Tag Archives: introvert

… an odd rush of energy …

Sun, finally, bliss. I sit in the garden, reading, among Robin friends flitting through the apple blossoms. After two hours in the heat my body needs shade. I resolve to clear some cobwebbed drawers in the shed.

The moment I lift a weighty plastic bag, I know it contains German pfennige (pennies,) about 2 kg in weight, at least. These one & two penny coins were meant to buy my wedding shoes. It escapes me how I came to start this collection. In any case, the coins were never used, though the wedding took place, and the marriage lasted for a good while. Two eccentrics … but that’s another story.

For the rest of the day I fell into a kind of Scrooge Duck hallucination, since, as I learned from Google, some two pfennig coins had acquired high iconic value. Up to 1968 German pennies were of copper, from there on steel was added, which made the coins magnetic.

So, equipped with a small magnet from the door of my fridge, a magnifying glass, various breakfast bowls, a glass of water, and another glass of wine, I returned to my sun spot and commenced with methodical sorting, looking for two ghosts – a 1967 coin marked G (printed in Karlsruhe) that had already steel in it, and a 1969 late limited edition of still pure copper, marked J (printed in Hamburg.)

With hundreds of pennies, the odds seemed promising, at least compared to the lottery ticket I buy once a week.

I felt a rush of energy I hadn’t felt for some time. Purpose with a promise is a high energy state, I thought, giggling to myself, a habit of late, due to the surreal atmosphere since the corona virus lock down. What if? What if I find a penny worth £3000 to £5000 to collectors? I could afford to market my book, regain confidence to publish the sequel, have some work done around here, fix the shed roof, asks a painter in, buy a number of books, and leave a chunk aside for emergencies.

Well, I was as meticulous as can be, but by the time dusk chill set in, I hadn’t discovered even one ghosts. Some coins might fetch a few £s from collectors, given more research. Thing is, I’d make a good buyer for a business, having excellent taste and a knack for bargains, but selling is not my forte.

Nor am I a talented collector; otherwise, for instance, I wouldn’t have burned negatives and photographs of praiseworthy experiential novelty, including images of celebrities taken during the 1960s/1970s. Vain laurels, I thought then, devaluing my achievements. Nor would I have gifted away hundreds of vinyl records of that period, and precious books, all in a minimalist attempt to travel light into a new adventure. Profit, for better or worse, has always been secondary. And that’s another story …

The only things I collect, or maybe they collect me, are small stones. The irony of choosing to treasure such solid items is not lost on me. It’s to counter-balance my high energy states. These states, which I love, though they also exhaust, generated many satisfying projects, often in relation to groups. I gradually learned to balance the energies between my extrovert and introvert, between intense emotional and cognitive investment and periods of drifting and dreaming – incubating a new beginning – waiting for another decisive moment of clarity. How this energy seesaw was impressed in me directly after my birth is another story …

Instances of high energy in the last decade were more solitary, though I had great supporters, the co-editing Heart of a Sufi, which came out in 2011, and the writing and editing my novels, Course of Mirrors, and its sequel, Shapers. The former came out in 2017. Since then stressful events dented my spirits, a lunatic Brexit, my father’s erratic care needs, which wrecked my income, his death in 2018, and the global lock down to halt a virus, but spreading hopelessness like a trance. Procrastination became keyword for just about everything.

Somehow my short-lived penny passion brought back a taste of excitement, which beautifully sums up the essence of my first novel – finally an elevator pitch – that amazing feeling of getting on the road and the road pulling you along like a magnet to a half-imagined mysterious goal.

It’s sobering that the magic carpet of journeying has been grounded worldwide. And with the present road blocks, investing energy into a journey seems pointless, unless it’s an inner journey. Here I’m fortunate to hold rich life experiences. Being reminded what a strong purpose feels like, will, I hope, motivate me to value my writing again.

