Tag Archives: loss

… dear old, dear new, how do we marry you …

I watched some of the pageant ceremonies, processions of dignitaries, colourful guards and regiments under hundreds of flags, and I watched the new King’s formal appointments in the wake of his mother’s death. I watched in wonder at the order and precision with which the various events were executed, with drums and trumpets, every footstep synchronized, left, right, left, right … all in the presence of thousands of people lining the streets, or witnessed through the BBC coverage by innumerable viewers around the world. The deep gratitude people express for Queen Elizabeth the second is not surprising considering the innumerable people and organisations she engaged with and visibly supported from her anointed position, but as the display continues, day by day, the commemorations edge on the surreal.
 
Any momentous public outpouring of grief tends to compound our experiences of personal bereavements, and, of course, reminds us of our mortality. This event, however, is about more than the loss of a beloved Queen who used her privilege and symbolic power through seven decades to serve as best as she could. Her loss rocks the solid traditional constitution she represented. While the centuries’ old tradition of this monarchy sits uncomfortable within modern society, it is nostalgically clung to and treasured.
 
The queues of people eager to pay tribute to the Queen’s lying in state in Westminster Hall have been, and continue to be many miles long, presently with a wait of 24 hour during a chilly night. All recorded: https://www.bbc.co.uk/news/live/uk-629217 And there’s a queue tracker on You Tube https://www.youtube.com/watch?v=cJxDwDzAwEs
 
Within the crazy weaving of my mind I was searching for a thread to make sense of the unfolding pattern of unavoidable changes that loom to endanger the old order, which always calls for transitional objects that sooth the loss and helps to honour both the familiar old and the unknown new potential of the future. What can serve here as a transitional object, something to hug for comfort, equivalent to a Linus blanket?
 
I was reminded of a theme my former Sufi friend and teacher, Fazal Inayat- Khan, often explored. In the prologue to a book, Old Thinking, New Thinking, containing a handful of his lectures he reluctantly agreed to have published during the 1970’s, long out of print, Fazal gave credit to both, the old ways (formal and reliable) and the new ways that seek essence.
 
                         ‘Old thinking is a claim and new thinking is an aim.’
 
Could there be an equal validation of form and essence for the UK monarchy?
 
When my mind floats in a vague space, I tend to express my ambivalent thoughts through Haiku:
 
a pendulum swings
left right ahead back
circling by the gravity
of hidden forces
 
dryness is conservative
until it overheats
moisture conducts the traffic
of novel ideas
until rain floods the bedrock
 
Kings or Queens were historically regarded as divinities. The afterglow of such divine aura still glimmers around the mantle of monarchies in our world, and a yearning for the divine remains, with the need for an ideal, something whole to give meaning to our lives. But can a monarchy still serve as such an ideal?
 
Ultimately, the Kingdom to come is of course the Kingdom within, where archetypal qualities can spark a force that steers and rules our destiny.
 
As familiar faces of relatives and friends leave an imprint in our psyche, so do faces of people in public life. The media showers us with faces of celebrities, providing icons and avatars that embody qualities we aspire to, or despise.

Dissidents against England’s monarchy highlight the extravagant financial privileges of royalty, and the historic trail of devastating exploitation during its colonial past. Apologies and reparations must surely be ongoing. And then there is the Commonwealth, which some proclaim to be a post-colonial club: https://www.bbc.co.uk/news/uk-43715079

I’m a dreamer, without allegiance to a crown or state. I’m wary of crowds and any hive mind, totally unsuited to get embroiled in arguments about the monarchy. My gripes are with the unpleasant character assassinations of individuals, found on popular internet platforms.

Character assassination resembles kleptomania, an irresistible urge to steal someone’s glamour.

What further is there to be said right now? Do my readers here envisage a Kingdom within?

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… how past and future flipped their meaning …

Painting by Theodor Severin Kittelsen

I noticed that since the lockdown of active living was brought in to control the spread of the Corona virus … the isolation from social engagement has affected children and the elderly in different ways.

The middle group, people who kept our social systems functioning, deserve deep gratitude. The work pressure surely involved intense stress and risk-taking.

