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… lap of fate … part three

Anticipated by some, here is another instalment of Lap of Fate The short story is under construction and open to changes. I am grateful, well, hungry for feedback. Thanks.

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I recited a short prayer and pushed the wall section until the opening was big enough to step through. The staircase! … I rushed to get a candle. Bracing myself, I climbed up the spiral, shielding the wavering candle-flame with my hand. Sunlight needled through the shutters and revealed a lofty space with a further staircase leading to galleried sections under the roof.

I noticed a scattering of shrivelled oil-paints tubes, brushes in jars and an array of structures. Three easels held frames shrouded by dust-sheets. I removed the first covering. An exquisite oil painting of a beautiful woman standing naked and serene, eyes closed, in a pit of snakes –  so lifelike I expected them to slip from the canvas and drop to the floor.

Absurd, how slithery creatures scare and repulse me. My feet itched to run. Instead, I warmed to the composed calm of the woman and had the sensation of a déjà vu that felt strangely like coming home.

Feeling brave, I pulled away the cloth from the second frame. Clergy never appealed to me, though this seated, scarlet-clad cardinal beguiled me with a beatific smile … until I noticed his hands caressing a snake coiled in his lap.

I drew back, not from the snake, whose singularity had a stylised quality,  but from the allusion that piety and sexuality might energise each other, and the underlying desire for unity could be seen to satisfy the same end. An idea my adopted mother might have called blasphemous. The painting would cause a scandal in this still deeply-religious country. I stretched my imagination towards a symbolic interpretation, the lore of circular time, but dismissed it as an excuse to silence lingering doubts. I began to grasp the ambiguity behind keeping this space in darkness. Yet there was a sincerity. The depiction of sexuality, intimacy, devotion and parody showed no attempt to glorify or vilify.

Contents aside, I was awed by the genius of the artist and anticipated another masterpiece, being fairly snug about my capacity for tolerance. The third painting made me flinch – the same clergyman in the same chair, rapt by the same exalted smile. His frock parted, he held a young girl to his lap. What made the image truly disturbing were the hands of the man, fine hands, bunching the girl’s lifted nightdress round her waist ….

Abu was barking outside. I had been too captivated to hear the car. ‘Oh Madre de dios … me ayude!’ A woman sounded hysterical as she dragged herself up the narrow stairway, causing the metal structure to judder with the clanging prod of her cane.

‘La senora!’ called the familiar voice of the agent, anxious for his client.

‘Su estancia alli abajo, el Sr Lopez Diaz.’ The harsh command warned him to stay out of this.

I stuck my candle to the last easel and faced the inevitable showdown. A shock of white hair surfaced from the stair-hole. Fragile, much older than I had expected, she gave the impression of a china doll, dressed with meticulous care. Her gaunt body was dominated by intense blue eyes. Like mine – a fleeting thought. She was the woman in the first painting, and the girl whose trust and dependency for love was exploited by the cardinal. I reached out – afraid she might fall, but remained rooted to the spot, petrified. The exposed paintings seemed to claim her, pull at her with invisible tentacles. Finally she gasped for breath and shuffled to a table for support. She shot me an anxious glance, weighed my reaction to the appalling image, and stepped towards it, leaning forward on her cane. I sensed a struggle, as if she tried to borrow my eyes, while hers misted, veiling infinite sadness.

Candlelight caught on the cardinal’s scarlet skull-cap, the pale legs of the girl, and the angelic face, raised adoringly towards her abuser’s smile …

Continued at … https://courseofmirrors.wordpress.com/2012/02/12/lap-of-fate-part-four/

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… lap of fate … part two

The second part of the short story inspired by a recent visit to Spain. As events unfold, I may insert subtle alterations to earlier instalments.

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That moment my mobile played its carefree tune. Here comes the sun … I knew it would be the agent, having second thoughts about allowing a single, middle-aged woman to camp in a deserted house. I fumbled in my bag on the floor for the phone. ‘Hello. Yes, yes, gracias. I’m fine. Chimney … flue is clear, all cosy with the fire. And the night sky is magnificent … no, no, I’ve everything I need … yes, todo está bien. Thanks again. Bye, bye.’

