… for hitting its edge with your toe or elbow? Are dense objects sensitive to our emanations, be they kind or malicious? Call me quaint, but when I collide with a door frame I apologise, press the sore spot to the point
of impact and send the pain back, assuming the wood tolerates it better than my soft tissue. It’s a long-honoured small-scale experiment with disentangling subtle vibrations. It works for me – pain and swelling ease miraculously. Try it, for fun.
We accept that people, animals and plants retain the pulse of our attitude to various degrees, from shock to nonchalance, yet how about the rest of nature, down to solid rocks and stones? I assume my relationship with what I see, touch or think about is reciprocal, for better or worse.
As in receiving and sending waves, I converse with my body, with trees, shrubs, flowers and creatures. I caution spiders not to come near my sleeping space. I have heart-to-heart chats with my house, laptop, car, and all manner of things. I say thank you to what I value and depend upon and even use little mantras conveying something like – all is well – I hear you gasp. I do this to disrupt mindless automatic response patterns. With people, I admit, it’s way more complicated.
I reckon all known and unknown life is moved by a force we poorly understand. Call it by any name, god, spirit, psychic energy, the ghost in the machine, it is a power that works throughout the cosmos, including the things we create, like tools, art, furniture, buildings, machines, weapons, ships, cars, trains, planes, phones, computers. As we project our pleasure or frustration into gadgets and the autonomous functions programmed into them, nature’s energy currents flow and oscillate through all, the whole universe.
I conclude that nothing is dead, lifeless, artificial and of no consequence.
Thomas Vaughan puts it poetically: ‘The real world is invisible. Thus in the physical or spiritual or light world – all forms or beings – stones, trees, stars, streams, men, flames and turds are really facts of invisible presences. Mineral, wood, fire, water, flesh are terms of dense soul-full sense.’
During recent centuries, western cultures developed multiple viewpoints. But what is happening to this wonderful diversity, given the hyper connectivity of the internet, where the masses turn for guidance, where people empowered by visibility offer opinions that swing back & forth in dramatic ways? Is this the dawn of a new tribalism that blanks out the unique contexts and realities of individual minds? One has to have one’s wits about these days.
In his time, Walter Benjamin wrote: ‘Technology, instead of liberating us from myth, confronts us with a force of a second nature just as overwhelming as the forces of an elementary nature in archaic times; our need for a practical philosophy of self-knowledge has never been greater.’
You see where this is going … autonomous technological devices will be no less interdependent than us, relying on social cohesion, the spin of politics, networks that harvest electricity –like, a solar flare could halt all digital utilities on this planet. So I wonder about it all, given there’s much we don’t understand about the forces that govern nature, and the input human consciousness has towards its geometry.
My Sufi friend, Fazal Inayat-Khan, said once in a lecture: , ‘Let us look at reality as a sort of operating faith, a sort of subjective, self-created assignment of realness … It is radiant intelligence which creates reality.’
Or, in another lecture: ‘The experience you have within yourself of your separate identity, to allow right and wrong to be re-defined by your singular contribution, is where evolution really happens. You, by becoming yourself, can open a new wavelength.’
C.G. Jung spent his life mapping the deeper structures of human experience, the collective unconscious, archetypes, and the shadow. Now that a collective mind is mirrored back to us, magnified on screens via the internet, it present an ideal opportunity to explore what is emerging for the collective psyche in the gap between recurring states of balance.
The flashing mirrors of the media blind me at times. Wary of the hive, I also like to belong. When fed up, in need of digestion, I retreat to a cave in my mind (once real) where I attend to what bubbles up from the unconscious in that zone between dreaming and waking, until I emerge from my cave into the light of a new reality, new beauty, new meaning and new questions.
This post is not about social, political or spiritual affiliations, but shares an attitude that aims at openness towards the unknown.
And I wonder what my readers think about conversing with dense objects :)
… “If we ever reach the point where we think we thoroughly understand who we are and where we came from, we will have failed.” Carl Sagan

No doubt the experience of a slowly developing image in the darkroom influenced my writing. A sketch to start with, suggesting a mood, a lightness of touch, and, with some stroke of luck, an emerging symbolic element, which black & white photography is particularly well suited for. In short, a feast for the imagination, inviting associations for … poems, stories, and even cosmologies.


