The scene takes place on a sunlit peninsula, set in a glittering sea. I play with white cubes, each feather light. The childlike part of me experiments with the beauty of forms and the building of imaginative structures that mirror colours of the sky and surrounding landscapes. Others join in, and not just friends, strangers too. We have fun, laugh and toss cubes to each other. We are building a temple to celebrate play.
A crowd approaches. Stable minded, committed to rational thinking and adverse to risk-taking, they object to our frivolity. Some serious looking folk move in with knives at their belts. Our vision of lightness offends. We demonstrate how temples can rise and fall in the blink of an eye. ‘You put a lie to order,’ they say, ‘you ridicule our values.’ They fear us, having invested in solid structures, walls, to house the light of their gods.
With no gods to protect, we thought we could do with movable walls. 
After all, there are walls and walls.
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As a child I wondered if I’d dropped onto the wrong planet, but was later heartened by brilliant minds with deep insights and generous perspectives on consciousness, including C G Jung.
I found a sense of safety in knowing that I can hoist the sails of my boat, catch a spirit wind and sail on a light-wave towards higher dimensions.
That said I’m a bullshit detector in the post-new-age spiritual market, where I could’ve done well with a how-to-keep-sane book.
When the above dream first arrived, many years ago, I thought, heck, I live in this space/time to engage with and challenge limitations in myself and others. I felt suspended between the 
virtues of Plato’s top-down and Aristotle’s bottom-up metaphysical arguments. I explored question such as – do the aggressors in my dream represent the judgmental part of me that inhibits the creative impulse of the child that shrinks when it feel unwelcome? … Yes.
Acquiring skills to facilitate creative workshops and dream seminars, brought me over two decades of confidence and joy. I discovered my intuitive connection to a higher intelligence, and I learned to trust in group processes. Former participants fondly remember these times. We had a safe space to play in.
The dream returned to show up once more my fear of rejection. This time I’m alone, the fear applies to my writing. Rejection has become the rule in this over harvested and exploited field. And as much as the explosion of writing contributes to a massive leap in the expansion of consciousness, I must admit, having spent years writing and polishing my first opus, I’ve become a judging discriminator myself. The persistence of writers is admirable, though I gasp when I hear that some writers query hundreds of agents or publishers – really?
I sent out one query only (I hear you gasp) to a niche publisher, who, in response to a poet friend’s recommendation, read my novel, loved it and wanted to launch it, but then, sadly, three years on, had to fold her publishing venture. Further delays were unthinkable, so I published, at the risk of losing the roof over my head.
Readers have personal tastes. When a book is not branded and displayed in literary markets, finding tasters will not happen overnight. I’ll keep an open mind. Appreciating and understanding my ghost of rejection is the real issue for me, especially in a time when fear assumes bestselling qualities and depression spreads like a virus.
I’m editing the sequel to Course of Mirrors and will continue writing. If procrastination was an academic accomplishment I’d have earned a PhD during these last few months.
Not to be too hard on myself, I endured five weeks without heating or hot water, editing wrapped up in multiple layers of clothing, winter boots, hot water bottles and gloves, until, finally, a government grant towards a new boiler was approved. Bliss … my brain cells are warming up again.
Course of Mirrors 