The super-dry logs had burned to embers and a threat lurked in the far corner. I conjured up creatures coiled to jump at me any moment. Snakes! Oh no, big mistake, don’t think of snakes. I lay motionless. Blinking, to keep my eyes open, I stared across and beyond the floor to where I thought the thing was hiding. I saw a glitter there. I felt observed.

A growl – or was it a lament? My heart thumped in my throat as I reached into my bag for the tobacco-pouch. I flicked my lighter, lit a candle and held it up.  Curled on the heap of rags to where I had brushed the scraps earlier was a dog, a slight, elegant creature with short pale pelt. Its wild, not fearful, but contesting this-is-my-territory look fixed on me. Cornered dogs were dangerous, though this one chose the risk. To confront a human intruder takes courage. Water, food, some gesture was needed to befriend the animal.

In slow motion I shifted my feet to the ground, unscrewed the bottle of water next to my bed and walked towards the stone-ledge round the chimney where I had dumped my cooking gear. I lit a candle and poured water into a bowl. My movements were tracked for the slightest sign of mismatch. I set the bowl down in the middle of the room and retreated to my bed. Exhausted from the effort, I rolled myself a cigarette.

The dog didn’t stir. ‘Come on, the water is for you.’ Ears perked, that was all. Our eyes locked in combat – a staring test. ‘What do you want?’ I got up and broke off a piece from my bread, added a chunk of goat’s cheese and placed the morsels next to the water. Back under my blankets I prepared myself for a long wait.

From outside came a bark. My visitor growled.  Company was unwelcome. There must be an opening for animals to slip in to the house. Tomorrow I would camp upstairs and close the door on me. Tomorrow was a long way off. My thoughts drifted to Cora, the puppy that had been given to me for my tenth’s birthday, a spaniel. Neighbours adopted her when my father died and we moved into an apartment. Cora liked chocolate.

A slight thud – snakelike, the dog slid along the floor towards the offerings. Outside another bark broke the silence. My friend tensed but kept quiet. Did I think  – my friend? After careful sniffing he daintily consumed the meal, and, without giving me another glance, bounced from the room and disappeared. The presence of a dog that had eaten my food was oddly reassuring. I blew out the candle and fell asleep.

A chorus of birds signalled sunrise. I glanced to the corner of the room now empty of last night’s visitor. The rags turned out to be a frayed woollen cape and shreds of trousers splattered with oil paint, bringing the mysterious artist to mind. With an urgent need to freshen up and explore I skipped breakfast and made for the stream. The clear water purled through my hands like liquid gems. I splashed my face and would take a dip later on. Looking back at the house it appeared seamless, as one, but for the bleak air surrounding the semi.

There are instances when man-made laws ask for transgression. My state-of-the art Swiss army knife had a screwdriver. I detached the padlock from one of the spider-webbed shutters. Peering into the twilight, there were rattan chairs, a round table, dated kitchen facilities and an ornate spiral staircase near the partition wall, against which was an empty shelf.

A snarling – my friend. ‘What’s the matter with you?’ I screwed the padlock back into position. To pacify the dog, I surrendered a bite of my treasured dark chocolate and made sure all food was out of reach on the chimney mantle. While he devoured the treat, I moved across the hall into the rooms adjoining the semi and noticed a shelf looking similar to the one on the other side. My new friend had sneaked up and was yapping. His puzzling behaviour and the coincident of fixed shelves on both sides of the wall in the same position sparked an idea. In the past, my shots in the dark had been rewarding, giving me a certain confidence in areas of the immeasurable.

The sound of a rough engine labouring up the hill distracted my musings. Annoyed, I went to check on the intrusion – a banged-up jeep. The local farmer wanted to know what was going on. In my broken Spanish I said I was planning to buy the property and had been allowed to stay here. The furrow between his brows deepened. He waved an arm, ‘Asustado,’ he said.

‘Un momento!’ I ran to fetch my dictionary.

‘Frecuentado por fantasmas,’ he emphasized on my return.

‘Yo no creo en fantasmas,’ I said, standing my ground.

