In my last post I touched upon the half-imagined essence shining through a work in progress – via incubation, the search for one’s language (in whatever form,) through the heart. This kind of search is bound to involve deep personal experiences, be it related to an outer or inner place, as the myth of one’s existential journey, which, when authentically communicated and shared tends to assume universal significance.
Kent Haruf – (Feb 1943 – Nov 2014,) a humble, kind and unbiased writer, developed a powerful language. He shaped words until the essence of his characters stood clear – endearingly visible through sparse dialogues, exposing silent inner dramas all the more. The way I see it, his characters are letting sorrow be – a pragmatic yin approach that helps one to move along with the relentless forwarding force of life.
It is high art that sketches a story with modest words that slip right into the reader’s heart.
‘Our Souls at Night,’ is Kent Haruf’s last novel, published after his death. The story opens with possibilities: “And then there was the day Addie Moore made a call on Louis Waters.” The courageous elderly Addie propositions Louis, a neighbour, widowed like herself, to share her bed during lonely nights. She scarcely knows the man, but acts intuitively on her need for companionship.
Talking in the dark, their hands occasionally touching, Louise and Addie come to value their fragile pact. Even Addie’s abandoned visiting grandson is wooed by the loving regard between his grandmother and her new friend, and their tolerance and tender concern for him, which is, the way I read it, the initiation of a small boy into the wisdom of respect. While the petty gossip of townsfolk adds to the fun of their social transgression and strengthen the closeness they’re forging, the jealous objections of Louis’s daughter and Addie’s son are truly hurtful, and in the end decisive.
Making less use of the environmental atmosphere that sparkles in earlier books; this last story keenly sharpens on the inner sanctuary of lonely people.
The backdrop to these novels about ordinary fates is the sleepy fictional town ‘Holt’ on the high plains of Colorado, which embodies the writer’s reclusive childhood.
In an essay published in the Granta magazine, Haruf movingly shares about his difficult early life, and how it advantaged him later on – follow this link, it’s worthwhile … – The Making of a Writer.
… ‘Years of unhappiness and isolation and living inwardly to myself have helped me to be more aware of others and to pay closer attention to what others around me are feeling. Which are good things if you are trying to learn how to write fiction about characters you care about and love’ …
And he has a message for fellow writers …
… ‘You have to believe in yourself despite the evidence. I felt as though I had a little flame of talent, not a big talent, but a little pilot-light-sized flame of talent, and I had to tend to it regularly, religiously, with care and discipline, like a kind of monk or acolyte, and not to ever let the little flame go out.’ …
Le Guin wrote that Haruf’s “courage and achievement in exploring ordinary forms of love – the enduring frustration, the long cost of loyalty, the comfort of daily affection – are unsurpassed by anything I know in contemporary fiction”.
Kent Haruf’s novels will certainly enrich your reading list during the coming festive day.
And, my wishful thinking, have a sneak at my mythical quest: Course of Mirrors, to be followed by its immersive sequel, Shapers. Funds allowing, please consider supporting my efforts at Patreon
Related … don’t miss this short video about the most compelling story of a woman who found a language for her myth – think of incubation, cocoon, deep, deep desire to protect …
The blue-highlighted links in this post will open new pages – so you won’t lose this page. Thank you for reading.