Tag Archives: C G Jung

… how I met my angel …

I was always drawn to subtle light, not the blinding bright one, but the humble light that searches and elevates hidden beauty in the shade … the stray beam on a patch of peeling paint, a spark of sun in a puddle, the amazing transformations of shapes and colours created by a tiny shift of its direction. I love how light sculpts the garden through morning mist, how it paints cloud landscapes, how it slips through the frame of a window, teases the shadowy folds of a gauze curtain, or how it honours leaves by flooding through the gaps to jewel the ground. When I took to squinting through the branches against the sky, I discovered their negative pattern – appearing like a distant universe.

Even as a toddler I’ve been mesmerised by the musical dance of light across the forest floor, any shifting shadows on surfaces, and, occasionally, I imagined strange new forms in a light and shadow show. This was not particularly encouraged by my parents, who thought my weird imagination was a bit over the top, too vivid. So obviously I shut up about these impressions, and any odd thoughts that crossed my mind..

Maybe my angel was annoyed that I wallowed in being lonely, but lacked the grace to acknowledge her being there, all the time. Anyway, she decided to introduce herself. The vision came while I was under deep anesthetic trance for a life-saving operation to remove a dysfunctional appendix.

I was around eight years old.

Waking up in in pristine white room, wrapped up in pristine white bedding, the first thing that flooded into my mind was the crystal clear memory of meeting my angel.

She invited me to follow her along a corridor; she was luminous, with translucent wings. She opened a door. While I was reviewing this instant in the pristine white room, I had a physical sensation or relief. She had opened a door.

The scene repeated itself in that there were many doors dividing the corridor, and one after another was opened with a soft nudge by my angel. She was basically telling me, ‘You don’t need keys; doors will open for you, if and when you want to, be it forward or backwards, future or past.’

The vision relieved the pressure of rejections; foremost felt from my father’s secretive psyche. My grandmother had warned my mother that her son was a closed cupboard. My angel suggested I had a choice as to what door I opened, and when. Opening a door backwards, I eventually I found that my dad’s cupboard protected a deeply sensitive romantic.

My next door is ahead, and it entails fully embracing the process of continuing with the writing of my third novel – ’Mesa’ – the most challenging project yet, especially since I’ve no idea where it will lead.

To come back to my angel … a spirit guide every individual has, though not necessarily perceived … it is a being (no matter what you call it) offering intimate rapport. In various cultures there are different terms for this guardian, be it angel, the Green One, understood as an ancient pagan spirit of the wild woods, or ‘Khidr’ in mystical Islam – appearing from nowhere when help and advice is needed, most often not the rational kind.

  1. G. Jung says Khidr reveals not just the greenness of the chlorophyll within the leaves, not just the sunlight / water responsible for their nourishment and liveliness, and not just the (secondary) green ray of light that is refracted as the “middle-pillar” within the light spectrum, but also the (primary) undifferentiated light of a pure and altered consciousness. For Jung, Khidr resembles the inner self.

In that sense, one could say, Khidr helps us to adjust traditional maps to our present individual territory. When you think a little about it, you’ll probably recall the moments in your life, tiny as they may have been, when an angel being changed your life for the better, even when it required a disruption of your expectations. And think of the angels of dear friends who are on a wavelength with yours and support your best intentions.

Ideally, we find our kin over the years. My use of the imagination, distinct from fantasy, was often affirmed. Particularly the ‘The Creative Imagination’ Ibn ‘Arabi reveals as The Science of the Heart, influenced the writing of my novels (info. on my book page.) Meanwhile, you may like my short essay on the subject.

My short essay, inspired by Henry Corbin’s book ‘Creative Imagination in the Sufism of Ibn ‘Arabi’ … English edition by Princeton University, 1969 The Science of the Heart – written 20 yrs ago https://courseofmirrors.files.wordpress.com/2011/03/science-of-the-heart.pdf…

One of some related post on this site is from July 2020 … https://courseofmirrors.com/2020/06/07/alone-with-the-alone/

The image above is from a print depicting Khidr, given to me by a Sufi friend.

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… musings on order and chaos …

As an example, not a general theory, a parent who habitually keeps everything organised, clean and in place, may feel displeasure when their child does not follow this model. Sensing displeasure, the child may feel restrained and controlled, and possibly develop a reaction via contrary behaviour. Of course, reactions to initial conditions are way more complex. But both, excessive order and excessive chaos in the early environment set a tone.

My early impressions were in the middle, yet plenty of condensed experiences pull me into repetitive behaviour. But people for whom, let’s say, the organised model felt intolerable, meeting an adult partner who likes order, even in a mild way, easily hooks into their initial reaction. The desire for order is stability, beauty, keeping the wild and unpredictable at bay, and also serves as a buffer against anxiety. But someone who felt restricted by order may easily feel controlled. In this two-way process, any projection also frames the projector, and various complex relationships are such defined, with children, partners, work colleagues, mentors, groups, and even political parties. The irony is that instead of choosing a partner or group where this conflict does not arise, we often unconsciously attract an early model we disliked, maybe because of its familiarity, maybe because of the implied challenge. I assume it’s a psychological trick allowing for lessons in tolerance and, hopefully in time, a reframing of one’s life story.

While periods of stability are necessary, it is from chaos that creativity is born and new forms emerge, which is why some artists embrace chaos, allowing for the spontaneous discovery of new patterns and hidden harmonies.

To voluntary endure the dissonance between order and chaos is a spiritual quest towards an attitude of transcendence.

