Tag Archives: art

… she discovered her language …

Expelled from the womb as a bundle of around 100 trillion cells, our tiny body brings along a generous genetic tome of ingredients for traits that dance together in a myriad of potential formations – depending on chance and circumstance. The process of sequencing and mapping the tome of an organism is immeasurably more complex and unpredictable than sensational media articles tend to suggest. http://en.wikipedia.org/wiki/Common_misunderstandings_of_genetics

Add inherited family models and cultural traditions – blessings and curses – this bundle of potential is compelled to fit into a given coat that eventually becomes too tight, or the colour is off, the material too heavy, and most likely the design clashes with our sensibilities. In short, the coat can conceal our potential and our essence, even to us.

The Wounded Angel - Hugo Simberg

The Wounded Angel – Hugo Simberg

The challenge lies between two extremes: to squeeze into the coat or to alter it – and therein lies beauty – the full scale of our different stories unfolding.  We want to engage with the world, find a medium that communicates our unique myth – through being, play, work, service, music, dance, images, words, creating or dismantling ideas and objects. We crave for the ‘aha,’ the recognition, for symbolic understanding, and purpose.

The worst trials often sculpt the deepest processes. We deprive ourselves when judging those who don’t fit the norm, as demonstrated in this video about the Outsider artist, Judith Scott. Her works are exhibited in The Museum of Everything. When late in life she was welcomed in a creative space, Judith discovered a language for her inner history, her myth, and prayer. She devoted herself to wrapping up things, protecting things, keeping them safe and secure. Like many artists through whose very personal process shines the universal, she made psychological and spiritual sense of her genome.

<p>Video from <a href=”http://www.karmatube.org”>KarmaTube</a></p&gt;

In case the embedded video won’t show – it’s a great site:   http://www.karmatube.org/videos.php?id=3563&utm_content=buffer59550&utm_source=buffer&utm_medium=twitter&utm_campaign=Buffer

We’re all artists. Becoming a unique human being is a phenomenal creative achievement. In a culture that measures people against a uniform blueprint of perfection we easily lose sight of the unique perfections arising from within individuals, from within us.

*    *    *

The story of Judith Scott reminded me of a few lines from a Sufi prayer by Hazrat Inayat Khan

… Oh thou – life eternal –

we seek thy loving enfoldment …

15 Comments

Filed under Blog

… the inner silence of Henri Cartier-Bresson …

The Mind’s Eye – writings on Photography and Photographers, by Henri Cartier-Bresson, is a lovely book I received for Christmas from a dear friend. I was reminded how H C B inspired my photographic work with its poetry and Golden Mean, and still inspires other creative areas, including my writing.

Henri Cartier-Bresson - 1972 photo of a Georgian familyFor H C B photography led on to include painting & drawing. For me photography led on to include writing, in the way H C B said: ‘The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain ‘forgets,’ and his subconscious works on classifying his thoughts. But for the photographer, what has gone is gone forever.’

The impact of H C B’s images is hard to define. They exemplify what many photographers aspire to but can’t name. Not only do most of his shots surprise by capturing the essence of a fugitive moment, a magical decisive one, they are framed in a way that touches all the elements of motion in a dynamic balance.

H C B - rest‘My passion has never been for photography ‘in itself,’ but for the possibility – through forgetting yourself – of recording in a fraction of a second the emotion of the subject, and the beauty of the form; that is, a geometry awakened by what’s offered.’

‘I hope I’ll never see the day when photo shops sell little schema grills to clamp onto our viewfinder; the Golden Rule will never be found etched on our ground glass.’

Henri Cartier-Bresson, girl running

 

 

 

 

 

 

I let Henry Cartier-Bresson talk for himself:  http://www.youtube.com/watch?v=MW7I3GBdsBw

Henri Cartier-Bresson, the wallInner Silence

H C B speaks in relation to portrait-photography of looking for the silence in the person. I guess he was looking for the silence behind everything. This silence was most likely what he was attentive to. I conjure that this silence lies between each breath, from which all phenomena emerge from second to second – from that timeless soul-garden within us – which we can tune into.

henri-cartier-bresson-liverpool-1963-c2a9-henri-cartier-bresson-magnum2

What I am saying is – H C B could not have captured these decisive moments without having experienced the silence within him. From this timeless state we glimpse the joie de vivre with its awesome sense of wonder generated and re-generated from eternity that makes life worthwhile and meaningful. It’s probably this glimpse, the ethic of this silent sphere that drives all anarchist artists.

Henri Cartier-Bresson, Sur les bords de la Marne 1938Why Black and White and not Colour?

In 1952 colour film emulsion was not well developed. H C B said then: ‘I am half afraid that this complex new element may tend to prejudice the achievement of the life and movement which is often caught by black and white.’

He was concerned that  composition would suffer and be overpowered by colour. I remember when colour TV was first introduced, I intensely disliked the busy business cramped into a small frame. Colour can however be used as a language, and I am certain H C B would have cottoned on to this had he lived on.

