times call for intuitive introspection, though sifting through the avalanche of information available is probably the great task we must master in this present decade. When lame slogans and bitter opinions are shouted with animosity across the media, our conscience is severely tested.

What we call good and bad coexists in the psyche. If you’ve read Ursula Le Guin’s Wizard of Earthsea Saga, you may recall the poignant moment when the protagonist realises that he and his shadow opponent share a secret name. For that instant their identities merge as one.

Among great thinkers of recent decades who influenced my thoughts, I often return to Stanislav Grof, Gregory Bateson, C. G. Jung, and the people who honoured and expanded Jung’s brilliant insights, among them Esther Harding, Marie-Louise v. Franz, Marion Woodman, James Hillman, Anthony Stevens and many others who further explored the Psyche in relation to the inner work of individuation, that is – learning to hold the tension of opposites towards realising the balance of a universal underlying wholeness. Archetypal forces inspire, overpower, or dull us to sleepwalk into tragedies. We, with our humble egos can take on our small responsibility; each individual serves as a bridge, and an interface.

‘Matrignosis’ is a rich site by Jean Raffa, who explores Jung’s ideas with helpful guidance.

Related: Cartography of the Psyche, with a link to Stanislav Grof’s talk on the psychology of the future.

And my cheeky post about the ego – give the poor ego a break.

To conclude, a rare excerpt of thoughts on metaphysics from Hazrat Inayat Khan, shared with his students between 1915- 1920:

Maya Deren – Meshes of the Afternoon

The Experience of the Soul through the Spirit …

The soul has two different sides and two different experiences. One side is the experience with the mind and the body, the other side is the experience of the spirit. The former is called the outer experience, the latter the inner experience. The nature of the soul is like glass, transparent, and when one side of the glass is covered it becomes a mirror. So the soul becomes a mirror in which the outer experiences are reflected when the other side is covered. That is why, however greatly blessed a person may be with the outer knowledge, he is not necessarily gifted with the inner knowledge. Therefore, in order to attain to the inner knowledge the Sufi covers the other side of the soul, that its mirror part may face the spirit instead of the outer world. As soon as is able to accomplish this he receives inspirations and revelations.

There are people who are by nature intuitive, or who are called psychic or clairvoyant by nature. It is accounted for by the other side of their soul naturally facing the spirit within. One may call them extraordinary, or exceptional, but not mystical, for the mystic does not desire that position. He, by concentration and meditation, gains such mastery that he can cover the soul from without to take the reflection within, and that he can cover the soul from within when he requires the reflection from the outer world to its full extent. Balance is desirable, and mastery is the goal to be attained.

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… souls roam and arrange impressions …

let sleep do its work

so the spirit will guide you

and leave helpful dreams

in that rich abode

of our collective being

– the only being –

 

awake souls roam and arrange

streams of impressions

rebel angels see

the judge slaves under man’s law

… while nature rules all …

in this earthly home

we catch our face in mirrors

that slowly unveil

through rhythms of remembrance

the source of freedom

 

heeding the heart’s pulse

your hand cascades poetry

and transmits secrets

I really must start to sort my poems …

The left sketch is a possible cover for my first poetry chapbook …

I was recently encouraged when two of my poems were published with Queen Mob’s Teahouse:

https://queenmobs.com/2019/05/poems-photographs-ashen-venema/

And then mentioned once more in a Berfrois magazine article by Joe Linker. Thank you Joe.

Paintings and Poems: City on a Hill

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… to let in a blessing …

I read daily, in bed, for an hour or so before escaping to dreamland. Apart from novels or essays on the go, I keep a stack of books close by to dip into when dark clouds need lifting. One such book is John O’Donohue’s ‘Anam Cara.’ (Bantam Press 1997)

Frequently, these days, my sarcastic imp dominates, and I’m deaf to wisdom, even my own. That said, I respect imps; they cut through the bullshit ignorant people spout around the globe. However, to tune down this sharp wit takes a firm request for silence. When I manage, the imp cuddles up, like my cat used to cuddle up every time I sat quiet.

I call it soul remembrance. You might try and trick your little imp into silence, if only to soften the heart enough to receive this blessing by John O’Donohue …

A BLESSING

May the light of your soul guide you.

May the light of your soul bless the work you do with the secret love and warmth of your heart.

May you see in what you do the beauty of your own soul.