As for children and young people, bursting with energy and hungry for experiences, I felt for them, being trapped in often cramped homes, while having their future projects halted. No rite of passage events, no opportunity to find their tribe, dreams lost in a distant mist, a mirage on the horizon, where sky and land meet. Recalling my own childhood and youth, I find it hard to imagine the sense of futility and sheer frustration. Some kids will have coped better with this situation than others, not least because there is now the internet, zoom, and generally the disembodied metaverse to engage with, but to what end, when bodies become redundant?

The elderly, to which I belong, for whom work and social engagement may have slowed, and then jolted to a standstill during the past few years, have at least the advantage of a rich and often meaningful past. At best, they can make use of an enforced solitude to regain contact with the unconscious, travel inwards, and use the overview from a distance to lift and re-weave the threats of their lived experience.

From where I observed the young and old sections of society, it seems that past and future flipped their meaning in relation to the expansion of consciousness, and, dare I say it, soul-making, which requires the organic experience. Compared to a bland future, the past holds abundant treasures for the imagination, and an almost luminous creativity. 

As long as I remember I felt a desire to deepen my understanding of time and space, nature, human behaviour, the sciences, people’s perception and differences, the collective psyche … to which end I travelled to seek adventures, read countless books and studied many subjects, some of them formally, like philosophy, spiritual traditions, psychology, mythology, art, photography, film and video, each time meeting interesting and inspiring groups and ideas. I was too involved with people to value the poems and stories I wrote, until my introspection flowed into a novel, ‘Course of Mirrors,’ and a soon-to-be sequel, ‘Shapers.’.  

I’m presently reading Italo Calvino’s ‘Invisible Cities,’ a dreamlike dialogue between Kublai Khan and Marco Polo about imagined or memorised cities. A sentence I came upon yesterday sparked this post …

“You reach a moment in life when, among the people you have known, the dead outnumber the living … “

This does not yet apply, but I get it. During the last three decades I lost over 20 dear friends, including my parents, not taking into account writers and public figures I admired. Grief meanders freely in my mind, is palpable, and unavoidable. Yet, due to their influence, all significant people that died during these last three decades live on in my psyche.

While my physical engagement with people has slowed these last years, time itself has dizzyingly sped ahead, which, for me, is enough reason to resurrect the embodied insights of past decades, if only to defy a sensational but boringly flat metaverse. Young people might of course have a totally different view.

Several themes were on my mind to write about here this month, until this curious thought of a reverse past/future junction came up last night. So I wonder if my reflections resonate with some of my readers, especially those of you in the second half of their lives.

My week living in a cave on the island of Elba

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girl

GIRL

down generations

she  crosses bridges and streams

her body is smart

though prying mind-trolls

punish her rebel with glee

not the ordered son

yet loved by the mother bee

her spirit endures

This ceramic bee shone from a box of knickknacks among items my dad left.

. I liked the ornament as a child and can still see the bright wings mirrored in the surface of a lacquered sideboard. The bee was my mother’s and sums her up, always on the move, hardworking, generous and caring, though struggling with the emotional complexity of my father. His mother warned her … he’s a closed cupboard, meaning he didn’t trust people with his inner life. I had intuitive access to this cupboard, as daughters do, but the content was so fiercely protected, even my most gentle enquiries were repelled to the day my dad died, last spring.

Then again, had he not hidden his hoard of secrets, his girl may not have sneaked through the doors of the imagination, become a seeker, an explorer, a poet, a storyteller, a writer in search of words for what intuition reveals. Where invisibles exist they act like the fungi that entangles and interconnects what is unseen, unless brought to light. I write for a small audience – lovers of the imagination, lovers of myth, and lovers of poetry – you will appreciate my book, Course of Mirrors, and its sequel to come, which turns into SF.

In last month’s post, complementing an image found on twitter, of a screaming new-born, is an image of my mother holding me close as an infant. She died 35 years ago around this time, but still visits and protects me during nights; such is the vivacious spirit of the mother bee. Apart from my parents, I’ve lost many dear ones these last decades. While every loss refills the loss jar to its brim, a crescent (presence) still abides.

