Tag Archives: nature

… gossamer bridges and palaces …

I’m a terrible hypocrite. I can’t stand spiders in the house, but I adore them in my garden, where their bridges and palaces are now quivering everywhere, only visible against the sun or by the rare leaf suspended in mid-air … exquisite.

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A leaf floating free

From stem and branch – inholding

The ever-tree myth

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Once more nature translates its lore to the soil, carrying patterns of relationships to new settings.

We do the same, daily and all year round, translating our experiences to ourselves and others … our cells, bodies and minds continuously changing, never the same, despite appearances.

I wish for grace in waiting, the hibernating towards re-membering afresh the cyclic occurring wholeness in new formations.

And I wish for the patience and good humour of my tiny Buddha.

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… the vagaries of days …

My dream sinks to a timeless world the instant I open my eyes and take in the first impressions of the day – a shimmering spider web clings to the corner of the skylight, defined in the early sunbeam – a mosquito hovers drunkenly above my laptop. I recall a similar tiny vampire savouring the taste of my blood during my last day in Darwin; did it converse with this one across the oceans by morphic resonance? P1060804 - lower

Almost two weeks have passed since my return. I miss the Aussie company, and mornings at the pool under the palm roof.

Time is fitting hesitantly into habitual chunks. My body tweaks itself into smaller spaces, and tasks resume their orderly sequence. Breakfast oats don’t land in the coffee filter, and my head no longer collides with the chiming bells hanging next to the kitchen sink. Still, having inhaled another kind of dust for a while, an aura of mystery pervades my familiar environment, and routines are shifting, like I scoff at lists, allowing unimportant stuff to be just that, unimportant.

As the sun pours into the house through the garden door, I step outside. A bright orange hot air balloon almost shaves the branches of the high beech. Another follows, with noisy lettering, not as cheerful as the Virgin one with its clear brand. There being no boundaries to the sky, I’ve the visceral sensation of wanting to shrink and become invisible, musing how privacy and solitude are becoming an issue – there’s only in-back and no out-back left in England.

P1060820 - lower A poem stirs, wants out, but mail demands attention. I share my disorientation with friends. Ideas chatter and juggle into new frames, a changed perception of ‘home.’ What’s home other than moving with the experiences that carry us onwards?

I glance at the patch of Phlox waving from the lush green beyond the window and then distract myself from the screen by trimming a miniature Japonica tree into shape. My blackbird friend comes close enough for us to have a conversation.

I make time for a two hour stint of editing ‘Shapers,’ the sequel to my first novel. Moments of laughter – relishing my writing is surely a good sign, until the next stab of doubt – will anyone be interested in my scribbles? The solution is to keep writing, and trust readers will be pulled into my opus and enjoy the adventure.

Another shot of coffee before today’s therapy sessions begin – undivided attention to process, listening to stories. When silences linger in the devoted space, spirits assemble – we are a crowd of presences meditating on meaning, or the lack of it.

P1060831 - lower Though it was not exactly my birthday, I hosted a small garden party last Saturday, celebrating togetherness with friend. I managed to outwit Sunday’s Hurricane Bertha, which, in my corner, merely brought blustery wind and rain. Clouds parted in time to reveal the brilliant super moon.

Preparing for reading in bed, I catch a tiny movement – a huge spider. Totally irrational, but there’s a wrong time and place for spiders in my house … at night, next to my bed, and it’s a matter of scale. The scenario of a huge spider crawling over my skin plays havoc with my imagination. No time to get a glass and chuck the creature out. I’ve light in my maisonette, but take a torch for good measure, and wait. In a while the monster comes for me from its hiding place among books – full attack! While it baffles me that the sure crunch of a spider’s demise can in such instant bring me satisfaction, it’s also sobering to realise how discordant timing is neither good nor bad, it just is.

P1060834 - smallerGiven the vagaries of experiences each day brings, the only control given to us seems to be pliancy. As I write this, a rainbow flows across a cloud.