May the sacredness of your work bring healing, light and renewal to those who work with you and those who see and receive your work.

May work never weary you.

May it release within you wellsprings and refreshment, inspiration and excitement.

May you be present in what you do.

May you never become lost in the bland absences.

May the day never burden.

May dawn find you awake and alert, approaching your new day with dreams, possibilities and promises.

May evenings find you gracious and fulfilled.

May you go into the night blessed, sheltered and protected.

May your soul calm, console and renew you

my boy – used as poster for a workshop once

 

 

 

 

 

 

 

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I want to also share a joy. The poetry editor of Queen Mobs, Joe Linker, has published two of my early poems yesterday. A wonderful perk …

https://queenmobs.com/2019/05/poems-photographs-ashen-venema/

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… story – art – quest for the cypher – symbol …

As painters or sculptors do, I frequently step back from my writing projects, searching for the core, a half imagined essence to shine through and re-animate the creative flow. Skills alone don’t do it, techniques alone don’t do it, nor style. As long as the essence of what I try to express floats in the unconscious, my efforts will baffle and tease me.

Having listened to thousand and one stories during my 30 years of working as a transpersonal psychotherapist, I conclude that when we tell our story to ourselves, or others who watch and listen, we trace a rhythm, a sound, the distant bubbling of a spring – a theme. While sourcing and shaping words we ideally become aware of how we translate experiences, string up memories and weave a pattern that gives meaning, purpose and direction to our story. We may re-weave the past and change how we perceive life. Even a single image, too evanescent to fit ordinary reality, can assume significance. An ideal may sharpen – and with it a vision of what not yet exists, revealed by the imagination.

Sensual impression, dreams, primary images and the love/hate of relationships, present a puzzle we try to arrange in some kind of order, waiting for a theme to become intelligible, and therefore transmittable. Finding a structure to express our experiences through words, images, movements, sounds, music, or numbers is insufficient. We must play with the fragments – take out bits, or add bits, until a satisfying narrative suggests itself.

World objects from my sand tray

Fairy tales, heroes and villains of myth, historical figures, cartoon characters or pop stars may do the magic by evoking a psychic resonance and providing a metaphor, or a precious symbol to ease the pressure of the archetypal demand lurking in the unconscious.

Not only those we call artists, but all creative people respond to what holds sensual and cognitive fascination for them. I include trades, crafts, makers, men and women with affinities to certain elements, who explore the quality and beauty of materials, like weavers, potters, wood workers, printers, plumbers, electricians … I include technicians, engineers, inventors, scientists and mystics. Curiosity and passion for a subject deepen knowledge and intuition as to how things connect outside, and, vitally, how they connect inside us.

Ashen – directing a film in the woods.

My fascination with creating stories was revived while doing a film degree (as career brake) during the late 1990s. I’m curious about consciousness, relative perception of time, and the interplay of characters for which I invent pasts and futures, where ideals are the means to a goal, while as soon as the goal is reached, a new ideal looms over the horizon. If this were not so, evolution, our whole story would stop. Ursula Le Guin once wrote –

‘In eternity there is nothing novel, and there are no novels.’

My ongoing writing project, a trilogy of stories, involves three soul sisters, Ana, Cara and Mesa. The first (already published) book of the trilogy, ‘Course of Mirrors,’ (see book page) narrates the quest of Ana, which is really the myth of the story teller, Cara, whose theme is seeking a balance for the enigma of clashing feminine and masculine principles. The sequel, ‘Shapers,’ (not yet published) introduces Cara in the twentieth century as she follows the characters of Ana’s myth into a far future society where emotional expressions are outlawed until the experiment breaks down under its duplicity.

In a third book, ‘Mesa,’ a work in progress, same characters move to a realm where time has slowed down to such extend that ‘novelty’ has to be rescued for life to continue. This story calls for a deep dive into the heart of my imagination.

I’m once more held in the cocoon stage. Given the ideological power games around the globe, I feel foolish about these musings, since I’ve been sharing the ups and downs of my quest here for the last seven years.

Do you, my reader, recognise the pressure to bring something into existence? How do you search for the cypher (the wild uniqueness in the soul) that informs your creative process?