Here a sample of my own to illustrate colour’s use.  http://500px.com/photo/6913693?from=set/266780

In 1974, together with other freelance photographers, Henri Cartier-Bresson founded Magnum Photos. See also: http://www.henricartierbresson.org/pres/home_en.htm

H C B’s second wife, the Belgian-born Martine Franck, was an inspired photographer in her own right: http://www.theworld.org/2012/08/remembering-celebrated-photographer-martine-franck/

I am wishing all my readers and visitors a wonderful creative New Year …. 

12 Comments

Filed under Blog

… memory and place …

I never thought I would live in one place for 23 years, and tend a garden. Its visiting creatures provide inspiration and amusement. I cast tendrils of attachment to secret corners, the changing patches of colours and textures. I observe the cherry and apple blossoms turning into carpets on the lawn, the tulips, blue bells and peonies bursting open in spring, wild strawberries, the abundance of clematis, roses and geraniums during summer, or phlox and fruits in autumn. The space is breathed through by the seasons’ moods and muses. On rare and perfect summer days, when the sun plays through the branches, I love spending time in my hammock, reading and editing, or share the space with friends – bliss.

Yet I can count such days on the fingers of my hands. And not just because of the UK weather.

This paradise is surrounded on four sides by hedgerows, has 5 mature fruit trees and a shed and studio smothered by ivy. Those of you who have gardens with sizable plants will understand the dedication it takes to merely keep annual growth under control.

Is the effort worth it?

Twice a year I need assistance. After the heavy rain and excessive growth we had during spring and summer, my neighbour recently helped transporting two transit vans stuffed full with cuttings to the recycling dump. The excess jungle weighs on my mind each year, but once trimmed and sculpted, the cleared shapes feel like newly decorated living rooms. 

What is it about places we care for? How come we spend so much time and energy looking after them? What we experience through our senses can be fleeting, but where repetition is involves, it becomes fixed and saturated in our imagination. There is nothing as deeply impressive as living in one place through cycles of seasons. We call it home.

In these tumultuous times, a great number of people around the world are forced to leave their homes. Either they have no say in the matter, or they must leave for sheer survival, escaping adverse weather conditions or politics that undermine human dignity. But wherever we land, we inherit the history of a room, a house, a plot, a community, and in turn we leave traces, an influence.

The place survives us. Do we bless it?

Do our personal experiences – including those associated with ambivalent feelings about places and people – survive beyond the brain’s switchboard activity that ties associations into a framework of meaning and memory? My intuition tells me yes, there are spaces in many dimension, floating as in a kind of hologram, which can live on through a strong memory laid down in our imagination, like the next chapter of a story.

In the way of habituation, these subtle forms must remain in some way in the collective psyche, accessible to minds and hearts who tune into their feeling pattern. This could happen via a kind of grid of finer matter (see Eccles: http://en.wikiquote.org/wiki/John_Carew_Eccles) that interact with the denser neural network of our brains.

There are these unanswered questions: is consciousness an emergent phenomenon of matter, or is matter an emergent phenomenon of some finer, spiritual substance?

Either way, if one were to assume that we create the world hereafter by the repetitive strength of our experience, be it with places, people or the passion for a sport, craft, art, music, science,  it bears us well to find something we can love, care for, and empower with our imagination.

12 Comments

Filed under Blog

… pattern which connects …

For a recent book-sharing with a group of irreverent friends (archventures), I had the wish to share so many books that I instinctively reached more or less blindly into one of my shelves. Books in my home, I must add, are in a muddle. The only order to speak of is their relationship to each other through time. I picked Alice in Wonderland and Mind and Nature. During our afternoon of reading there was not enough time to do honour to the latter, Gregory Bateson’s work. So I said I’d write up something. Oh dear. After pages and pages, I finally recalled this was supposed to be a blog-post, not a novel .

I first came upon Gregory Bateson books, ‘Steps to an Ecology of Mind’ and ‘Mind and Nature,’ during the early 1980’s, after his death. The clarity of his notion that biological forms arrange themselves through relationships struck a deep chord. What totally resonated with me was his thought that the structure of nature and the structure of mind are reflections of each other.  He had a broad perspective for a Biologist, and wanted to build a bridge between the facts of life and behaviour, and what we know of the nature of pattern and order. He was active in, and connected up many different fields of study – anthropology, psychiatry, biological evolution and genetics and the new epistemology which comes out of system-theory and ecology. He challenged basic assumptions and methods of scientific investigations, pointing to the processes beneath structures. He quoted Goethe …

A stem is what bears leaves

A leaf is that which has a bud in its angle

A stem is what was once a bud in that position …

And he provoked new thinking: ‘What pattern connects the crab to the lobster and the orchid to the primrose and all four of them to me. And me to you?’ 