‘The same wind that uproots trees
makes the grass shine.
The lordly wind loves the weakness
and the lowness of grasses.
Never brag of being strong.
The axe doesn’t worry how thick the branches are.
It cuts them to pieces. But not the leaves.
It leaves the leaves alone.’
Rumi, The Essential Rumi

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… songlines – family – a wedding in Darwin …

Families are an enigma to me. I value solitude and, yes, company, inner space and, yes, gritty adventure, constancy and, yes, change. I must have been born on a wave of contradiction. With no siblings or surviving grandparents, and my mother gone since 27 years, I’m left with a hermit-like father who avoids communication and  lives at a distance. Well, bless him.

my mother with her grandson

my mother with her grandson

 

Opa and his grandson

my father and his grandson

 

 

 

 

 

 

 

 

Not surprisingly, my sense of family has an abstract quality that benefits my fiction writing. That said, my family extends to weathered friends whose authenticity I respect, my ex-husband included. Last week, our son, Yeshen, and his partner, Natasha, who live and work in London, had their wedding in the tropical Northern Territory of Australia. Sensible, since most of Tasha’s relatives live around the great coastline of this continent, in Brisbane, Sidney, Melbourne, Perth and  Darwin – where we gathered. As a child, like the author Bruce Chatwin, I once asked, ‘why don’t the people from down under fall off the earth?’ Australian children may well think of Europeans as down-unders and similarly ask, ‘why don’t they fall off the earth and float into space?’

The first three decades of my life I moved from place to place, restlessly roaming my inner songlines, searching for footprints leading to a family of mind and spirit, much like Chatwin described in Songlines, the practices of the indigenous people of Australia, who used to traverse their vast territory following the dream tracks of their ancestors, singing the names of everything they encountered on their paths, as a way of bringing their world into being and endowing their lives with existence and meaning.

I travelled all over Europe, have been to Israel, Africa, America … the other side of the planet had never called me. The thought of clocking up over 20 flight-hours made me nervous. Hey, I told myself, this is an adventure. In the end, my passion for clouds outshone my anxiety. A window seat always helps. Without the view I’d feel boxed in.

As the plane cruised over the Bay of Bengal towards my stopover, Singapore, I stared 36 000 feet down and couldn’t help thinking of the plane that only a few months ago went missing without a trace. I diverted myself, as one does when overcome by the enormity of one’s human helplessness, with useless thoughts, like pondering the possible legal implications when bodies can’t be found. Two days after my flight, another plane went down, this time shot out of the sky above the Ukraine. As it emerged, my son’s father was meant to be on this flight from Amsterdam. Due to overbooking, the airline offered a later flight, via Paris, with complementary business class thrown in. He and we were lucky, others were not.

from my window seat

from my window seat

Life is a treasure, if unpredictable – at times beautiful and brimming with joy, at other times painful and cruel, and often exceedingly strange, without rhyme or reason. We like to think we have control, yet know little to nothing about what decides our fates.

It made the wedding ceremony, which took place on an old pearl fishing vessel, all the more precious. The event culminated with the setting sun painting the wisps of clouds salmon pink. It’s my favourite light.

 

approaching Darwin

approaching Darwin

father and son

father and son

 

 

 

 

 

 

 

 

the ring exchange

the ring exchange

the signing

the signing

 

 

 

 

 

 

 

 

the bride

the bride

the sun winks

the sun winks

 

 

 

 

 

 

 

 

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Because the pearl-fishing boat could only accommodates a limited number of people, the ceremony was small and intimate. The images speak for themselves. Later on, a much larger party met for a fabulous reception at the estate of a relative.

There were songs, one specially prepared by the bride’s mother, accompanied by my son’s father on the guitar, there were humorous speeches, there was the glimmer of water from illuminated rock-like pools, festive lights overhead, candles, and the music and slideshow the couple had prepared. The latter I missed and must catch up on, having been too involved with meeting my son’s new family and getting drawn into stories over champagne, wine and delectable menus.