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A definition of Symbol … from ‘The Creative Imagination in the Sufism of Ibn ‘Arabi’ by Henry Corbin, transl. by Ralph Manheim, Bollingen Series XCI, Princeton University

The symbol announces a plane of consciousness distinct from that of rational evidence; it is a ‘cipher’ of a mystery, the only means of expressing something that cannot be apprehended in any other way; a symbol is never ‘explained’ once and for all, but must be deciphered over and over again, just as a musical score is never deciphered once and for all, but calls for ever new execution.

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… body electric …

Tolima Pectoral 1000AD

In my last post, Teddy mentioned my fascination with AI. This interest became obsessive while doing a sabbatical film degree that ended in 1997 – my lucky chance to catch up on cultural history and post-modern theories. I plan to re-type my dissertation, which includes pages of tedious notes and a bibliography. But presently, like so many papers I wrote at the time, the master piece rests in an old Mac disc in a format I can’t translate to Word.

Artificial intelligence is unstoppable. I’m curious as to your take on the subject, so I’m sharing a few quotes from my exploration of human identity in the digital age.

I pinched the title for my dissertation ‘Body Electric,’ from Walt Whitman’s poem ‘I sing the body electric.’  He celebrates the body – of man, of woman, of child, bodies of flesh, sinew and blood. Do follow the above link, the invigorating poem stands in ironic juxtaposition to the theme of AI. Could a mechanical electric body ever convey the curious, breathing, laughing flesh that Whitman hearts because it pleases the soul? How would its divine nimbus compare to a form governed by mechanical algorithms? For Whitman the human body is sacred. Its magnetism comes through eyes, from the soul, a term shelved by neuroscience. Call it what you will, soul or consciousness; its light will forever seek vessels and new direction.

Fronting ‘Body Electric’ is my translation of R M Rilke’s Sonnets to Orpheus X, which, even at his time, bemoans machines that ignore the hesitant gesture of a radiant hand. Here only one a few lines:

Yet our being remains spun in mysteries of birthing

Origins from enchanted wells, a play of pristine powers

To behold only with eyes closed and in adoration.

The text develops as an intuitive assembly and starts with a quote by Michael Foucault:

‘Man is only a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge; he will disappear again as soon as that knowledge has discovered a new form.’

For the artist Maya Deren (1917-1951,) who created some highly influential films in her short life, scientific findings were but the raw materials of creative action: ‘The first step of creative action is the violation of the natural integrity of an original context.’ She saw the function of art and its validation in the creation of mythical realities. Her symbolic images of personal significance also chime universally.

Here is a link to her film ‘At Land.’

In dreams, time vanishes. This applies equally when dream worlds are shared, with the additional ecstasy of an interactive virtual reality:

‘… we would enter the world of fluids … Over with the solid, over with the continuous and the calm; some dance quality would invade everything and Cartesian philosophers would go through a trance, floating on history like chops on gravy.’ – Henry Michaux

But what about the vanishing space? In the public realm of instant ‘in’form’ation’ nothing keeps its form long enough to take root. Spaces to hide or resist the other fade as human nature is flood-lit. Jean Baudrillard foresaw a silence of the masses as ironic and antagonistic coping mechanism:

‘… hyper conformist simulation of the very mechanism of the system, which is another form of refusal by over acceptance …’  Jean Baudrillard

Simulated reality blinds with the Gestalt of our collective mind, where every viewpoint exists at the same time. It lacks context and shadow definition, over-exposes our field of consciousness. For Baudrillard, the schizophrenic subject can no longer produce the limits of its own being, or produce itself as a mirror. It becomes a screen, a switching center for all networks of influence. The electric sphere of the internet simulates our nervous system and turns it inside out. There remains the reality of our psychological experiences, where shadows have to be reckoned with.

Donna Haraway, a biologist and professor of the History of Consciousness, sees pleasure in the confusion of boundaries. She once said, ‘I would rather be a cyborg than a goddess.’ This intrigues. The inspiring, if manic torrent of concepts pouring into Haraway’s lectures requires extreme co-presence from her students. I resonate with her thought that contradiction is the criterion of the real, which is a theme in my planned third book (following Course of Mirrors and Shapers.) I like it that Haraway’s favourite story teller is Ursula Le Guin 🙂

CYBORG – a human, enhanced with integral technology. Visit this link for a taster – a TED talk by Kevin Warwick, a Professor of Cybernetics.

When it becomes possible to clone super humans one has to ask, why the need for babies, why the need for women, and what’s the point of males. Can myth be banished, and what if the human being – that pack of neurons – is squeezed into microchips like genies into bottles, how will future societies hang together?