His interest in morphology, the study of structure and form of organisms, involved context, meaning and communication. He distrusted reductive models of cause and effect, the scientific approach that lines up parts and classifies them, focussing on quantity.

Comparing systems, one to another, he perceived the mind as an ecological system. And he used the analogy that ideas, like seeds, can only take root and flourish according to the nature of the system receiving them. This thought alone deserves deep contemplation.

He had a way with stories … ‘There was a man who had a powerful computer, and he wanted to know whether computers could ever think. So he asked it – Will you ever be able to think like a human being? – The computer clicked and rattled and blinked, and finally it printed out its answer on a piece of paper, as these machines do. The man ran to pick up the printout, and there, neatly typed, read the following words: ‘That reminds me of a story.’ 

Concerned about the decimation of aboriginal populations (he did field-work with Margaret Mead), the degradation of ecological systems, economic oppression, and senseless wars and arms races, he took these ominous signs of contemporary life to be manifestations of deeper disorders, which he defined in terms of cybernetic systems of communication and meaning that comprise life, mind, and society. In his view, consciousness dominated by purposeful thought has a linear structure that establishes goals and ways for attaining them without being necessarily sensitive to the circular network of cause and effect that orders the systems.

Looking at human consciousness as an adaptive system, he thought the cure for its inadequacies, evidenced by the negative side-effects of purposive rationality, was not to reject it in favour of a passionate non- rationality, as in the extreme romantic position, but to augment and complete it by engaging with non-discursive, pattern-comprehending and emotional processes. He advocated the befriending of the unconscious aspects of the mind through utilising images and metaphors.

In a civilization which separates mind from body, mythologies about the survival of a transcendent mind are often meant to soften the idea of death, or even deny death as part of life. For Bateson, who saw the mind as being immanent not only in pathways of information which are located inside the body but also in external pathways, death took on a different aspect. ‘The individual nexus of pathways which I call ‘me’ is no longer so precious because that nexus is only part of a larger mind. The ideas which seemed to be me can also become immanent in you. May they survive, if true.’  (Afterword to a collection of celebratory essays, 1972)

Yet there are scientists that can no more perceive the language of nature, and politicians who feel beleaguered by sections of society that seek balance and a fresh context towards ‘an ecology of mind.’  The extreme factions of believers, for what else are they, should look again at the bridge  Bateson prepared.

 

This lovely video gives a taste of what it is all about :

Update … I discovered recently, in 2019, that some the links in this post don’t seem to work anymore. Here , however, is his daughter’s great documentary on Vimeo, unfortunately not free, apart from the trailer.  https://vimeo.com/ondemand/bateson

Looking at the structure of nature and the structure of mind being reflections of each other, it becomes obvious that not only does nature mirror our habit of thinking, but our thinking also mirrors the state of nature. Ecology and psychology must therefore both engage in listening, and seeing, and working ceaselessly towards the integration of knowledge and the re-adjustment of a dynamic balance.

I could go on, but want to bring in a famous painting of Icarus by Brueghel.                                                             Anthony Stevens, a brilliant expositor of Jung’s thought, used the painting as cover for the first hard-cover edition (1995) of his book Private Myths.

http://www.anthonystevens.co.uk/index.html

 

 

 

 

 

Stevens quotes from a poem by Wystan Auden:

In Brueghel’s Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water; and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

Had somewhere to get to and sailed calmly on.

What goes up must come down. Who knows how many Big Bangs there were before the one we so ardently explore? There is an organising intelligence behind life’s cycles, while consciousness forever expands. Thinking in metaphors we can perceive similar patterns, forms in nature and mind, cosmos and psyche, mirroring each other across scale and time. In other words, life teems with realities we can tune into, as long as we assign context and meaning.

Check out Gregory Bateson’s books ‘Steps to an Ecology of Mind’ and ‘Mind and Nature.

His family continue his work: His daughter Nora and his wife – Mary Catherine Bateson:   http://www.interculturalstudies.org/main.html

Peripheral Vision

 http://www.amazon.com/exec/obidos/tg/detail/-/0060926309/mead2001centenni

Free chapters of Angels Fear:  http://www.oikos.org/angelsfear.htm

Nora Bateson, recently created a film:

http://www.anecologyofmind.com/

Last not least, the themes:  pattern which connects, mirroring and bridging, are subjects of my novels.

25 Comments

Filed under Blog

… sculpture park …

Dreams in stone, fairy horses, quills that use earth as ink, see-through elephants, surprises in the ponds, ghosts, flowing stone, water magic and mysterious circles …

Inspirational hours with my son and his partner at the ‘Sculpture Park’ in Surrey, near Churt.  So  close – and yet I had never visited the place. Like the man behind the bar in the pub opposite, who worked there for many years and not once stepped through the gate across the road. Makes me think of worlds we miss by the blink of an eye.

Here are some images of the place …

magic circles to other worlds …  

If you’re in the area, don’t miss it: http://www.thesculpturepark.com

9 Comments

Filed under Blog