Tag Archives: photography

… dappled light – a vital joy …

Cello bridge two orbs surge and ebb

as gold-white-silver-and-blue

flicker through the mesh

of vapour and dust

and amid clouds and branches

needle shadow lace

through myths and hollows

in dappled light on solids

… visible pointers

Shadow on door - Copyto deep-breathing space

within – the fulcrum from whence

unfolds everything

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I found a poem by Gerard Manley Hopkins (1844-89) – ‘Pied Beauty’ – more musical and sophisticated than my Haiku attempt,and with sincerity of devotion I can’t muster. Enjoy …

Glory be to God for dappled things–
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced–fold, fallow, and plough;
And all trades, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise Him.

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My thoughts on dappled light are a spin-off from an exchange of comments with my on-line friend Joe Linker who asked:   ‘Framing – How much light to reveal? Shuttering – How much darkness to avoid?’

Imacon Color Scanner

Here a scene from a stormy day in Rye with optimal exposure.

Analogue photography provides brilliant metaphors. No matter how interesting the chosen frame, shutter speed is vital. Too much light will turn the negative dense and dark, bringing bleached-out definitions to the positive print. Too little light produces a thin, transparent negative, resulting in a hard or soggy positive where subtleties of tone are lost. The amount of light is regulated by shutter speed.

In writing this is equivalent to the balance of rhythm, sound and shape of words drawing you into the frame.       I’ll keep practising 🙂

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… the vagaries of days …

My dream sinks to a timeless world the instant I open my eyes and take in the first impressions of the day – a shimmering spider web clings to the corner of the skylight, defined in the early sunbeam – a mosquito hovers drunkenly above my laptop. I recall a similar tiny vampire savouring the taste of my blood during my last day in Darwin; did it converse with this one across the oceans by morphic resonance? P1060804 - lower

Almost two weeks have passed since my return. I miss the Aussie company, and mornings at the pool under the palm roof.

Time is fitting hesitantly into habitual chunks. My body tweaks itself into smaller spaces, and tasks resume their orderly sequence. Breakfast oats don’t land in the coffee filter, and my head no longer collides with the chiming bells hanging next to the kitchen sink. Still, having inhaled another kind of dust for a while, an aura of mystery pervades my familiar environment, and routines are shifting, like I scoff at lists, allowing unimportant stuff to be just that, unimportant.

As the sun pours into the house through the garden door, I step outside. A bright orange hot air balloon almost shaves the branches of the high beech. Another follows, with noisy lettering, not as cheerful as the Virgin one with its clear brand. There being no boundaries to the sky, I’ve the visceral sensation of wanting to shrink and become invisible, musing how privacy and solitude are becoming an issue – there’s only in-back and no out-back left in England.

P1060820 - lower A poem stirs, wants out, but mail demands attention. I share my disorientation with friends. Ideas chatter and juggle into new frames, a changed perception of ‘home.’ What’s home other than moving with the experiences that carry us onwards?

I glance at the patch of Phlox waving from the lush green beyond the window and then distract myself from the screen by trimming a miniature Japonica tree into shape. My blackbird friend comes close enough for us to have a conversation.

I make time for a two hour stint of editing ‘Shapers,’ the sequel to my first novel. Moments of laughter – relishing my writing is surely a good sign, until the next stab of doubt – will anyone be interested in my scribbles? The solution is to keep writing, and trust readers will be pulled into my opus and enjoy the adventure.

Another shot of coffee before today’s therapy sessions begin – undivided attention to process, listening to stories. When silences linger in the devoted space, spirits assemble – we are a crowd of presences meditating on meaning, or the lack of it.

P1060831 - lower Though it was not exactly my birthday, I hosted a small garden party last Saturday, celebrating togetherness with friend. I managed to outwit Sunday’s Hurricane Bertha, which, in my corner, merely brought blustery wind and rain. Clouds parted in time to reveal the brilliant super moon.