My dream vanished. It’s going to be one of those weird days, I reckon, soon confirmed by a fleeting glance while passing a mirror. My morning ritual includes stretching muscles while coffee filters into the cup. I breakfast before the screen, skim through emails and various online papers, shake head at captions ranging from atrocious, futile to hilarious, the latter due to brexasparation. The scene beyond the window calms – wispy clouds, birds flitting from hedge to tree to hedge, familiar cats slouching across frosted grass, the ginger, the black & white bushy monster, the nimble black tom with white paws and white-tipped tail, much like an exclamation mark.
I deeply appreciate the dreams that provide an afterglow to the relationships in my life, be it the ones marked by kindness and love or the ones distorted by projections and a narrow reading of intentions. The insights that dreams bring help me to renew my sense self, no matter how delusional, it’s what I need to function in this world.
For the artist Maya Deren (1917-1951,) who created some highly influential films in her short life, scientific findings were but the raw materials of creative action: ‘The first step of creative action is the violation of the natural integrity of an original context.’ She saw the function of art and its validation in the creation of mythical realities. Her symbolic images of personal significance also chime universally.
Simulated reality blinds with the Gestalt of our collective mind, where every viewpoint exists at the same time. It lacks context and shadow definition, over-exposes our field of consciousness. For Baudrillard, the schizophrenic subject can no longer produce the limits of its own being, or produce itself as a mirror. It becomes a screen, a switching center for all networks of influence. The electric sphere of the internet simulates our nervous system and turns it inside out. There remains the reality of our psychological experiences, where shadows have to be reckoned with.
Birth and death remain the ultimate spinners of life. In the parlance of the mystic, the moment of exaltation is in the immanent glimpse of the curl of the beloved. Can the beloved be the beloved if she is fully known? And what do we know of the various dimensions where she resides?


The scene takes place on a sunlit peninsula, set in a glittering sea. I play with white cubes, each feather light. The childlike part of me experiments with the beauty of forms and the building of imaginative structures that mirror colours of the sky and surrounding landscapes. Others join in, and not just friends, strangers too. We have fun, laugh and toss cubes to each other. We are building a temple to celebrate play.
After all, there are walls and walls.
virtues of Plato’s top-down and Aristotle’s bottom-up metaphysical arguments. I explored question such as – do the aggressors in my dream represent the judgmental part of me that inhibits the creative impulse of the child that shrinks when it feel unwelcome? … Yes.
I’m old and grumpy, a familiar sight. Small chance she wonders where I hang out when not visiting. Today she spotted me – a fluffy ginger ball dozing on a brick wall sheltered by ivy – not my regular spot. I prefer having my daily nap on a bench at the top. From that royal view downhill I keep half an eye on creature traffic, neighbour cats that shamelessly kill fledglings or lame birds, the stray dog or sly fox that slips through the hedge, reckless rodents … but it’s been drizzling all night and my favourite bench is soaking wet this morning.
bowl near the house with fresh water, just for me to slurp. In such moments we exchange glances, and she nods. What she doesn’t like is when I get too close to her little stone Buddha. Then she shakes her head or steps from the backdoor to clap her hands. I’ve seen her turn the water hose on cats with bad manners. She should know better, I’m not one of them, I have principles.
I bet she misses her companion, glossy and black as a moonless sky. She was gentle and tolerant of me, which is why I used to protect her from a nasty tom. Some years ago the woman dug a deep hole for her friend, near the compost heap. Not the most romantic spot to have one’s bones rest, but due ceremony was observed, which must count for love.
I doubt she cares where I camp at night. Doesn’t know I endure the stoned torpor of Mr X, lost in a dark place. It’s not a home, the vibes upset me. But each morning I vocally rouse X from his hangovers to alert him to my dry meal. This must be my purpose – my insistence on my existence is how he tracks time, like noticing a new day. Alas, the filthy water bowl is only rarely topped, which is why I’m thankful that the woman got the message … I’m always thirsty.
The genus Rosa, according to fossil evidence, is 35 million years old and begun to be cultivated circa 5000 years ago. Due to its tessellated structure, dome-like shape and its delightful perfume, the rose has become a symbol of the heart, of wholeness, love, beauty and perfection the world over, frequently with mystical connotation, and often highly stylised, as in Islamic art.
While fear of loss and abandonment engenders life, it also draws us towards the mystery of infinite consciousness, the one being with countless names. Various practices, derived from spiritual traditions, can calm a turbulent mind enough for a glimpse of harmony beyond divisions. For a while, at least, we sense the larger presence, the effortless zone, the flow – and given patience, come to realise that consciousness is what we are.
Winding the clock back to before events were recorded in writing and ordered along linear timelines, folks across the globe unified their beliefs through countless