The pleasant tropical winter night, with tables arranged on English-style lawns, was equivalent to a rare, gloriously European summer night. And of course there were more songs, by Mr Palm of Palm Guitars …

Mindil Beach Market

Mindil Beach Market

P1060262lowerIn days that followed, we returned to favourite places.  Crowds gather, especially on Thursdays and Saturdays, at the iconic Mindil Beach with its backdrop of festivities and over 300 colourful market stalls. People come here to watch the sun grow in size as it nears the horizon, and everyone cheers and claps when the last sliver of red drops into the Arafura Sea.

 

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We travelled to Nature Parks, with abundant wildlife …

Palaces built by termites …

Springs, waterfalls and rock pools to swim in, with the thrill of possible crock sightings …

P1060382 - lowerWe enjoyed nights at the waterfront where they serve fresh seafood and Thai dishes, with Sharks and Moon fish beyond the harbour wall waiting for morsels.

Wangi Falls

Wangi Falls

termite palace

termite palace

 

 

 

 

 

 

 

 

the garden pool

the garden pool

Russell

Russell

 

 

 

 

 

 

 

 

Banyon

Banyon

palm roof

palm roof

 

 

 

 

 

 

 

 

On returning, I watched the lights shining from the islands in the Timor Sea. After 4 hours stopover in Singapore, to stretch my legs, and, delight, enjoy a few roll-ups, yes they have smoking areas at this airport, I settled into another window seat, overawed once more by how such super-heavy Airbuses can lift from the ground. My eyes switched between the book I was reading and the screen on my seat showing the flightpath, with the sun moving across to the Atlantic, while Australia’s night was encroaching on India. Endless hours later, England’s south seemed quaint from the air, with its patchwork of orderly fields framed by hedges and lanes. An American friend once called it Hobbit Land.

Home again. I feel like being gently rocked in a cradle. It will pass. I’ve yet to absorb the experiences of my Aussie adventure, still deliciously disorientated by upside down time and a different kind of dreaming. I got a taste of a new world, as good wine that lingers on, leaving a desire for more, like learning about the traditional owners of the territories, the Larika people. If I heard about Darwin’s man-made and natural disasters, it had not registered. The town was flattened twice, first in WWII – during Japanese air raids, and again in 1974 by Cyclon Tracy. Aussies are a resilient people.

Having enjoyed generous hospitality by the brides fathers, stepmother, mother, aunt and uncle, heart warming company by more uncles, aunts, siblings, their partners, cousins, nieces, and their partners, I miss the buzz of the large family, and not least the cute dogs, Russell and Rosie, whose exuberant joy in ballgames included jumping into the pool. I’ll hold the memory of the green shade under layers of palm leaves, the fresh fish served at the waterfront, the buzzing markets, the incredible architecture of old banyan trees, massive baobab and eucalyptus and the impressive series of sunsets. I’m looking forward to visitors, and maybe assist them in exploring places where their ancestors lived in Hobbit Land.

One image keeps playing tricks on my mind, some dark thing, stuff for a surreal crime novel – a giant toad in a freezer. But that’s a story for another occasion.

Technically challenged, I now hope the images on this page don’t jump all over the place once I press the ‘publish’ button :)

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… first photos from Darwin …

Our summers are Darwin’s winters with uninterrupted sunshine at over 30 degrees.  From October it becomes too hot and humid for the easy life.P1060366lower

I’m here to meet my son’s new family. In two days there’ll be a wedding on an old perl-fishing boat – an event which Natasha fictionalised in a delightful animation, where all guest are bush turkeys. They do walk in that peculiar way.

 

At waterfront locations are great markets, several times a week. The air is filled with culinary smells from food-stalls. Hundreds of merchants sell leather ware, clothing and indigenous crafts. There are fire-twirlers, puppet shows, picnics, and at sunsets the crowds gather.