Preparing for reading in bed, I catch a tiny movement – a huge spider. Totally irrational, but there’s a wrong time and place for spiders in my house … at night, next to my bed, and it’s a matter of scale. The scenario of a huge spider crawling over my skin plays havoc with my imagination. No time to get a glass and chuck the creature out. I’ve light in my maisonette, but take a torch for good measure, and wait. In a while the monster comes for me from its hiding place among books – full attack! While it baffles me that the sure crunch of a spider’s demise can in such instant bring me satisfaction, it’s also sobering to realise how discordant timing is neither good nor bad, it just is.

P1060834 - smallerGiven the vagaries of experiences each day brings, the only control given to us seems to be pliancy. As I write this, a rainbow flows across a cloud.

‘The same wind that uproots trees
makes the grass shine.
The lordly wind loves the weakness
and the lowness of grasses.
Never brag of being strong.
The axe doesn’t worry how thick the branches are.
It cuts them to pieces. But not the leaves.
It leaves the leaves alone.’
Rumi, The Essential Rumi

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… songlines – family – a wedding in Darwin …

Families are an enigma to me. I value solitude and, yes, company, inner space and, yes, gritty adventure, constancy and, yes, change. I must have been born on a wave of contradiction. With no siblings or surviving grandparents, and my mother gone since 27 years, I’m left with a hermit-like father who avoids communication and  lives at a distance. Well, bless him.

my mother with her grandson

my mother with her grandson

 

Opa and his grandson

my father and his grandson

 

 

 

 

 

 

 

 

Not surprisingly, my sense of family has an abstract quality that benefits my fiction writing. That said, my family extends to weathered friends whose authenticity I respect, my ex-husband included. Last week, our son, Yeshen, and his partner, Natasha, who live and work in London, had their wedding in the tropical Northern Territory of Australia. Sensible, since most of Tasha’s relatives live around the great coastline of this continent, in Brisbane, Sidney, Melbourne, Perth and  Darwin – where we gathered. As a child, like the author Bruce Chatwin, I once asked, ‘why don’t the people from down under fall off the earth?’ Australian children may well think of Europeans as down-unders and similarly ask, ‘why don’t they fall off the earth and float into space?’

The first three decades of my life I moved from place to place, restlessly roaming my inner songlines, searching for footprints leading to a family of mind and spirit, much like Chatwin described in Songlines, the practices of the indigenous people of Australia, who used to traverse their vast territory following the dream tracks of their ancestors, singing the names of everything they encountered on their paths, as a way of bringing their world into being and endowing their lives with existence and meaning.

I travelled all over Europe, have been to Israel, Africa, America … the other side of the planet had never called me. The thought of clocking up over 20 flight-hours made me nervous. Hey, I told myself, this is an adventure. In the end, my passion for clouds outshone my anxiety. A window seat always helps. Without the view I’d feel boxed in.

As the plane cruised over the Bay of Bengal towards my stopover, Singapore, I stared 36 000 feet down and couldn’t help thinking of the plane that only a few months ago went missing without a trace. I diverted myself, as one does when overcome by the enormity of one’s human helplessness, with useless thoughts, like pondering the possible legal implications when bodies can’t be found. Two days after my flight, another plane went down, this time shot out of the sky above the Ukraine. As it emerged, my son’s father was meant to be on this flight from Amsterdam. Due to overbooking, the airline offered a later flight, via Paris, with complementary business class thrown in. He and we were lucky, others were not.

from my window seat

from my window seat

Life is a treasure, if unpredictable – at times beautiful and brimming with joy, at other times painful and cruel, and often exceedingly strange, without rhyme or reason. We like to think we have control, yet know little to nothing about what decides our fates.

It made the wedding ceremony, which took place on an old pearl fishing vessel, all the more precious. The event culminated with the setting sun painting the wisps of clouds salmon pink. It’s my favourite light.

 

approaching Darwin

approaching Darwin

father and son

father and son

 

 

 

 

 

 

 

 

the ring exchange

the ring exchange

the signing

the signing

 

 

 

 

 

 

 

 

the bride

the bride

the sun winks

the sun winks

 

 

 

 

 

 

 

 

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Because the pearl-fishing boat could only accommodates a limited number of people, the ceremony was small and intimate. The images speak for themselves. Later on, a much larger party met for a fabulous reception at the estate of a relative.