Each that we lose takes part of us;
A crescent still abides,
Which like the moon, some turbid night,
Is summoned by the tides. – Emily Dickinson

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… families appear throughout life …

To fill in the distorted or simply incomplete gestalt gathered from early caregivers, we find ourselves during our lifetime in families of various constellations … in groupings of friends, educational settings, teams working towards a project, callings, interest groups, animal care, subcultures, political, vocational and spiritual clusters. In these groups we slot into roles we project, or are projected onto us with qualities others are drawn to engage with, for whatever reason, often to explore a hidden part inside, mother, father, sister, brother, child, lover, hidden in the light or hidden in the dark. Much of this search now happens virtually, through screens, though it can’t replace the actual physical resonance a gestalt needs.

Family can also mean a collection of symbolically meaningful objects, toys, letters, books, art, tools, stones. I collect stones and endow them with memories. My ex-husband extended his loving father role to string instruments. (I wrote about his loss in my previous post.)

In the 1969 movie Alice’s Restaurant … with Arlo Guthrie, Pat Quinn & James Broderick, you can do anything you want. Alice tries to satisfy the motherly expectations of an eccentric hippie group, a powerful dream, which ends when she marries. The last image in the film shows her standing alone in front of the old church her husband plans on selling, to create a more ideal community in the countryside, though Alice’s hippie children have grown and left.  In the poignant last image of the film Alice stands alone, waking from a dream, debts paid and debts made. Psychotherapy can accelerate this archetypal demand for clarity and cohesion of one’s myth, but soul-making must continue for consciousness to expand.

At stages in our life we fit, or are fitted, into a network of psychological potential. These are intense phases. Yet irrespective of time gone since people parted ways,  families dispersed, places were lost … when a former close friend dies, insight descends, rises, arrives from the past, from the future and from spheres unknown. Memories will shift their meaning. Slowly our sense of self is re-aligned. We capture a condensation of what was symbolically exchanged, essence is revealed.

In this gentle way we unravel the knots of entangled bonds. I’m wary of this advice … let it go!  Grieving for a loss needs to ripen. While unripe apples fall from trees all the time, it is a sad waste to rip them from branches, we deprive our selves of what a ripe apple is for, to be eaten and digested for nourishment.

My lover, mourner and philosopher could have pulled this theme in ten different directions. I kept it short and leave associations to you.

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… other-worldly Cornwall’s clay pits …

Some call it a lunar landscape. Wrongly. For lack of atmosphere, as mentioned in my recent post, the moon has no blue dome with cloud beings.

Years ago, my friend, Rahima (aka Elspeth Spottiswood/Milburn,) enticed me to visit the clay pits near St Austell.

While living in Cornwall as a young mother, she often marvelled at the white phenomenon seen from the road. Glowing on the horizon, the then white hills left a deep impression, bringing to her mind a city of temples, namely Ezekiel’s prophetic vision of a New Jerusalem.

This in stark contrast to the black slag heaps of coalmines, which, as a painter, and having grown up in Scotland, visually fascinated Rahima just the same.

In uniquely attuned spiritual warriors mode we conducted many seminars and workshops together, on dreams and archetypes and the imagination.

One day, off to visit the St Austell Clay Pits, we were searching for an entry to the site. During an adventurous process of getting lost among dusty criss-crossing tracks, circling on forever, we finally found ourselves in the heart of and atop the excavation site.

Luck was with us in another sense, the dramatic Cornish light on that day inspired the series of photographs I am sharing here.

I love clouds in any form and shade, regally resting, floating or racing on the breath of the wind, seen from a valley, mountain or plane. Clouds story our skies with magical creatures. Here one of my posts celebrating clouds. 

Human industry values the hidden treasures under the earth, black stuff, white stuff and golden stuff … Cornwall supplies white gold, the clay prized for porcelain, paper, paint and rubber.

Traditionally, china clay was extracted from the kaolinised granite by “wet mining”. High pressure jets of water were used to erode the working faces and wash out the kaolin. The slurry produced would flow down to the base of the pit from where it was pumped to the surface for processing.

In St Austell this process has moved on to dry-mining. In recent years, locals have taken to re-greening the scars of industrial excavations around mining sites, and, in a way, are making the scars less spectacular.

The China Clay Museum, Wheal-Martyn, provides information about Kaolin history and research.