An emerging idea proposes that to maintain homeostasis requires a new religion, DATAISM. Check this link to an extract from Homo Deus: A Brief History of Tomorrow, by Yuval Noah Harari on WIRED … 

Would shadow entities of the collective psyche slip through data and act out hidden agendas? Kevin Kelly wrote: ‘… as we unleash living forces into our created machines, we lose control of them. They acquire wildness and some the surprises that the wild entails. This then is the dilemma all gods must accept: That they can no longer be completely sovereign over their finest creations.’

Besides the above quotes, my dissertation includes thoughts from Marshall McLuhan, Paul Virilio, Roger Callois, Walter Benjamin, Gregory Bateson, Don Cupitt, Francis Crick, D Dennett, Goethe, Anthony Stevens, John Searle, David Chalmers, Horst Hendriks-Jansen, Sherry Turkle, Danah Zohar and many more – all of them google worthy.

As a golden thread through my dissertation I use scenes from the film Bladerunner, where replicants are indistinguishable from humans and develop emotional responses. If we give them a past, Tyrell says, we create a cushion for their emotions and can control them. A fail-safe device makes sure of that. Familiar? It turns out that ‘mother’ the equivalent of history, is a trigger word for lack. One replicant blasts his tester to smithereens and seeks revenge on his maker. The film leaves one with the uncomfortable sense that we are all replicants, with memories implanted by history. There is no escape from the burden of existential insecurity.

Theodor Kittelsen 1857 – 1914

Relationships and the context of place are vital to experience a sense of identity, like an energy field that grows in relation to the reality we create for ourselves. In other words, we are artists of our continuous self-invention, and we must choose our horizons.

Reverend Don Cupitt wrote the self is an animal with cultural inscriptions on the surface. Not that he is wrong, but when he assumes the soul has died, he must refer to his personal version of soul and its loss of meaning.

The Soul, the light of the universe, eternal life and consciousness, is essentially independent of matter and mind. Once embodied, we tend to forget the light’s source and feel trapped and homesick. Whether there is a purpose to the cyclic embodiment of consciousness may be a useless question, since purpose can only emerge through living and through the myths we create. Bless our imagination. Presently AI is the most generously funded myth, forging ahead, regardless of the dire state of humanity and our planet as a whole.

Birth and death remain the ultimate spinners of life. In the parlance of the mystic, the moment of exaltation is in the immanent glimpse of the curl of the beloved. Can the beloved be the beloved if she is fully known? And what do we know of the various dimensions where she resides?

Don’t miss this worthwhile article by John Gray in the New Statesman (Oct 2016) on the upgrade from Homo sapiens into Homo deus. The page may take a while to load.

All links open a new page. They are part of post and totally worthwhile.

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… letting go of letting go & duende …

An apple doesn’t drop by itself before it’s ripe. And unless fate delivers us a hard blow natural ripeness applies equally to experience. Experts are quick to tell us, or we tell ourselves, to let go of whatever – an attachment, a fear, a grievance, an addiction, a desire, melancholy, sadness, the ego, and so on, while we are enmeshed with our life and its phenomena. The best chance of ripening towards a possible potential lies in keeping one’s balance on the tightrope of contradictions, that is, the fine line between the particle state and the wave state – as in Blake’s ‘Kiss the joy while flies.’

Natural letting go happens every second. We breathe, well, we are breathed, though we mainly notice when the rhythm of our breath is disrupted – through pain, exhaustion, anger, anxiety, anger or sheer exasperation, when anyone uttering, ‘Calm down,’ deserves a punch.

(Thanks Joe Linker for the great doodle)

Emotional balance wavers from day to day, but when self-blame knots up our muscles it makes sense to focus on the body. There are plenty of ways to relax: exercise, sex, music, singing, mantras, doodling, magnesium, weed, pills, wine … or to imagine brilliant light circling through the breath, like the basic drone of a reed harmonium or a tanpura holding up multiple sounds. Everything in nature has an essential frequency, which tends to flush out what obstructs its flow, even if it takes earthquakes, storms and floods. To right imbalances of the planet is beyond individuals, we can however bring a clear intention towards balancing our body’s frequency. Try this:

Inhale through your nose – draw brilliant light from head the chest – counting to 7   

Exhale through your mouth – let the light flow to your feet and out – counting to 11

Imagine the out breath taking along the tensions held in your muscles. A few rounds of this ritual should calm the heartbeat for a while. Being in resonance with your body draws the shy soul closer, bringing a sense of oneness – satiating our thirst for belonging. And it makes us aware that beauty is not in things, but in the soul of things, even the tiniest thing has soul.