He shook his head and forcefully reversed the car. I caught ‘turista estupido’ before the jeep vanished in a plume of dust.  So the place was spooked, or neighbours wanted me to believe so. Not that I disrespected ghosts. They gave an edge to my goal, is how I saw it.

The dog re-appeared. ‘You must be the guardian of this place,’ I said. He wagged his tail. Finally – an acknowledgement of my presence – and acceptance. I smiled and went to boil water for a much desired cup of coffee. ‘I’ll call you Abu,’ I said, rolling a cigarette, at which he wagged his tail with even more enthusiasm. There was text on my mobile, a message from the agent. ‘Owner expected today. She not sell semi yet but reduce price.’

My mind quickened. She needed the money. I would tackle the ghosts and buy the entire house. Back at the partition wall, I scanned every inch of the shelf and discovered a hook behind a plank. I pulled. Nothing happened. I pulled again and pushed at the same time – the whole shelving creaked and shifted. Abu’s frantic bark made me twinge. His pelt of hair stood on ends.  He tucked in his tail and sprinted off as if chased by an abysmal force …

Continued at  … https://courseofmirrors.wordpress.com/2012/02/06/lap-of-fate-part-three/

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… lap of fate … part one

Part one of a short story inspired by a visit to Spain … please note, all characters are invented.

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’No worry, ‘he said during my first viewing. ‘ Solo tiene valor sentimental para la señora …’ meaning, I guessed, the semi-detached part of the house had only sentimental value for the old lady. He was cautious with words, and my Spanish dismal or I would have pushed for more information.  By chance, the elderly expat owner of a local restaurant was more forthcoming.

‘Hacienda Colina, you want to buy the abandoned place? I remember Señora Ruiz Gonzales. She dined here on rare occasions, with her artist friend, a mysterious man. There was gossip.’

She had offered bait, I asked, ‘What about?’

‘They weren’t married.’ I shrugged my shoulders. She nodded. ‘People are biased. I heard her parents died young. She grew up in a convent. When she returned to live here with her painter, she was, well, let’s say mature,’ a laugh escaped her, ‘like me.’

‘What happened, why did she leave?’

‘Her lover died. Let’s see … sixteen years ago.’ The woman pressed a hand to her heart. ‘The señora  moved to Barcelona.’ It seemed rude to pry further. A last snippet came. ‘She returns annually to commemorate her friend.’

The discreet agent had hinted at an unfinished tale. And, as if anticipating a resolution, he promised, ‘You get first right to buy semi,’ stressing it was not a financial issue.

Hoping to learn more, I had asked him. ‘Can I look inside?’

‘Sorry, no key.’

Not even a glimpse. Window- shutters were closed and secured. My obvious disappointment and desire to buy made him agreeable to let me camp in the main house for a week. I assured him I would make do with the poor facilities. It was a blind bet, but I wanted to know the spirit of the place.

A writer’s dream – the worn two-story house nestling against the hill in the afternoon sun had golden mean proportions that intuitively appealed and captured my heart yet again. There was rightness about this spot in the hills of Granada. I would put my English home on the market as soon as had clarity about this property, especially the wing I wanted included in the sale.

Navigating potholes during the last stretch, I scraped the exhaust of my rental car. A four-wheeler, like the agent’s, would have been sensible. As well I brought all basic supplies for the week, including incense, candles and broom. Water and power were laid on but not connected, a small matter. I carried bottled water,  gas-cooker and blankets. And stored in a shed smothered by rampant honeysuckle, there was plenty of wood, though no fires had been lit in the dwelling for years. The agent had been philosophical. ‘Smoke in room means birds have built nest in chimney.’

One hour of sunlight left. I parked at the arched side gate, turned off the engine and savoured the silence, made exquisite by the murmur of a small stream close by. A familiar inner voice scoffed – the peace will be ruptured if anyone were to occupy the semi. I warned the critic – get lost – and walked round to the front. No fancy terraces here, Spanish peasants had worked hard to survive and overcome the prejudice against olive oil.

They would have found scarce time to laze and adore the gnarled trees, their crowns iridescent like clouds of dragonfly wings against the slanting rays of the sun. Beyond, the south-western valley filled with muted light. I would build French doors and a balcony to the upstairs bedrooms, providing a covered porch below. The design was clear in my mind, down to the wine and fig plants growing up the posts. And a dip further down the slope was  asking  for the purple rain of a jacaranda tree. I already saw myself sitting under the porch, writing my next novel.