The museum is planning a celebratory exhibition this summer …

There exist more dramatic images of the day, but I leave it as is for now.

Be aware that it may be illegal to enter the Clay Pit site without prior arrangement. We were naive and plain lucky, guided by my friend’s love for the place.

Later that day, Rahima and I travelled along narrow, sun-speckled  Cornish lanes towards Lamorna Bay at the coast.

That’s another story, for another day . I wrote about missing my friend in 2017.

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… a dream of being in the dark …

How to reconcile moments of pure beauty and light our restless world offers, with the heavy darkness of human ignorance? How is it the guiding spirit that is shining through everything so often escapes the unseeing eye? Is it our wounded hearts, or our anxious busy thoughts that prevent spontaneous being?  Many of us like twilight, the dawn, the dusk, mist, where darkness and light do not negate but enhance each other. They mingle. As friends do, or lovers.  Twilight is poetry in motion.

And what, you may ask, does she mean by the guiding spirit that shines through everything. It’s a core in me that connects to the one soul-being I belong to, the only self I really know. And while I’m not enlightened, I do experience timeless moments, glimpses into the sixth dimension, nodal points around which the fiction of my existence is woven.

The other day, my long-ridiculed romantic fool tossed out these lines:

like tiny cherubs

white butterflies loop across

green teeming canvas

thou – sweet silent mystery

do you sense me sigh

when the cold moon-rock rises

as luminous globe – hello dear ones lost in time – your intense living – is forever part of me

‘Long live the dead because we live in them.’  …  Clarice Lispector, A Breath of Life

When there is no other near to share such paradoxical quickening with, I may call on those who enriched my life but are no longer present. I adore the moon, the ancient chunk of earth, reflecting and making tolerable the blinding beams of the sun, granting us poetry and symbolic language.

That night I had a dream and remembered its last facet … I’m floating through a soft, vibrant darkness. A small voice says, ‘You’re the light, look again.’ Sure enough, I spot the outline of a building and bright points, like glittering stars. A series of scenes unfolds, which brings clarity to a puzzling questions. Darkness holds memories, visions and vital knowledge, though it requires trust in the guiding spirit as a mode of orientation. Insights are shy; they wait to be found.

Nature, being energy manifested in slow motion, breathes life into countless rhythms and tunes from the recorded symphonic sounds of the universe – to continuously re-animate the one being of eternal life. Yet we humans, who pride ourselves in aiding this process with heightened consciousness, are increasingly busy destroying the homeostasis life depends on. Can a virus offer a long enough pause for the powers in charge to acknowledge this self-destructive madness? Below anger, I feel the deep sadness, the spiritual starvation, an unfulfilled longing for meaning, for being worthwhile, accepted and loved.

I sense a change of mood in the collective mind, a call for change. Upfront are manic voices using the language of warfare against the invisible enemy – let’s control it – defeat I – kill it – get on top of it. I feel this kind of rhetoric misses the point entirely.

In Sept. 2012 I did a blog post on the unseen stuff.

We must see things fresh, not through tired ideas our establishments bank on, that destroy nature’s homeostasis and spill imbalances into cultures too poor to afford resistance. I say – let our children and young people decide what’s worth living for?

 ‘A day, whether six or seven years ago or whether six thousand years ago, is just as near to the present as yesterday. Why?  Because all time is contained in now.’   – Meister Eckhart

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When the Waters Were Changed

Once upon a time Khidr, the Teacher of Moses, called upon mankind with a warning. At a certain date, he said, all the water in the world which had not been specially hoarded would disappear. It would then be renewed, with different water, which would drive men mad.

Only one man listened to the meaning of this advice. He collected water and went to a secure place where he stored it, and waited for the water to change its character

On the appointed date the streams stopped running, the wells went dry and the man who had listened, seeing this happening, went to his retreat and drank his preserved water.

When he saw, from his security, the waterfalls again beginning to flow, this man descended among the other sons of men. He found that they were thinking and talking in an entirely different way from before; yet they had no memory of what had happened, nor of having been warned. When he tried to talk to them, he realized that they thought that he was mad, and they showed hostility or compassion, not understanding.