There were songs, one specially prepared by the bride’s mother, accompanied by my son’s father on the guitar, there were humorous speeches, there was the glimmer of water from illuminated rock-like pools, festive lights overhead, candles, and the music and slideshow the couple had prepared. The latter I missed and must catch up on, having been too involved with meeting my son’s new family and getting drawn into stories over champagne, wine and delectable menus.

The pleasant tropical winter night, with tables arranged on English-style lawns, was equivalent to a rare, gloriously European summer night. And of course there were more songs, by Mr Palm of Palm Guitars …

Mindil Beach Market

Mindil Beach Market

P1060262lowerIn days that followed, we returned to favourite places.  Crowds gather, especially on Thursdays and Saturdays, at the iconic Mindil Beach with its backdrop of festivities and over 300 colourful market stalls. People come here to watch the sun grow in size as it nears the horizon, and everyone cheers and claps when the last sliver of red drops into the Arafura Sea.

 

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We travelled to Nature Parks, with abundant wildlife …

Palaces built by termites …

Springs, waterfalls and rock pools to swim in, with the thrill of possible crock sightings …

P1060382 - lowerWe enjoyed nights at the waterfront where they serve fresh seafood and Thai dishes, with Sharks and Moon fish beyond the harbour wall waiting for morsels.

Wangi Falls

Wangi Falls

termite palace

termite palace

 

 

 

 

 

 

 

 

the garden pool

the garden pool

Russell

Russell

 

 

 

 

 

 

 

 

Banyon

Banyon

palm roof

palm roof

 

 

 

 

 

 

 

 

On returning, I watched the lights shining from the islands in the Timor Sea. After 4 hours stopover in Singapore, to stretch my legs, and, delight, enjoy a few roll-ups, yes they have smoking areas at this airport, I settled into another window seat, overawed once more by how such super-heavy Airbuses can lift from the ground. My eyes switched between the book I was reading and the screen on my seat showing the flightpath, with the sun moving across to the Atlantic, while Australia’s night was encroaching on India. Endless hours later, England’s south seemed quaint from the air, with its patchwork of orderly fields framed by hedges and lanes. An American friend once called it Hobbit Land.

Home again. I feel like being gently rocked in a cradle. It will pass. I’ve yet to absorb the experiences of my Aussie adventure, still deliciously disorientated by upside down time and a different kind of dreaming. I got a taste of a new world, as good wine that lingers on, leaving a desire for more, like learning about the traditional owners of the territories, the Larika people. If I heard about Darwin’s man-made and natural disasters, it had not registered. The town was flattened twice, first in WWII – during Japanese air raids, and again in 1974 by Cyclon Tracy. Aussies are a resilient people.

Having enjoyed generous hospitality by the brides fathers, stepmother, mother, aunt and uncle, heart warming company by more uncles, aunts, siblings, their partners, cousins, nieces, and their partners, I miss the buzz of the large family, and not least the cute dogs, Russell and Rosie, whose exuberant joy in ballgames included jumping into the pool. I’ll hold the memory of the green shade under layers of palm leaves, the fresh fish served at the waterfront, the buzzing markets, the incredible architecture of old banyan trees, massive baobab and eucalyptus and the impressive series of sunsets. I’m looking forward to visitors, and maybe assist them in exploring places where their ancestors lived in Hobbit Land.

One image keeps playing tricks on my mind, some dark thing, stuff for a surreal crime novel – a giant toad in a freezer. But that’s a story for another occasion.

Technically challenged, I now hope the images on this page don’t jump all over the place once I press the ‘publish’ button 🙂

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… first photos from Darwin …

Our summers are Darwin’s winters with uninterrupted sunshine at over 30 degrees.  From October it becomes too hot and humid for the easy life.P1060366lower

I’m here to meet my son’s new family. In two days there’ll be a wedding on an old perl-fishing boat – an event which Natasha fictionalised in a delightful animation, where all guest are bush turkeys. They do walk in that peculiar way.