Sadness pops up when I think of teens, the young, whose natural impulse is to be active and connect physically with their peer groups, and whose desire for journeying is now frustrated – in stark contrast to the inspiring decades of my youth during the 60s/70s. Old or young, we’re all missing spontaneity, direct contact, stimulating discussions, hugs. One can never have enough hugs. Too many people struggle at present in isolation, or, indeed, in strained togetherness.

How do I cope? I don’t watch TV, haven’t done so for years. I prefer to read coherent articles and watch movies on BFI. And I’m lucky to have a garden, with nature to touch and absorb. The lilac tree waves, the laurel hedge sparkles; Robins build their nests, tulips nod in the breeze. Oh, and to end my ramblings, I just picked some delicate violets and forget-me-nots from my garden. They both have five leaves.

It’s time for me to read my odyssey once more, to attract the wind of light required for refining the sequel. You, too, might enjoy the read, for a taste of

that amazing feeling of getting on the road and the road pulling you along like a magnet to a half-imagined mysterious goal.

Links regarding Course of Mirrors appear on my  book page

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… a writer must selfie herself …

 

August 2016

August 2016

This  selfie of mine was taken last summer. As you can see, I’m an introvert.

If you’re in for a funny video on selfies, here is one I found on the Urban Dictionary website. Its definitions help to lift despair.

I was initially delighted when in spring 2013 my first novel was picked up by a small publisher. Course of Mirrors was in good shape, thanks to my dear beta reader friend and editor, Evlynn Sharp. Our selfie from 2014 shows below.

April 2014

When over time my publisher was prevented from preparing my novel for its launch, for various reasons beyond her control, I shelved my frustration, finished a sequel, and even started a third book – still, gradually my confidence suffered. Then again, if the promise for my first novel had not been there, I might not have continued writing, so whatever my misgivings, thank you Emma for loving my story.

Back in control, I decided to self-publish. And now I’m challenged, like many lovely writer friends whose fate I follow online, to set up a stage for ‘Course of Mirrors,’ squeezing myself into an overcrowded publishing scene.

I have lived and worked in England since 1978. When time allowed, I contributed poems and articles to specialist magazines and anthologies, but only started writing novels later in life. Writing was a vocation, not a career. An early humiliating experience at school, made me return to writing only through photography, film, and the freedom of another language. Though financially risky, I took time out, and writing became immersive.

Finding words to condense my myth into imagined worlds is totally satisfying, sans financial rewards. But then, forgive the sigh that escapes so many of us in the same situation, writing is a full time devotional activity, and I spent now many years writing and editing into midnight hours, a little financial reward would at least compensate for reduced income and allow me the occasional holiday.

I observe that marketing and advice professionals possibly outnumber writers. However brilliant these experts may be at their job, I can’t afford their services. Now even simple questions I hoped my publisher would support me with shout for answers: What’s your genre? What readership do you hope to address? How will you capture the tone of the novel in a title image? Should the cover express the concept, or a scene from the novel? What’s the unique angle of your story? How does your story differ from others in your genre?

In a public sphere over-saturated with information, how does one engage a reader’s attention without having to boast? I feel like having to provide an answer at gunpoint to one question only – Who are you?

Frankly, I have no idea. Maybe I’ll find out. As I said, I’m an introvert. Like my protagonist, I’m a suspended character. The whole circus is a gamble. I can only hope that you, the readers of my blog, will stay with me through this labyrinth of my author-creation.

While I struggle with particulars, and hopefully amuse you with updates, I’m planning to launch ‘Course of Mirrors’ through Matador/Troubador in spring 2017.

Here, to deliciously confuse you, is a river of keywords relating to Course of Mirrors:

Course of Mirrors combines literary genres to thread in elements of: fantasy; mystery; thriller; adventure; friendship; romance; humour; suspense; magic realism and tragedy. It is adult and young adult fiction, and it includes allusive cultural references spanning: imaginal odyssey; coming of age; quest; road trip; identity; the single child; cinematic style of chapters; psychology; intrigue; loss; murder; betrayal; speculation; metaphysics; insight; poetics; irony; future; despair; passion; triple soul; compelling characters… and in the sequel – Shapers – shape-shifting and time travel across decades.

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