At first he drank none of the new water, but went back to his concealment, to draw on his supplies, every day. Finally, however, he took the decision to drink the new water because he could not bear the loneliness of living, behaving and thinking in a different way from everyone else. He drank the new water, and his fellows began to look upon him as a madman who had miraculously been restored to sanity.

From ‘Tales of the Dervishes’ by Idris Shah

(This version of the story is attributed to Sayed Sabir Ali-Shah, a saint of the Chisti Order, who died in 1818)

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… loss and restoration …

This time of year I like reading in the garden. Last week I forgot to take a book inside – ‘The Hand of Poetry,’ collected poems from Sanai, Attar, Rumi, Saadi and Hafiz, translated by Coleman/Barks, with introductions taken from talks by Inayat Khan. During a short but heavy shower that night, the book greedily feasted on rain. I found it blown up, like a balloon, to double its size.

Restoration would atone for my failing. Gently lifting page after page, I placed toilet paper between each, twice and three times over. On the third day I hung the book by its spine on the washing line. Once dry, I managed to press the volume with a heavy vintage iron into reasonable shape again. The ordeal required my undivided attention. The re-read pages during those hours lodged themselves with refreshed presence in my heart.

I recalled a scene from ‘Shapers’ –  the not yet published sequel to ‘Course of Mirrors.’ The story starts with a shipwreck.  Surviving this tragedy, my protagonist finds her diary drenched to pulp. The irreplaceable loss gained her unexpected access to internalised memories, and the ability to exchange virtual letters with her soulmate of the future, scripts made visible in the thin air before her.

This phenomenon happens to me frequently these days. Just before sleep, or waking, I see screens with writing, sometimes even Twitter pages, which later turn out real. Beats me – explanations are welcome.

Memory is fluid. The child in us not only imagines the future, but also re-imagines the past. While I was lifting apart the soaked poetry pages during my restoration, it struck me they resembled crumpled and discoloured reminiscences of my father a trailing grief about our dissonance brought to light in dreams, with messages to abandon this nonsense. Can you miss a surreal projection? Yes you can – releasing a feeling of rejection that ruled years of your life takes getting used to. Had I not taken my dad’s anger with the world, and me,  so personal, I might have implored deeper into his heart pain, and mine, since, after all, deep down, our sensitivity for beauty and nature, even our humour, were much alike.

I had resisted my father’s expectations and boldly followed my heart, which, while gratifying, brought its shadow of existential anxieties. My rare brave attempts to cross the dividing bridge were met with contempt for my quixotic worldview. Bridges then became imaginary sanctuaries between varied realities, a neutral zone for my rebel to gather strength for the next quest ahead. Bridges became a major theme in my novel ‘Course of Mirrors’ – see book page on this site, or my twitter page @mushkilgusha

Rejection can add fuel to a journey. But what if a regular fuel runs out? Consider the weird silence when a monotonous background noise stops … suddenly. I identified my inner background noise as the subtle lament of blame that long ago slyly settled in my unconscious. Blaming something or someone can achieve an emotional distance, displace resentfulness, a hurt,  – but now – this peculiar silence …

The symbolic intelligence of psyche’s inner dimension communicates not only through dreams, but also through our surroundings: world events, people, objects, images. My restoration of ‘The Hand of Poetry’ resonated. Compulsive energies shift when time slows,. Familiar scripts may assume fresh meaning, and re-write themselves with different rhythms and new pauses for the spirit of surprise to enter.

Meanwhile I enjoy some treasures close by …

 

 

 

 

 

And I’d like to share a Hafiz poem from the restored collection. Hazrat Inayat Khan says of him:

The mission of Hafiz was to express, to the fanatically inclined religious world, the presence of God, which is not to be found only in heaven, but to be found here on earth.’

THE BANQUET

A gathering of good friends

talking quietly outdoors,

the banquet being served, a dry Rosé

with a bite of Kebab afterwards,

a wink form the one who pours,

Hafiz telling some story,

Hajji Qavam with his long laugh,

a full moon overhead,

the infinite mystery

of all this love.

If someone doesn’t want the pleasure

of such an openhearted garden,

companionship, no, life itself,

must be against his rules.