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I’ve been swimming in safe places, and yesterday in  a fabulous spring pool, which, I was told later, has the very occasional crock sighting. The water is clear and soft and the falls offer a brilliant free massage. P1060443lower

 

 

 

 

 

 

 

 

 

 

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… that deep romantic chasm …

Yeshen, dad, violine 2

Our son was born in the Quantock Hills, and we lived there for a while, in a place where Samuel Taylor Coleridge’s poetry was inspired that deep romantic chasm which slanted down the green hill

England, the green and pleasant land a link with Blake’s words on screen. This older version made me smile. In case the link won’t work https://www.youtube.com/watch?v=bKaJ4b0XYmI

Green hills come with grey skies. Endless weeks of rain leave me melancholic. Then I long for sunshine & hammock days, when fragrances of jasmine and honeysuckle linger until midnight, friends gather round a fire, tea-lights twinkle in trees, a glass of wine or two, or three. This year, sunshine flips to rain almost daily,  green overwhelms as jungle that needs mowing, trimming and hedge-cutting. I’m left wondering if the rare sunny day is worth all the effort and contemplate a Mediterranean lifestyle.

Israel, Carlos, 71, Anna Karina - smaller stillYears back, after three months of filming in a desert – swift sunsets, brilliant stars, marvellous moons, scorching hot days, cool nights, stark and beautiful – I returned to a lush and sensuous Bavarian autumn – myriads of colours, the smell of moist earth, mist, the sweet water of ponds soft on my skin, different kinds of dreams – such a contrast, it made me think how powerfully our temperaments are influenced by climate and weather, in ways we experience ourselves, in ways we feel and think, in ways we express ourselves, write poetry, compose music.

Countries with balanced climate are rare, so it’s unreasonable to expect people to be balanced and temperate. And would it serve us, I wonder? Would it make us too complacent?

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We’re not machines. Each of us has a unique frequency, intricately bonded and tuned with nature’s whorls and spirals in continuous movements of renewal and becoming. I concede, even a single balmy summer’s day brings a smile and restores my senses – blue flowers swaying in the breeze, reading poetry in my hammock.

So I dream of sunshine, but too zealously. As in Plato’s myth of Er,  variety and extremes seem to turn the spindle of necessity and stimulate the imagination. What we commit to in life encounters grit – stuff that grows pearls in oysters and also polishes hearts. And there is the grace of precious moments, when seasons overlap in us, when all our senses are switched on, and the young, curious self, with its eternal projection into the unknown, imagines the unimaginable …

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… surprise – blog tour interlude …

Ruth - watering plants in her allotment.

Ruth – watering plants in her allotment.

Wow – my friend Ruth Paris  joined a blog tour, which is the ritual of charting and connecting-up undiscovered blog-islands in the virtual sea. I was so impressed she took on this challenge I’ve so far avoided, my hand reached for the baton before I knew it. Besides, Ruth’s posts about her ‘middle-of-the-roundabout allotment project’  on her Huerto site are a pleasure to share. Here some photos from Sept 2011. Her recipe page alone is worth a visit … and certainly the virtual islands of the friends she introduces. And it’s true, she does pick out the teeny little stones and whispers encouragement to the weakest seedling. Look at her ‘about’ page and you find she also wears another hat.

The theme of gardens has irresistible appeal. I like the thought Ruth shares, inspired by our joint friend Shazadi – since we can’t change the world we can at least cultivate our gardens – which applies to earth-tilling plots as well as the metaphorical kind. In that sense, here are my responses to the 4 deceptively simple questions this tour asks of its participants.

1 – What am I working on?

I’m editing my second novel, a sequel to ‘Course of Mirrors,’ completed two years back. Last year I was contracted by a small, devoted publisher and am looking forward to having my first novel released in a few months. English not being my first language (more about this here) – allows me the perception of a stranger in the strange land of my psyche, not unlike the protagonist in R. Heinlein’s book. In a way we’re all exiles owning a planet somewhere – be it an inner world.

2 – How does my work differ from others of this genre?

I puzzle over the term – genre. It may apply to career writers, which I’m not. Writing is my moving on from photography, another tool to symbolically express what drives me. Set in an imaginary world, my characters outward their inner conflict, the archetypal tragic/comic exodus I feel entitled to elaborate on. If genre it must be, my novels could be called mythic poetic adventures, gripping magical quests.