 

At waterfront locations are great markets, several times a week. The air is filled with culinary smells from food-stalls. Hundreds of merchants sell leather ware, clothing and indigenous crafts. There are fire-twirlers, puppet shows, picnics, and at sunsets the crowds gather.

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I’ve been swimming in safe places, and yesterday in  a fabulous spring pool, which, I was told later, has the very occasional crock sighting. The water is clear and soft and the falls offer a brilliant free massage. P1060443lower

 

 

 

 

 

 

 

 

 

 

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… physical books I loved to bits…

Aged eighteen, while staying with a family friend in London, I came upon the catalogue of the greatest photographic exhibition of all time – The Family of Man – a mirror to the essential oneness of mankind throughout the world.

The exhibition was assembled by Edward Steichen for the Museum of Modern Art and contained photographs from sixty-eight nations …

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There is only one man in the world

and his name is All man

There is only one woman in the world

and her name is All Woman

There is only one child in the world

and the child’s name is All Children

 

The inspiring collection of images decided my first career as a photographer.

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Ironic, given that my parents’ photographic business had held no interest for me. I realised my search was for what shone through reality, the essence in people and situation. I was inspired by poetry, story, light and shadow, movement, point of view and framing.

Fully embracing this passion started an active and adventurous period of my life, with opportunities to travel and mingle with groups of highly eccentric and creative people.

 

A decade later, at New York’s Kennedy airport, after a several momentous months in Washington DC, while waiting for a flight back to Amsterdam with my husband to be, a title on a book rack screamed for my attention … well, it jumped at me like a dream tiger.

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Man and his Symbols.

You couldn’t find a better window into the ideas of Carl Gustav Jung.

It was Jung’s last project, addressed to a wider public, readers who would not normally come upon the over 17 volumes of his work.

Due to its pocket size, as you can see, the yellowed pages of my copy travelled and have been well-read over the years ….

The book came about through the persistence of the remarkably diverse John Freeman: http://www.newstatesman.com/politics/politics/2013/03/john-freeman-face-face-enigma

He interviewed Jung in a Face to Face programme for TV: https:/ /www.youtube.com/watch?v=FPGMWF7kU_8

Seeing the programme, Wolfgang Foges (Aldus Books,) urged Freeman to persuade Jung to write a book for the general public. Jung firmly refused – until he had a dream. He consequently asked Freeman to act as editor and co-ordinator with the average reader in mind. So it became a collective project between Jung and four of his followers, M L von Franz, Joseph L Henderson, Aniela Jaffe and Jolande Jacoby, and was completed before Jung’s death in 1961,

In his introduction Freeman suggests the reader will find it a persuasive and profoundly absorbing journey … which, for me, was true from the start. During eight hours on the plane, with an occasional glance at my partner, the receding skyscrapers of Manhattan, and the expanse of oceans, my interest in dreams and the unconscious were powerfully validated. The book makes a convincing case for the imaginative life as the most distinctive characteristic of human beings. I totally grokked this: The unconscious is no mere repository of the past but also full of germs of future psychic situations and ideas … they grow up from the dark depths of the mind like a lotus and form a most important part of the subliminal psyche.

Two years on, having become a mother, and living for five years in rural Somerset with treasured time to study, it was C G Jung’s work that inspired me to delve into cultural and mythological research, leading on to my training in psychotherapy, and later still, to write novels.

My shelves contain many more books I loved to bits, and I wonder if digital version of these publications would have had the same lasting impact.

Frankly, I doubt it.

Only today I shared a tattered copy of Kahlil Gibran’s ‘The Prophet’ with a supervision client. She had never heard of the poet and was delighted.

Do you have books that fall apart through love and physical touch and still inspire?

 

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… framing our impressions …

Last week a friend visited, and I took her to a local Sculpture Park set within ten acres of heath and woodland, a place where meandering pathways lead you into a deep dream-scape of rare plants, springs, streams and ponds, and where artworks face you at every turn.