In this sense, and with the emphasis on becoming, my Sufi teacher, Fazal Inayat-Khan, who was also a musician and poet, used to orchestrate chaos in workshops for his students to great effect. He trained us well for the turbulent cultural changes that are now upon us, a global rite of passage we best consciously engage with. Faith in the unknown tends to signal our guiding spirit to open unsuspected doors towards a deeper resonance with the collective psyche.

“Beauty is mysterious as well as terrible. God and the devil are fighting there, and the battlefield is the heart of man.’ — Fyodor Dostoevsky

‘The Gods envy the perfection of man, because perfection has no need of the Gods. But since no one is perfect, we need the Gods.’ … Carl Jung, Liber Novus, page 244

‘The ideal is the means; its breaking is the goal.’ Hazrat Inayat Khan

Ever since I came upon James Gleick’s book ‘Chaos,’ the William Heinemann Ltd 1988 edition, I was fascinated by the concept which has radically changed scientific enquiries, as well as giving new meaning to my practice of transpersonal therapy.

James Gleick’s book also contains the amazing Mandelbrot set. Here a short introduction …

https://www.youtube.com/watch?v=3orIIcKD8p4

James Gleick’s newest publication is on ‘Information.’

Phew … here I’m challenged … a new wordpress format with its insistence on ‘blocks,’ disallows me the use of the classic editor. It’s a headache to create a post.

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… story codes in nature and psyche …

Over time, shifting seasons leave strata in matter that can be studied like pages of a book, be it in air, water, ice, earth, rock, stones, fossils, bones, or in more short-lived material. Take the rings of a tree, spiralling upwards, normally hidden, but clearly readable when the trunk is cut. Even a single hair tells a story of the duration of its growth, likely composed of fluctuating water and nutrients intake, but nevertheless showing an overall pattern of fairly consistent data within a slice of set time, like a snapshot of nature’s heirloom, whose treasures our runaway culture seems hell bent to recklessly damage.

When it comes to psychic codes, we must enter a different sphere and use a different language. Let’s say being cognizant of our changing thought patterns gives us our mythical code? What image might depict the Spirit of a generation, developed by a mania for progress, but also formed through individual and collective archetypal demands, via symbols and dormant dreams that pop up, shifting outlook and direction?

I’m spinning here a few thoughts into nowhere, or maybe the kind of noo-sphere, a term used by Vladimir Vernadsky & Theilhard de Chardin, which was later seen as an early vision of the internet. The concept resonates with the ancient concept of Akasha. Jean Raffa on her blog  https://jeanbenedictraffa.com/blog/   recently reminded me of Lynne McTaggart’s book, The Field, collating more recent scientific discoveries, again affirming how our minds are influenced, and vice versa, by an interactive field spanning the cosmos, from where we connect up and process thoughts and feelings through our body and brain (call it our radio stations.) Frequently, the purpose of anything is established in hindsight. So one could say events happen for reasons we don’t know of, and we assign meaning only at a later point in time, stretched to hours, decades, centuries or aeons.

A medley of my inner crowd, the seeker, philosopher, writer, artist and poet, all receive and transmit through slightly different wavelengths, following their interests, but affected by the media, the weather, moon phases, astrological constellations, vaguely remembered dreams, company, and my body’s metabolism. In that process I jostle for meaning that could gain purchase towards a cohesive point of view. Alas, cohesive points of view can be tricky. While keen to learn and unlearn, when I encounter a fixed point of view I sense a false solidity, while my truth seeker floats, suspended, like the protagonist in my novel, ‘Course of Mirrors.’ https://twitter.com/mushkilgusha

C G Jung suggested the mind has been developing over a very long time, and keeps developing from as yet hidden seeds that rest in the unconscious, holding ideas that will slowly grow and unfold, which implies the seeds already exist, waiting for fair conditions to be recovered.

This process is the theme of a brilliant epic, ‘Involution,’ published by Philippa Rees.

We know that when gifted individuals dare to go public with an insight that rocks or contradicts the Zeitgeist, they get vilified. The list of such intuitive people, historically and up to this present time, is long.  We owe a great debt to their insights and efforts, bringing us understanding from the unconscious. New decoding is looked at with suspicion and hardly ever welcome, though small sections of society receive and embrace new ideas and nurture their meaning until collective acceptance happens. There are also those who clearly understand a message but fear the implications. They will try to shoot messengers that threaten their profits or their hard won reputation.

Myth & stories, the most reliable cultural codes, are treated with moderate tolerance by players attached to short term gains, who may lack the imagination to grok the symbolic significance of fresh and life-enhancing interpretations.

Returning to my interest in changing thought patterns, I checked the archive of my website, going back to 2011. It shows that for more than nine years I’ve been jumping about a lot, which makes the content of my postings consistently random. But do my posts have an underlying code that relates to this past decade? Some vague answers bubble up. I’m waiting

C G Jung wrote in ‘Men and his Symbols’ … ‘We have obviously been so busy with the question of what we think that we entirely forgot to ask what the unconscious psyche thinks about us. …

Placing this writer here into the third person … considering the time slice of a decade, and given the random themes of the posts, do Ashen’s readers depict a pattern, a code? Anything like a famous elevator pitch authors should have up their sleeve, and which she seem incapable of formulating. She knows it’s cheeky to ask, but sees it as a reality test.

she must keep alive

the rare glimpse and utter awe

that consigned her fate        

a timeless moment

of totality that won’t

fit reality

only a fresh one will do

Inspired by a dark moon thought, this is a new moon post.

This image should have been on top. I admit to be totally lost in regard to the new editing format wordpress has installed. Lost as how to place images, how to do elegant links, or how to escape back to the classical editor, since I can’t open the plug-in zip. I hope to figure it out somehow. Tips are welcome.

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