Work to be done before nightfall. I let myself in to the hall and opened the window in a front room that had a large fireplace. I gathered an armful of kindling from the olive orchard and set it alight in the hearth. First victory, no bird nests blocked the flue! I brought in chunky logs from the shed and stoked up the fire.

Before getting food and bedding from the car, I swept dust and litter into one corner where there was already a pile of rags. Once I had placed candles all round and set out generous amounts of my favourite Japanese incense the room was transformed. With a little bread, cheese and a bottle of Merlot, I sat out front on a rock to watch the hills sharpen to black topped by luminous purple.

My desire for change was urgent. I felt overwhelmed by excess information, excess communication and excess demands, having lived in one place for far too long. But what was I doing here, in this desolate spot, discounting the probable myth of a Spanish ancestor, what was I seeking to unearth through solitude?

Inside, the fire glowed and crackled. I pushed an old table to the window and sat on a rickety chair looking up at the darkening sky. The empty page of a notebook remained just that, empty. Grimy walls swallowed the light my sea of candles might otherwise have reflected. I grabbed a blanket and went outside. With only a faint sliver of moon, the brilliant copula of stars dispersed my fussy mood. Yes, I wanted solitude, the rawness of nature and an open link with the cosmos, vast space to connect up the most vibrant threads of my life, to create stories that made sense. Instead of spinning more silk, I was going to weave inspired tapestries.

I locked the outer gate and, from habit, left the inner doors ajar. Bliss – days ahead with no junk through the letterbox, no e-mails, no obligations – a week of reflection and tranquillity. I unfolded the camping bed, arranged my blankets and blew out all candles. The glowing logs cast a ring of mellow light. Images returned, from today’s hectic shopping spree for my survival kit. Sleep did not come. The warren of empty rooms played tricks on me. What had possessed me to come here alone?

Twisting shadows pranced across the ceiling. I shut my eyes, imagining the colours and fabrics I would transport here to soften the place.

A scream pierced the silence, something outside, an animal. The window had none of the iron grids usual for this area, and it was open. High enough, I thought. Nobody could climb through unless they used a ladder. Of course, a bat or an owl could fly in. Gosh, where did all these stupid thoughts come from? A flash alerted, not of light, but of a dark shape intercepting the illuminated space before the fire. My food bags must have attracted a rat. The shape swelled in size and seemed to retreat into a corner. My rational voice demanded I shine my torch onto the creature. My torch, I realised, was at the hotel, the last item on the table, left behind  …

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Continued at … https://courseofmirrors.wordpress.com/2012/02/02/lap-of-fate-part-two/

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… biofeedback & the mystery of breath …

Ill-health suits numerous corporations whose massive revenues rely on it. The hypocrisy of this situation is obvious. Most ill-health develops through a lack of rhythm between activity and relaxation, and the lack of places where people can find a calm environment and the privacy to relax. To start with, imagine the benefits if relaxation were to become a main subject taught in schools … ? Children would learn that everything travels on the breath.

http://sufimessage.com/eastern-rose-garden/mystery-of-breath.html

Biofeedback has been known in the East for thousands of years. Hindu practices like Yoga and Pranayama, for example, are essentially biofeedback methods. Some yogis are known to achieve control over their physiological processes.

One of the instruments developed in the West to measure physiological processes is the electroencephalographEEG. It demonstrates the amplitude of electrical activity in the brain. The feedback provides awareness that enables the manipulation of physiological functions at will, including brainwaves, muscle tone, heart rate and pain perception. One of the benefits of biofeedback is that it can improve psychological health, since the physiological changes occur in conjunction with changes to thoughts and emotions.

By consciously experiencing the relationship between body and mind sensations, desired changes can be maintained. The method has been used successfully with groups of young people to improve management of anger. I don’t know why it is not applied more widely.

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A disclaimer – this post is meant to draw attention to biofeedback, no more. If you are interested in this subject and want more precise information please explore relevant sources of information.