The evening before, over a meal in my garden, we shared stories – about ageing and loosing people, about war-damaged fathers, about writing workshops in prisons. Our discussions often home in on the suppressed feminine in both men and women. So it’s not surprising that while we wandered through the park our two pairs of eyes were resting longer on artworks expressing aspects of the feminine, and our observations mingled.

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I thought I share a few photos of sculptures that caught our attention.

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This bronze figure of an earth mother and warrior combined in one impressed. Her solid stance, yet also her surrender to something other. I took a picture and looked again, moved to touch her rough coat. There were her feet, standing firmly on the ground, a tool or weapon hanging from her belt, the little fists, speaking of determination, and there was her smooth, yielding face turned upwards in ecstasy towards a transcending spirit.

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The endearing foursome forming a protective square made us linger.

My friend reached out to add her hand to the interlocking hands.

P1060117 lowresAnd we loved the little feet …

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I felt a natural affinity with this bird woman, again taking a closer frame, to highlight her relationship to the bird.

It’s talons rest gently in her outstretched hand, bringing a greeting, and maybe a message.

The woman keeps a respectful space between her and the bird, a space filled with wonder, in which to savour the special meeting with her core nature.

 

A most haunting sculpture was this shell of a person. My friend reached into the dark emptiness. I called ‘Hello’ into the hollow and the sound was swallowed up without returning an affirming resonance.

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Later, with the help of Photoshop, I turned the image into a negative, and there you have it – the essence of what we are, light, often hidden.

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Day in day out we absorb a continuous hyper stream of phenomena. What makes us stop and observe more closely and choose a meaningful frame to digest our experience?

Is it an emotion, a sound, a movement, a desire to touch, an association, a memory, a pattern recognition, an inner seeing, the intuition of an essence, a context that resonates with our lives, an interesting angle, a certain light …?

For creatively inclined minds, these processes fuse and culminate in an urge to compose and share the impression of an experience by placing a frame round an image … a story.

A symbolic understanding arrives and signals once more  into the unknown, framed anew.

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LINKS:  http://thesculpturepark.com/

https://courseofmirrors.wordpress.com/2011/10/18/sculpture-park/ post from a former visit

https://courseofmirrors.wordpress.com/2012/12/31/the-inner-silence-of-henri-cartier-bresson/  master framer

https://courseofmirrors.wordpress.com/2011/06/28/what-makes-a-photograph-arresting/ a knack for composition

https://courseofmirrors.wordpress.com/inspiration/ young people observing and being creative

 

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… that deep romantic chasm …

Yeshen, dad, violine 2

Our son was born in the Quantock Hills, and we lived there for a while, in a place where Samuel Taylor Coleridge’s poetry was inspired that deep romantic chasm which slanted down the green hill

England, the green and pleasant land a link with Blake’s words on screen. This older version made me smile. In case the link won’t work https://www.youtube.com/watch?v=bKaJ4b0XYmI

Green hills come with grey skies. Endless weeks of rain leave me melancholic. Then I long for sunshine & hammock days, when fragrances of jasmine and honeysuckle linger until midnight, friends gather round a fire, tea-lights twinkle in trees, a glass of wine or two, or three. This year, sunshine flips to rain almost daily,  green overwhelms as jungle that needs mowing, trimming and hedge-cutting. I’m left wondering if the rare sunny day is worth all the effort and contemplate a Mediterranean lifestyle.

Israel, Carlos, 71, Anna Karina - smaller stillYears back, after three months of filming in a desert – swift sunsets, brilliant stars, marvellous moons, scorching hot days, cool nights, stark and beautiful – I returned to a lush and sensuous Bavarian autumn – myriads of colours, the smell of moist earth, mist, the sweet water of ponds soft on my skin, different kinds of dreams – such a contrast, it made me think how powerfully our temperaments are influenced by climate and weather, in ways we experience ourselves, in ways we feel and think, in ways we express ourselves, write poetry, compose music.

Countries with balanced climate are rare, so it’s unreasonable to expect people to be balanced and temperate. And would it serve us, I wonder? Would it make us too complacent?