3 – Why do I write what I do? 

I may fool myself, but I can’t help thinking that re-creating or co-creating history can make us whole. I’m fascinated by how our fragile identity is formed through early mirroring, how people and environments define us. How we oblige like sleepwalkers and build a myth on these early templates, and inevitably mirror others.  And yet, small shifts in awareness can change our perception from deep within. Each of us brings along something unique we’re yearning to recognise. Without the recall of that signature we feel a lack.  Having been intensely involved with many groups and sub-cultures throughout my life I now tend the seeds I gathered and cultivate my soul garden. using the magic of words that string together and create music, sculpt feelings and even lift the invisible.

4 – How does my writing process work?

It didn’t, until the pressure became so great I decided a few years ago to reduce my professional work and commit time to writing. When a character takes shape and is called on a journey, I trust the narrative will unfold in my imagination. With consistent attention there eventually emerges the emotional coherence of a short story, or a chapter, and another. For me, this process, though enjoyable, happens in semi-darkness. I can’t force the outcome.

Editing is fun, and sometimes torture, which is when I crave diversions – watch birds, make coffee, fix things, blitz-clean the house, sort finances, prune hedges, cut grass … and relieve my pangs of guilt for neglecting friend by stepping out from my solitude. I may go harvesting in public spaces – that is, observing how people move, which I find endlessly fascinating.  On really bad days doubt intervenes and I sulk over the ‘who-do-you-think-you-are’ syndrome,’ until I accept I’m no Shakespeare.

In the end it is always being with friends and reading that refreshes my conviction in writing.  On many levels engaging with people and their stories helped me understand my private myth, and more.

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A few entries on gardens from my archive https://courseofmirrors.wordpress.com/tag/garden/

The task of choosing further runners for this tour from a tapestry of amazingly creative people gave me a headache. To stem the flood, I’ll cheat the rules and introduce only 2 writers to weave the thread onward and hopefully reveal more secret islands.

Philippa Rees

Philippa

Philippa

The book that wrote my life … Philippa says of – INVOLUTION – an Odyssey Reconciling Science and God – an epic poem, and a spiritual revelation. It’s been called a tour de force. In nine cantos the work travels through pre-human involution, the enfolding of consciousness in matter, early man’s emergence on the Serengeti … through the recorded civilizations of Greece, Rome, the Dark Ages, the Renaissance towards Enlightenment and finally Modernisms’ success of science – of which the latter, ironically, obscures the internal story – the story of direct intuition, nous, experience.

I totally grok this.

And I’m looking forward to meeting Philippa this weekend. She’ll join a gathering of my friends and share what sparked her life-long project. I imagine she’s good company, holding memories of gripping stories, including her childhood in South Africa, which she’s beginning to share on her blog, ‘Careless Talk,’ accessed here.

Diane Dickson

Diane

Diane

Diane is a prolific writer of short stories and novellas. She hardly pauses, and generously shares the developing instalments of her work on her website. I’m totally addicted to her posts. Increasingly, she publishes e-books through Kindle and now also in print-versions.

Her characters are usually teetering on the edge of change before they slip into a life-changing crisis. The protagonists are often so hilarious you want to shout – get your act together. Then there’s a cliff-hanger and you’ve  to wait a day or two for the next instalment. Stories range from light-hearted, uplifting, to mysterious and dark and they all have surprising twists. As I said, I’m addicted. A recent published tale is:

The Man who lost his Manbag and Found Himself‘ Here’s a modern day odyssey, and a simple recipe for losing your identity.

Both authors presented here, like so many I came to know during these last years, fought their own publishing battles. I hugely admire and have great respect for their skill and perseverance. There was never a time I did not find selling myself daunting. Even during days of professional success I relied on others to shout out the existence of my ware. I need someone to hold my hand.

Some of my friends are slow in developing their island on the internet, yet offer compassionate mentor-ship I can’t emulate. Notably Evlynn Sharp  We worked on various projects together, and I feel deep gratitude for her support.