Below are some basic states of consciousness. 

Beta State (13 -20Hz)

Day-to-day state of attention, orientated to the outside world, geared to focused, practical tasks. Higher than 20 Hz tends to produce hyper vigilance and anxiety.

Alpha State (7.8-14Hz)

A level reached during relaxation, when stress lowers, the pulse slows and blood pressure drops. According to the quality of consciousness, intuition operates, and subconscious information can be accessed, like childhood memories or past lives. Inspirational and creative moments are more frequent. It is also the state just before falling asleep and just after waking.

Theta State (3.2-7.8 Hz)

This level of deep relaxation is good for regression. Images and emotions can surface vividly. Creative imagination, self-reflection and cognitive processing of perception become possible. There can be a feeling of inner peace and being at one with the world. When a detachment from the physical body is sought, pain ceases to exist. REM sleep dreaming and hypnosis belong in this state.

Delta State (0.1-3.2Hz)

Some mystics and intuitive people can access this level while awake, in other words, they are able to remain conscious during deep meditation. Normally this state happens only during deep sleep, when unconscious or during a coma.

 

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… inner voices …

She talks to me, I talk to her

We echo each other’s time

For comfort

Or we discuss patterns

That cohere – and entangle

In this wondrous web of tales

Glimpsed during twilight

She mirrors for me what was

I mirror for her what becomes

Yet in the silence between us

Flows a vibrant river

Pulsing with our true name …

 

Ashen

I was writing the above poem when this image arrived –  of the Cardo Mountains in Tarragona – the sky at sunset seen on the 5th of January 2012 by my friends, Agnieszka and Harold, from their terrace. It conveys something of that mystery between times.

 

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… about time …

Finding this ancient tale again, I wished a king had asked me years ago to write the story about a quest for The Real …

A LITTLE STORY ABOUT TIME

Among Chuang-Tzu’s many skills, he was an expert draftsman. The King asked him to draw a crab. Chuang-Tzu replied that he needed five years, a country house, and twelve servants. Five years later the drawing was still not begun. ’I need another five years,’ said Chuang-Tzu. The King granted them. At the end of these ten years, Chuang-Tzu took up his brush and, in an instant, with a single stroke he drew a crab, the most perfect crab ever seen.

Still, some things happen for a reason before the reason emerges.

A very inspiring New Year to all of you here …

 

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… circular versus linear time …

In rural Spain the young people leave for the city to chase the future. Houses crumble in the hills where the past is guarded by the older generation, or so it seems. When families shrink the olives stay where they drop, and nothing sells without a brand.

Some brave souls, like my friends, Harold and Agnieszka, return to the land and make self-sufficiency into an art form – a beautiful ecological haven where water comes from a well, food from the land, and the sun’s light and heat is captured to provide under-floor heating, as well as casting an iridescent haze that cheers the heart and bronzes the skin.

Total calm descends during late afternoons, when the sky becomes a canvas to all colours and darkens to night, sparkling with deep layers of stars invisible to the city folk. In the blink of an eye the world appears again in a new gloss of day.

Harold pondered on the slow, enduring movement in circular time, recalling the other life we all know too well, where the measure of things completed is treasured before we rush on to the next project.

Both qualities of time, circular and linear, have their beauty.

As I walked in the olive groves, a  thought popped up – followers follow those who feed them. Could one be neither follower nor feeder (leader)? Would this bypass nature’s law? Like resting at the centre of the grindstone and not be crushed? Would it be living like a beggar receiving what is surplus and freely given? Like where presence alone illuminates the heart in which peace abides blessed by the invisible source. There are such states, tiny escapes, small eternities, in-betweens, unexpected gifts of nothingness, when the world stops to laugh at its beautiful mirage.

So here we are, after Christopher Columbus, standing now proudly pointing at the horizon beyond Barcelona’s harbour, while a plane comes in tickling his finger, he who at one stroke widened and shrunk the world with his vision. Would he want to play with this shape and time-shifting capacity? What territories would he explore today?

Returning through Gatwick I had a tantrum. I rarely have tantrums. How it happened that I landed in a queue of people who (presumably) volunteered to undergo an iris-recognition-test I can’t recall.