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We’re not machines. Each of us has a unique frequency, intricately bonded and tuned with nature’s whorls and spirals in continuous movements of renewal and becoming. I concede, even a single balmy summer’s day brings a smile and restores my senses – blue flowers swaying in the breeze, reading poetry in my hammock.

So I dream of sunshine, but too zealously. As in Plato’s myth of Er,  variety and extremes seem to turn the spindle of necessity and stimulate the imagination. What we commit to in life encounters grit – stuff that grows pearls in oysters and also polishes hearts. And there is the grace of precious moments, when seasons overlap in us, when all our senses are switched on, and the young, curious self, with its eternal projection into the unknown, imagines the unimaginable …

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… surprise – blog tour interlude …

Ruth - watering plants in her allotment.

Ruth – watering plants in her allotment.

Wow – my friend Ruth Paris  joined a blog tour, which is the ritual of charting and connecting-up undiscovered blog-islands in the virtual sea. I was so impressed she took on this challenge I’ve so far avoided, my hand reached for the baton before I knew it. Besides, Ruth’s posts about her ‘middle-of-the-roundabout allotment project’  on her Huerto site are a pleasure to share. Here some photos from Sept 2011. Her recipe page alone is worth a visit … and certainly the virtual islands of the friends she introduces. And it’s true, she does pick out the teeny little stones and whispers encouragement to the weakest seedling. Look at her ‘about’ page and you find she also wears another hat.

The theme of gardens has irresistible appeal. I like the thought Ruth shares, inspired by our joint friend Shazadi – since we can’t change the world we can at least cultivate our gardens – which applies to earth-tilling plots as well as the metaphorical kind. In that sense, here are my responses to the 4 deceptively simple questions this tour asks of its participants.

1 – What am I working on?

I’m editing my second novel, a sequel to ‘Course of Mirrors,’ completed two years back. Last year I was contracted by a small, devoted publisher and am looking forward to having my first novel released in a few months. English not being my first language (more about this here) – allows me the perception of a stranger in the strange land of my psyche, not unlike the protagonist in R. Heinlein’s book. In a way we’re all exiles owning a planet somewhere – be it an inner world.

2 – How does my work differ from others of this genre?

I puzzle over the term – genre. It may apply to career writers, which I’m not. Writing is my moving on from photography, another tool to symbolically express what drives me. Set in an imaginary world, my characters outward their inner conflict, the archetypal tragic/comic exodus I feel entitled to elaborate on. If genre it must be, my novels could be called mythic poetic adventures, gripping magical quests.

3 – Why do I write what I do? 

I may fool myself, but I can’t help thinking that re-creating or co-creating history can make us whole. I’m fascinated by how our fragile identity is formed through early mirroring, how people and environments define us. How we oblige like sleepwalkers and build a myth on these early templates, and inevitably mirror others.  And yet, small shifts in awareness can change our perception from deep within. Each of us brings along something unique we’re yearning to recognise. Without the recall of that signature we feel a lack.  Having been intensely involved with many groups and sub-cultures throughout my life I now tend the seeds I gathered and cultivate my soul garden. using the magic of words that string together and create music, sculpt feelings and even lift the invisible.

4 – How does my writing process work?

It didn’t, until the pressure became so great I decided a few years ago to reduce my professional work and commit time to writing. When a character takes shape and is called on a journey, I trust the narrative will unfold in my imagination. With consistent attention there eventually emerges the emotional coherence of a short story, or a chapter, and another. For me, this process, though enjoyable, happens in semi-darkness. I can’t force the outcome.

Editing is fun, and sometimes torture, which is when I crave diversions – watch birds, make coffee, fix things, blitz-clean the house, sort finances, prune hedges, cut grass … and relieve my pangs of guilt for neglecting friend by stepping out from my solitude. I may go harvesting in public spaces – that is, observing how people move, which I find endlessly fascinating.  On really bad days doubt intervenes and I sulk over the ‘who-do-you-think-you-are’ syndrome,’ until I accept I’m no Shakespeare.