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And here more cheating – I’d like to introduce the islands of two young people engaged in the buzz of life, with scarce time for leisurely blog-tours. They’re brilliant at what they do. They make me proud, my son, Yeshen and his wife Natasha Tonkin, a director of animated films.

I wrote about them recently https://courseofmirrors.wordpress.com/2014/03/23/weddings-still-happen/

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… my blackbird …

Cutting grass – a blackbird sings just for me – I delight in its delight of fresh delicacies.

My black friend

My black friend

Under slow-sailing clouds in shades of white, concluding my war-path on dandelions, and having put up my hammock, I sit and watch first apple blossoms and my black friend, hopping closer and closer in its ritual dance – 1 – 2 – 3 – 4 –  pause – picking up a worm – 1 – 2 – 3 – 4 – within a meter – we look at each other.

Blackbirds are enduring friends in my garden, notwithstanding the occasional mishaps:

https://courseofmirrors.wordpress.com/2011/07/03/major-drama-in-my-garden-all-my-fault/

https://courseofmirrors.wordpress.com/2011/07/22/update-on-the-drama-in-my-garden/

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… meeting the other …

None but nature could have written a better curriculum for becoming human …

 

Attend for a moment to you breathing. If you’re aware of heaviness in any part of your body, breathe the colour of water under a blue sky into that part and let the tension drift into the earth with the out-breath.

In your mind’s eye, find yourself in a meadow, abundant with scented wild flowers. Nearby is the outcrop of a mountain and a welcoming dry cave stirs your curiosity. Entering the cave, you find a spacious passage from which comes a luminous glow. All of a sudden you’re walking on air, and – like a feather on a breeze – you’re floating, floating gently downward into velvety twilight. In your heart you know you’re guided towards a special encounter.

A waft of fresh air brushes your skin. You find yourself standing in a soft beam of light from high above at the centre of a dome-shaped cavern. The circular wall of the dome has tunnels that lead in all directions. You must choose one. Be patient.

White Window, St Cathrine's Chapel - more lowresWithin your reach sits a small bronze bell. Lift the bell and give it a slight nudge. As the clear sound of the bell reverberates in your heart, you’re drawn to one particular tunnel and you know this is the one to follow.

Warm air greets you with otherworldly scents, the crystal walls of the passage glimmer. Soon brightness appears ahead, momentarily blinding. You step forward and slowly make out a landscape of rolling hills with the sun reflecting in a silver stream that meanders towards a distant sea. 

Close by, you notice a strong presence under a solitary tree and feel your heart chime in perfect harmony with the presence. A near transparent human form steps out and mirrors your innermost being. Eyes, radiating love and acceptance, completely affirm you. For an instant you are – you are natural mind, pure consciousness.

A soft voice says: Where is the other?

Pondering the question, a shrouded figure moves, from hiding behind your back, boldly into view. It is a repulsive creature and you want to shush it away.

Greetings to your other, the soft voice of your essence says. Then you realise what the apparition represents, everything you reject and prefer to keep hidden from your consciousness, all you find objectionable, embarrassing and unacceptable in others, and in yourself.

Understanding happens. By denying your inferior being you are also ruled by its whims. And realisation comes – of your body’s wisdom, and of knowledge gained from human frailty you were too proud to value. You see with fresh eyes  and extend the very love and acceptance you absorbed from your essence. The other straightens, lightens. There’s a new respect, an affirmation, a softening.

Turn and look again into the deep compassionate eyes of your essence, absorb this capacity for tolerance in your heart, allow the healing.

Then bow to your essence and return the way you came. Give a nod of acknowledgement to your other, so the shrouded figure won’t slink behind, become resentful and trip you up. Let it walk in view, accepted, even with gratitude for its imperfections and its treasures.

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Continuing from my last two posts, this is further classic theme for an inner journey, usually adjusted to the context in which it is used. I kept the narrative short and succinct. Even if you don’t enter the journey experientially, alone, or read to by friend, and allow your own images to emerge, the scenario might spark reflections, and drawings or writings for your diary or chapbook.