Hafiz

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…Brexit – the exhausted old man …

Last week I had visitors, Fred, Kit and Mirre, dear friends from Holland. Their invigorating presence took me away from my mordant addiction to the UK Brexit drama, for a while, anyway.

We went to a nearby Sculpture Park.

    seen in Churt Sculpture Park

The particular sculpture on the right was pointed out to me by Fred, or I might have missed it. The body of the old man impressed and his image lingered on. It conveys interiority, a bowing down towards earth, in memory of its elements.

The old man sits still, listening to the hidden part of the soul below the surface of busy things. He may contemplate regrets, feel clichés evaporate and the linear progress of his life fade, together with familiarities of the past. For me, the sculpture also encapsulates a phase when ideals are crumbling during a homecoming to mystery, and hopefully a guidance from the spirit of ‘the one being’ we are part of.

The shape also evokes my father, who died almost a year ago, having nearly reached a century of existence. The most touching thing he said during the last years in a dreamlike moment was … ‘I want to be where you are’ … which took me by surprise, since he disapproved of my choices in life. I can only assume it was a slip of the tongue, or a desire to shed his history for an expanded imagination and another future.

as seen in Churt Sculpture Park

Bless my dad, he’s moved on …

Transformation happens unseen, much like in this present dark moon phase all of us experience within and without – sensing deep down that the eternal is ever now, and there’ll emerge another healing well, another spring of joy and renewal … the wildness of the unknown.

I deeply thank natural cycles, mirrored in seasons, world affairs and the lifespan of creatures.

 

Were it not so, humans would have no chance for reflection, redemption, renewal, and a fresh dance of love.

        seen in Churt Sculpture Park

‘We are the mirror as well as the face in it.                       We are tasting the taste this minute of eternity.            We are pain and what cures pain. We are                        the sweet, cold water and the jar that pours.’

Versions of Rumi from Open Secrets (transl. by John  Moyne and Coleman Barks.

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… everything matters – nothing matters …

Having succumbed to waves of nostalgia, I’m unsure what will emerge next, which is fine for now. My father’s death at 99, while sad, is also a relief. During the last two years I’ve been on tender hooks, waiting for the telephone call, and the prospect of sorting and processing a left-behind-part of my life. As anticipated, the reality of it was exhausting. There’s no financial reward, since what’s left of my father’s estate will just about cover the bills. His furniture was too damaged to be accepted at auctions, and anything else of value he had given away to people whose support he appreciated. He resented me for not living up to his ideas, and I resented him for his total lack of support. He had fun, spending a fortune on years of luxury cruises around the world with his second partner. While often justified, resentment is entirely useless. I tried my best, so I’ll drop my misgivings and wish my dad’s soul a good journey onwards. It frees up my life.

It’s ironic, because my Dad had artistic leanings resembled my own. We only occasionally clicked, for a short while, especially when he needed me, after which he retreated into his controlling paranoid mode. He may have been jealous of the self determining freedom available to my generation. I should add that his psyche was injured by the last horrific war.

Friends in Munich and other places were my rescuers. I deeply appreciate their existence. Around the world, we shared the magical April moon.

It’s an apt moment to remember a wondrous Sufi saying – ‘Everything matters, nothing matters,’ which, for me, means I have a choice as to what things matter to me.

Once the horizon clears, I’ll pick up my editing and writing, and attend to you, my WordPress friends, and my Patreon friends: https://www.patreon.com/user?u=10520241

In case you missed my daring venture, I took the courage to ask for support from people who value the sharing of my quirky reflections. A little support goes a long way. I’m still exploring how the Patreon platform works. Beyond regular postings, I’ll share more private stories and images there, and offer rewards that only Patreons can access. It’s given me a boost to have found two friends and supporters there – big cheers and a Celtic hug to them.

For now, here are some Haiku style thoughts on time and perception, to be continued …

… a glimpse of turnings …

earth has countless realms

each held in their private time

the one-day wonders

such as mayflies and drone ants

surreal creatures in dark seas

faint glowing planktons

trillions of unknown microbes

nature dances our cells

in the whirling waltz of spring

we glimpse time turning

during rare blissful moments

the whole of our life

may rise up as one in death

curving through our myths

the worlds without and within

where we deeply imagine

and create the yet unknown …

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