In the end it is always being with friends and reading that refreshes my conviction in writing.  On many levels engaging with people and their stories helped me understand my private myth, and more.

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A few entries on gardens from my archive https://courseofmirrors.wordpress.com/tag/garden/

The task of choosing further runners for this tour from a tapestry of amazingly creative people gave me a headache. To stem the flood, I’ll cheat the rules and introduce only 2 writers to weave the thread onward and hopefully reveal more secret islands.

Philippa Rees

Philippa

Philippa

The book that wrote my life … Philippa says of – INVOLUTION – an Odyssey Reconciling Science and God – an epic poem, and a spiritual revelation. It’s been called a tour de force. In nine cantos the work travels through pre-human involution, the enfolding of consciousness in matter, early man’s emergence on the Serengeti … through the recorded civilizations of Greece, Rome, the Dark Ages, the Renaissance towards Enlightenment and finally Modernisms’ success of science – of which the latter, ironically, obscures the internal story – the story of direct intuition, nous, experience.

I totally grok this.

And I’m looking forward to meeting Philippa this weekend. She’ll join a gathering of my friends and share what sparked her life-long project. I imagine she’s good company, holding memories of gripping stories, including her childhood in South Africa, which she’s beginning to share on her blog, ‘Careless Talk,’ accessed here.

Diane Dickson

Diane

Diane

Diane is a prolific writer of short stories and novellas. She hardly pauses, and generously shares the developing instalments of her work on her website. I’m totally addicted to her posts. Increasingly, she publishes e-books through Kindle and now also in print-versions.

Her characters are usually teetering on the edge of change before they slip into a life-changing crisis. The protagonists are often so hilarious you want to shout – get your act together. Then there’s a cliff-hanger and you’ve  to wait a day or two for the next instalment. Stories range from light-hearted, uplifting, to mysterious and dark and they all have surprising twists. As I said, I’m addicted. A recent published tale is:

The Man who lost his Manbag and Found Himself‘ Here’s a modern day odyssey, and a simple recipe for losing your identity.

Both authors presented here, like so many I came to know during these last years, fought their own publishing battles. I hugely admire and have great respect for their skill and perseverance. There was never a time I did not find selling myself daunting. Even during days of professional success I relied on others to shout out the existence of my ware. I need someone to hold my hand.

Some of my friends are slow in developing their island on the internet, yet offer compassionate mentor-ship I can’t emulate. Notably Evlynn Sharp  We worked on various projects together, and I feel deep gratitude for her support.

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And here more cheating – I’d like to introduce the islands of two young people engaged in the buzz of life, with scarce time for leisurely blog-tours. They’re brilliant at what they do. They make me proud, my son, Yeshen and his wife Natasha Tonkin, a director of animated films.

I wrote about them recently https://courseofmirrors.wordpress.com/2014/03/23/weddings-still-happen/

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… clouds …

Last week, during a flight to Munich, and equally this week during my return journey to London, I witnessed some spectacular cumulus scenes from above, with the moist earth being the canvas.

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The changing cloudscapes drifting on the wind teased my imagination. I wanted to wander into this world that words can scarce describe, be there alone with my own heartbeat, where past and future is one and present. I’m no Percy Bysshe Shelley, who gave an eloquent voice to The Cloud

… I am the daughter of Earth and Water,       P1050995 SMALLER                                                              And the nursling of the Sky …

 

His cloud speaks of the ‘pilot.’

 

… This pilot is guiding me,                                                                                                    Lured by the love of the genii that move                                                                  In the depth of the purple sea …  

Shelley’s time had no flying machines that did away with the invisible navigator. He perceived through the inner eye.

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The first Cloud Atlas was documented in 1896.

Today’s airline pilots must know their clouds 

 

 

Like us, clouds change but keep on living. We and they are fleeting manifestations of nature – a show of impermanence ornamenting this planet. The water of oceans, lakes and rivers, the sap of life, flowing through the perspiration of plants and all living organisms, including the breath of 7 Billion people, clings and seeps into the warm earth only to be drawn up again, where its vapour compacts in cold air and spirals into fluid shapes between us and the blue dome, where all moods find expression – wild charcoal formations with dove grey wisps parading at the horizon, luminous coloured tendrils and satin sheets in slanting sunlight at dawn and dusk, or dewy porcelain veils.