It’s humbling to recognise our flaws and the blame we assign to others, and yet, no matter how many veils are falling from our eyes, there’ll always be more projections to be owned, more grudges to let go of, more misunderstandings to tolerate, more hurts to absolve, and more to be embodied of what feeds us from dark roots. Our struggles with conflict and contradiction polish the heart, feed our imagination and create our realities. None but nature could have written a better curriculum for becoming human.

http://www.youtube.com/watch?v=9NrAGJEMnHE          Marie Louise von Franz – The Way of the Dream 2.1 – Our Shadow Knows

One does not become enlightened by imagining figures of light, but by making the darkness conscious. – C G Jung, CW 13: Alchemical Studies. P.335

Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is. At all counts, it forms an unconscious snag, thwarting our most well-meant intentions. – C G Jung

If we could read the secret history of our enemies, we should find in each man’s life sorrow and suffering enough to disarm all hostility. – H W Longfellow

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… thoughts on dark matter …

Breath shuttles across nature’s warp and weft – to breed – bloom – yearn – form thoughts – his – hers – mine – our thoughts – woven yarns flung into the unknown like a slow spread – to be unpicked

two waters meet

two waters meet

breathe in – breathe out longer – meet the other at their edge – to merge – converse – or – should you prod – witness spume lift from the wave – fire split the wire – earth shake – heaven open – dreams unravel …

In the night – specks of light appear – the rest is hidden in curved time – yet present – spirit abiding in inverse spheres – as above so below – weak neutrinos permeate all – unobserved but heard as cosmic noise from dark realms – until atoms splash towards the crack of dawn – we call it birth …

Two clusters of galaxies in collision. The ordinary matter, gas and stars from both clusters shown in red, is slowed down in the collision. The DARK matter, shown in blue, sails through and keeps on going because it does not interact. Both colours are false –the red is an image of x-ray emission, and the blue is an image of the gravitational effect on the light from more distant galaxies. Source: NASA/ESO

Two galaxies in collision. Ordinary matter, gas and stars from both clusters – in red – is slowed down in the collision. The DARK matter, shown in blue, sails through and keeps on going. Both colours are false –the red is an image of x-ray emission, and the blue is an image of the gravitational effect on the light from more distant galaxies.
Source: NASA/ESO

The background to this poem: I was feeling depressed about the superficial and withholding communication with a distrustful relative. Fed up with allusions and secrecy, I plucked up the courage to prod a straight question. The answer was as a torrent of toxic and defensive anger. After the assault over the telephone I was dumbstruck. I laid the incident to rest, and instead edited a big chunk of my present manuscript.

Before going to bed, I read in a novel, ‘Eventide’ by Kent Haruf  (a wonderful discovery – more about this author another time) and came upon a graphic scene that encapsulated my battered state – as if a bull had pounded me into the mud – which happened to a character in the chapter. Literature can deliver fitting words and metaphors for experiences.

I don’t regret my prodding. I discovered the nature of a spell on me. As it happens in families, wounds are handed down generations, and unless someone prods them the poison can’t drain.

Attitudes and projections, powered by feelings, influence us and others deeply – irrespective of distance, or time. Unexpressed messages travel. It happens unconsciously. The process might be better acknowledged if there was evidence of a medium that carries thoughts, faster than light. Mocked-at psychic phenomena could be re-evaluated. My bet is on the untraceable, neutral neutrinos that apparently pass through ordinary matter unimpeded at superluminal velocity.

At the time of writing this poem arrived …

Do Not Love You (Pablo Neruda)

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep

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A film by Werner Herzog I want to see: Encounters at the End of the World

http://www.youtube.com/watch?v=Gr5IvOFXuH4

http://www.youtube.com/watch?v=eO9GEL_RzlY

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… a november poem …

NOBLE EXIT

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white plumes of mist rise

from a dripping branch – swept clean

but for nine that cling

lit by the last ray

they call out with gilded tongues

from the garden’s shade

translucent spearheads

uncaring of their fate they aim

at the hungry ground

Ashen

P1050746 -low and contr

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