This is the future, where you walk through a cubicle and look into a mirror that reads your eyes to establish whether they correspond to the photo in your passport. Each unique individual becomes data enshrined for their lifetime and beyond. I sabotaged the process for several irrational sentiments. Who wants to look straight at their exhausted mien after hours of queuing and ignominies  at an airport? I hated the intrusion – eyes being the mirrors of the soul – and, I figured, thousands of jobs will be lost since scanning passport and eyes alone will herd the masses along.

I found myself in the cubicle avoiding the mirror, which meant the stupid gate remained closed and I was trapped. The official encouraged me repeatedly to look directly into the mirror … I blinked frantically … of course the gates refused to let me through. Finally I stomped my foot like an angry toddler and consequently was allowed to pass through a human gate.  In that instance I powerfully grasped the indignities and the dehumanising experiences so many people had to endure and do so continuously, being sifted by whatever power resides, experiences I was spared all my life. And this is me, who am normally fairly open to new technological inventions. Is this my limit regarding progress, or do I sense an issue here,  a host of abuses that potentially lie in the wake of artificial eyes … ? What do you think?

Here are some images from my week in Spain …

http://www.facebook.com/media/set/?set=a.10150489460439004.392235.795239003&type=1&l=b0fd26f7ad

 

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… cognitive dissonance, yes …

First of all – I’m wishing all my friend and foes sparkling, blessed and worthwhile festive days.

In the New Year – wouldn’t be great if we could take first steps all over again? … And resist making others walk, since  they get more satisfaction from accomplishing this feat themselves.

I’ll never forget the first day my son walked, on his first birthday. He rose, took a few steps, fell, rose again, took a few more steps, fell, and so on … By the end of the day he walked – beaming with pleasure. I had the wisdom not to interfere – a wisdom I did not always apply to myself or other people in my life.

And if you’ve walked beyond the edge … you might like Gide’s quote …

‘One does not discover new lands without consenting to lose sight of the shore for a very long time.’

Which brings me to the theme of ‘cognitive dissonance.’

The Four Horse Men …

http://www.youtube.com/watch?v=9DKhc1pcDFM&feature=player_embedded#!

http://www.youtube.com/watch?v=TaeJf-Yia3A&feature=relmfu

Watching these hour-long sincere debates between Richard Dawkins, Daniel Dennet, Sam Harris and Christopher Hitchen, I had the following thoughts:

Split brains are unstable … a good thing, because  cognitive dissonance is vital for evolution …

Knowledge will always be a blessing and a curse and that’s our challenge …

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And here the poignant reflection of a man whose’s thoughts penetrate the heart:

‘Thoughts are beings that generate … One thought of kindness gathers a thousand beings of love and kindness around one.’            

Hazrath Inayat Khan

 

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… I miss my cat …

Yes I do …

 

 

 

 

 

 

 

 

 

 

When I sat down quietly to meditate she joined me, unfailingly,

from wherever she was hunting. I always thought that was amazing.

 

 

 

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… we attract more of what we hold in our heart …

I appreciate feedback – please comment. Wrapped up in doing another edit of Course of Mirrors before I head for Spain , I came upon this scene in chapter 21 – below – where Cara, Ana’s soul-sister from the twentieth century, interacts with her in a dream. In the previous scene Ana finally learns from her mother who her natural father is and has her suspicion confirmed. To mend hearts is not easy.

This first novel was character driven, and I get never tired of editing (reading) it. This must be a good sign.

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Having wandered unseeing through a copse, I nearly  tripped over a branch. Beyond a downhill clearing, amongst a cluster of beeches, were the tell-signs of a tree house.