P1050993 SMALLERClouds are moisture made visible. Who knows what information is inscribed and carried in droplets from one place to another? It takes about one million cloud droplets to form one raindrop.

What rises also falls. There is a wonderful Sufi story about this cycle of transformation, serving as a metaphor for identity, the form we must inevitably relinquish to change into another form while maintaining our essence … here told by Terence Stamp: The Tale of the Sands

There is ongoing research of water as an agent – receiving impressions and holding patterns of information. Water can be vitalised, for example, which explains things we know the results of but not the reason. Such findings, while presently called pseudo-science, may yet confirm many of our intuitions. Water is alive, and living things form a centre and have intelligence.

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… the frottage of life …

Aged 14, my confidence and love for writing was shattered by a teacher. She praised a brilliant essay – mine – based on a painting of our choice. The romantic image of a Carl Spitzweg painting I picked had freed my imagination. After reading my essay out in front of the class, the teacher stated it was unlikely the pupil had written this herself and she therefore had to disqualify the work. I was pushed off a flying carpet, too speechless and humiliated to protest. My creative writing went underground. I wrote poetry, in secret.

Water

Water

Images inspire me, they tell stories. Photography came to my rescue, not so much in the sense of recording concrete reality, but more in the sense of sub-creating it. Light attracted as liquid poetry that fell through shadows and sculpted fleeting life. I discovered my knack for framing the essence of a story.  And in the spaces between things I looked for something transient emanating from other spheres. There were moments in my life when finding words for these other dimensions became imperative, like, for example, when working as still photographer on a film-set at the shore of the Red Sea. In poems like ‘Riverhead’ and ‘Sleepless Sun’ I tried to encapsulate such instances: https://courseofmirrors.wordpress.com/poems/

Photography started out with a process of reversal – getting the positive print from a negative film – which is being superseded by digital bit-structured data, leading us into new metaphors for time and space. The tiny window of the laptop I’m writing this text on has become my interior sanctuary. The window of its screen frames worlds well beyond my garden – microcosms and macrocosms. My grandparents would have called this feat magic, which it is, of course. Computers have become our second brains, compilers and recorders of our imagination, easy to share.

The habit of leaves, Max Ernst.

The habit of leaves, Max Ernst.

In search for the invisible hand that animates the unseen, I remember coming upon the technique of frottage by Max Ernst. He was intrigued by the reversal of textures achieved when rubbing surfaces with a soft pencil – be it weathered wooden planks, bark, textiles, netting … For Ernst the results evoked superimposed images and visionary associations.

Whirling Hosta

Whirling Hosta

Not only artists find surprises in the textures of surfaces. Who does not occasionally pause before a weathered wall, lichen-covered gravestone, the grain in a wooden plank, a windswept cloud, a reflection in glass or water, or detect resemblances and fresh arrangements in the shape of cliffs or in the veins of plants? Unexpected patterns call for unfurling, inspire a collage, a scientific idea, a poem, a story,  or painting.

Grain

Grain

We rub off impressions from the ambience around us, especially first impressions – scents and sounds, tactile sensations, patterns of light and shadow, textures, colours and shapes, anything that attracts or repels us.

In a psychological sense, we rub off qualities we find in each other – in parents, siblings, friends, strangers and public figures we admire or despise. From what impresses us we extrapolate and find recurring resemblances. As our imagination sparks random associations involving all of our senses, a theme becomes reflected in our heart, as in a mirror, and informs our personal myth.

It’s what my novels are about, which, I hope, will also have a universal appeal.

Among related posts:

https://courseofmirrors.wordpress.com/2012/05/25/pattern-which-connects/

https://courseofmirrors.wordpress.com/2013/10/07/patterns-of-eternity-humbly-opens-your-mind/

Most of the photos on this site are mine. A selection can be found here: http://500px.com/ashen

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