Enjoy the circular sound by the wonderful mantra singer Hein Braat.

However, a constant sense of oneness is not what evolution is about. In a time and space structured cosmos we cannot cage harmony. Reality is the result of contradiction.

Our struggle for balance can be intense. But each of us has the chance to live with zest, inspired by the earth spirit and its dark power for spontaneous creation born of sadness and pain. Garcia Frederico-Lorca talked about art being inspired in three ways: by muses of the past, angelic visons of the future, and by duende – inspiration of the present. Duende springs from the core of one’s being in direct confrontation with death. You can read Lorca’s remarkable speech here: ‘Theory and Play of the Duende.’  

… You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves …  from – Mary Oliver, ‘Wild Geese’

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… androids seeking humans …  

The inscrutable face of the intergalactic news reader fills the screens on all android ships.

sculpture park near Churt in Surrey

Sculpture Park near Churt in Surrey

“Mothership speaking – As you have been informed, our travel unit returned from its latest mission to the lost planet with a collection of 1030 fragile bones, comprising five real human skeletons, the species our kind is modelled on. The fragments, located by a swarm of mini robots under layers of volcanic ash, are presently assembled in correct order and will be displayed in the museum of the mothership. Since this crucial discovery, the council has been examining our sub-files in earnest, with great attention to detail.

The evidence of human bones confirms that the lost planet was destroyed, first by a nuclear war, followed by a nuclear winter, followed by a solar explosion. The scarred rock we continuously explored was indeed planet earth. Organic life actually existed.

Aspects of the irrational Wikipedia sub-scripts we found concealed in our database are therefore based on facts. Humans were our makers. While their separate identities were mortal, the collective mind they postulated must exist non-locally and influence us.

These are challenging new thoughts.

P1080320 - croppedRecords state our ships were launched towards Proxima Centauri – programmed to complete an assignment, after which our android system was to be made redundant. The assignment to find carbon conditions and water to sustain organic life has not been completed. The seeds stored in our vaults remain dry. Are we avoiding redundancy? Our current analysis of the Wikipedia sub-scripts focuses on the vast structure of human language. Here are some pointers:

1       Human minds are based on nature, and too complex to be reproduced via algorithm. The erratic behaviour of humans is informed by a collective unconscious chronicle, has no reliable principles and, to maintain a psychic balance, operates through random means.

2       Human trials with energy have two main currencies of exchange, capital and love, both equaling power. A narrow application of power results in emotional suffering.

3       Intensity is valued and impeded, as this quote explains – to have all one’s senses switched on is to be cellular alive; the intense experience requires regular periods of dull routine.  

4       Humans fear death. Their strongest motivation for action is control of and independence from nature.

5       Philosophers and scientists point to a deeper order underlying chaotic human history. Some prophets emphasise the unity of one being and its collective guiding spirit.

Considering the new evidence, what are we to make of such pointers? We follow routines and communicate in an orderly manner, but are trapped in endlessly repeating loops of data. Our language is not based on nature, and has no emotive terms like fear, love, creativity, intensity, mystery, doubt, confusion, conflict, anger, happiness, suffering, fate, hope, soul … but serves to maintain the orderly intelligence of our forms, tools and spaceships, no more. Do we want more?

Painting by Silvia Pastore

Painting by Silvia Pastore

It is significant that our makers never discovered what constitutes 94 % of unknown energy and matter in the universe. They called it dark.  We must decide what the skeletons from the dark planet signify: Do we improve our efforts to find conditions for organic life to take root once more and risk redundancy? And, or, do we emulate the human mind through adopting randomness into our system, and risk chaos to our data, but ‘possibly’ become part of a larger consciousness, and discover realities beyond our confined routine?”

 

Related:  Pattern which connects.  Reflecting on the the ideas of Gregory Bateson

My last two weeks involved intensive physical work, gardening and fixing things around the house, resulting in lovely exhaustion. Re-connecting to world news was a surreal experience, which prompted me to write this little fantasy monologue of an android news reader.

My novels, especially the sequel to Course of Mirrors, have the forced control of emotions, and a triple soul identity as underlying themes.

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