Animated, I ran as fast as my legs allowed. A rope ladder dangled from the beech, which I climbed. Under tattered canvas awnings the generous platform had a low table and seating. In a casket, I found items wrapped in waxed cloth – oil-lamps, and blankets. My beloved sanctuary all over again, Luke must have been here or even built the den. Expecting a clue I found one. Carved in the main trunk were the weathered remains of the familiar heart with wings and underneath it faint letters – S&Z – clear evidence to torture my mind – S for Sirus. And Z for Zara, whom I had not met. They were pupils of Ruskin. They would not have known they were siblings. I had heard of their tender friendship. Sudden jealousy crushed me. Luke cared for her – I had no special place in his heart. I wrapped a blanket round me like a tent. Was he still caged in that dark room? Fingering the ruby heart, memory brought a scent – musk trailing in Luke’s step. Curling up on the hard planks, a fantasy unfolded – us together in Magna Spring. We could both explore new ways of seeing … the song of a blackbird lulled me to sleep … 

I walk through endless corridors. A shimmering being by my side radiates golden light and opens a door for me to step through – and another – door upon door. I am guided through a labyrinth. I wake to voices. My eyes open to the surroundings of a sick ward. I don’t want to be here and shut my eyes again.

‘Is she all right? Has she lost her voice?’ Mother worries.

The ward sister reassures. ‘She will come round.’

 I want to prolong the peace and drift into another dream. Cara appears and says, ‘This was my dream. The golden being resembles your Sat, a protective presence that is part of me.’ Cara observes my surprise. ‘Unseen beings live within us. Reality – in any world – is what we accept as real in our imagination. Come, Ana, I will show you something.’

She takes my hand. We enter a small room crammed with students around complex machinery. Colourful lights flicker on dark panels with rows of buttons. They are marked by numbers and letters. The atmosphere is one of a starlit night. Behind the panels sits the tutor, a burly man with a red beard, resembling Tatum. He talks excitedly about the expansion of a single bird sound and demonstrates how this is done. 

At the press of a button the melodious trill of a blackbird fills the room. The tutor runs his fingers over the lights and slides knobs on a panel. The blackbird’s tune repeats itself. Its sound is stretched and then overlaid, softened, strengthened, speeded up, slowed down, turned round in time and overlaid again, forwards and backwards. The tutor extracts a rhythm, sets a base note and adds different keys at different speeds, until the bird’s song has been absorbed into a strange and beautiful symphony. A hush fills the room. The tutor sits back and beams. We share his happiness. ‘This, my friends, can evolve from the trill of a blackbird, using a digital system.’ 

I want this explained. Cara pulls my hand and we drift into another space, a garden, where we settle on a stone seat. She looks at me with eyes that always seem like my own. ‘In your world, sensual date is recorded on surfaces. Scores, texts, images and numerical figures are imprinted on tablets and fibres. Copies are made, and copies of copies that eventually decay. In my lifetime we record sound and condense any kind of information into binary codes, which can be multiplied and rearranged indefinitely. 

‘What’s a binary code?’ I ask 

‘A system based on light pulses that switch on and off. Used in endless combinations and sequences these pulses transmit unimaginable amounts of information – weightless – in abeyance – send as bit-strings to a particular location. On arrival they are temporarily assigned to a context, decoded, expanded and reassembled. A play of random associations can offer fresh insights, as happens in dreams. Snippets, like the bird sound that became a symphony.’

What she describes is beyond my grasp, but the idea of reassembly sparks my excitement. ‘I cut my paintings of seascapes into squares and patch them together into a new image, joining different perspectives to express my sense of the vast body of water.’

Cara laughs, ‘Exactly you’ve been using the same idea!’

‘Some fellow students think I am making a farce of reality. My tutor thinks I show what is beyond the eye. It is not a lie. I express what I perceive, a kind of energy.’ 

Cara says, ‘our heart-mirrors reflect deeper realities. Value your imagination, but choose what you give energy to, be clear what you want to reflect. When a thought is ripe it manifests. What we hold in our heart acts like a magnet, attracting more of the same.’

I woke with the phrase – we attract more of what we hold in our heart – and cringed. What I held in my heart today was resentment. I did not want more of the same. Climbing back up the hill to the mansion I saw my mother standing with Rheine. They looked out over the harbour from where faint music and revelling could be heard. My conscience pleaded and would not be ignored. Rheine met me halfway. We embraced easily, deeply, like back in Kars, when we were refugees in the night. Rheine was going to be my witness. I reached for mother’s hand. She stepped close, eyes wide in astonishment. ‘Mother,’ I said, ‘I love you.’ She folded into my arms, like a child. For that moment I was the mother she had longed to have.

 

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