Marie was one-of-a-kind, a unicum, einzigartig. Considered a fool, she was waddling through the streets of my childhood village in search of rejected items.
Based on a few photos my dad took during the nineteen-fifties, I put a challenge to my Patrons inviting a short story (250 to 500 words) to include in a post here. I’m starting with my version, in the form of a monologue.
Sweet are the uses of adversity
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything. (As You Like It)
Marie found good – even in the flawed. She says:
… I have you know, my great, great, great grandmother, add one, was a noblewoman in Russia with more material means than King Ludwig of Bavaria, and an equal flamboyant imagination. Like the Fairy King’s life, hers was cut short through envy.
My life, too, is in service to art of some kind, though nobody envies me.
At least that’s what I thought for a while … some do envy me – the treacherous bunch in this village, the ones 
chased by hungry spirits hovering over their houses. They resent and envy my freedom. I scare them, because I remind them of the ravages of time. I’m beholden to no one, which is why they spread lies about me. I’ve sharp ears.
You know who, down the road, claims I’ve put a spell on his family, so his wife will only bear girls. The bully doesn’t know his blessing. A son would topple him. And his trickster of a neighbour, you know who, blames me for his impotency. He doesn’t know his blessing either. The mishaps some people complain about may actually save them from much, much worse. Just saying.
And so from hour to hour we ripe and ripe,
And then from hour to hour we rot and rot;
And thereby hangs a tale.’ (As You Like It)
There you have it. Ask me anything and you get truth, since I’ve got nothing to lose. The absurdity of human behaviour makes rejection bearable. I learned to live with it. Consequently, my brain cells can’t help being impressed by discarded objects. It’s compulsive. When you get there one day, remember me, the woman in the street, shouting, ‘We ripe, we rot, it’s all the same. Do as you like.’
Nothing goes to waste with me. My backyard is the showroom of my art, for all to see. I give every item the freedom to be and decay, ache over its beauty, and let it speak for itself.
That rusty teapot hanging from the tree over there has outlived its owner. If you gave the pot a voice it would tell you how it was used to kill a burglar, a scoundrel, bringing misery to his family. Blood still crusts its metal edge. There’s justice for you.
That scruffy carpet leaning against the fence, which had three generations walk, dance, fight, puke and sleep on it, holds a rich legacy of tales. The well-used tools in that box among the dandelions could still fix and dismantle implements. And the mangled doll on top was once loved to bits. With your mind at rest you can hear kids scream and battle over its possession.
Each thing stacked up here has a Sermon to tell.
And now you want to see what’s in my shack? You’re a nosy one, aren’t you? I tell you a secret. It’s hellishly empty.
Course of Mirrors 