Tag Archives: trauma

… can one’s authentic smile fade …

Being born, we bring along a smile, which, when being mirrored over time, becomes the signature of our face. Not the cheery or cheesy smile, but the unique one, always remembered by those who know us well. Why? Because something is loosened up in the face … a happy heartbeat sneaks into an authentic smile and, if only for a fleeting instant, a glimpse of heaven is revealed. Mostly, the magic lies in the spontaneity of the smile, and its short duration.

Actors in movies convey touching smiles, at times. Meryl Streep comes to mind. In a photograph or painting this can happen, though less often. There are of course many exceptions, the most famous being Leonardo da Vinci’s enigmatic portrait of Mona Lisa. Her smile seems slowed down in time and keeps resonating with one’s own internal smile … and both linger on. Apart from Da Vinci’s excellent study and understanding of anatomy, and his accomplished painting techniques, the reason why Mona Lisa’s mysterious smile seems eternally fresh, may also have been due to the deep rapport between model and painter.  And, interestingly, Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works. 

Each smile tells a story, open to interpretation – the smile of intimacy, friendship, reconciliation, condolence, seduction, pity, revenge, conspiracy, the haughty ‘I told you so,’ or simply bliss. It is a long list.

Can one’s authentic smile fade? Can trauma, sadness, or despair about humanity impact the signature of one’s face? Maybe, though I think even if you’re disillusioned with life, lose your teeth, or have ill-fitting dentures that change the physiognomy of your jaw and cheeks, the essence of your smile remains somehow. Maybe in the eyes, or sometimes, irrespective of a facial expression, a person radiates a peaceful atmosphere, a loving presence, which Hazrat Inayat Khan called ‘the smiling forehead.’  

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… tapping the shadow …

The above image is me at the Jewish Museum in Berlin.

I hesitated, but must share this old poem …

The pendulum was lost,

A pivot gone,

No point of trust,

No sense of home.

Aged ten, I looked down

At my hands for signs of crime;

We were shown into the dock

Of men’s trial in monochrome.

Not Schindler’s feat,

Then aged ten,

We watched mute scenes,

Laced with rage

In a teacher’s voice,

That tied our dreams

Fixed our eyes –

“We are all to blame

For this,” – her stick

Tapped the screen.

Its slim shadow flits across

The mass of corpses,

The mass of spectacles,

Neat mounds of objects,

Equal in size,

Edited side by side.

“The smell of burning –

Will haunt you,” she said.

I held my breath to the scent

Of her perfume in the room.

In the concave lens of time,

A distillation lodged –

The fluid image of a scream

That has no sound.

I don’t know if it was German educational policy in the 1950s to introduce Holocaust images to primary school children, or whether it was the mission of an enraged teacher. Well, it happened. I was traumatised and cried many nights. The scenes went under my skin, into my muscles, and got stuck there. I asked myself, what right did I have, as a distant, generation removed witness, what right did I have to be traumatised?

Questioning my parents, I realised they, too, had been traumatised, once the full truths about the Holocaust emerged.

I urgently wanted to understand how insane ideologies could become political weapons, and result in inhuman atrocities to happen right in front of the world.

Recently I read a novel, ‘Alone in Berlin,’ by Hans Fallada, which took many decades to be translated. In a very mundane setting it shows how tyranny invokes not just hatred, but fear, intense fear for your life, and more, fear for the life of you family and friends.

My heart received healing through meeting some exceptional Jewish and Muslim people, who became friends for life (that’s for another post,) and, some years ago, through an unexpected encounter.

A friend of mine brought an old friend of hers to my home, Rosemary Harris, a children book author, and a daughter of Bomber Harris. She shared memories of her father … and how torn she felt imagining her father in his plane, carpet-bombing German cities, ever after Germany’s defeat.

We sobbed around the table.

The present Middle Eastern conflict re-invoked a storm in my heart. This ongoing pattern of – an eye for an eye – makes collective humanity blind to the utter futility of revenge.

Killing a paralyzed people for their tyrannical regime, as it happens now in Gaza, is bound to sows more seeds of sorrow and anger for generations to come.

The challenge, humanity must raise above the ricocheting round of the psychological drama triangle of victim, persecutor and rescuer.

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… dream – a storyteller teasing my dad …

I love this image, but can't find its source,, apologies to the photographer.

I love this image, but can’t find its source,, apologies to the photographer.

Two nights ago, an enchanting storyteller appeared in my dream. She glowed from within, embodying her yarn with captivating gestures, her eyes saying – you’re loveable. Her whole being was a joyous dance. She flicked her fingers before my father’s face, touching his chin – making him laugh – his freed anima, maybe?

Ah, dreams are wonderful, unpredictable like liquid mercury, living silver flowing into shapes.

It was heart-warming to see my father laugh and absorb the affection, the irreverence, the humour. He did not retreat into silence before the piercing wit of the storyteller. The probe was softened through caring eyes … a miracle.

Alone, I could not have invoked such light-hearted banter with a father, who pulled the drawbridge to his heart ever since I dared to think independently. The dream vision lifted the cloud of my helpless woe.

After the dream, I recalled part of a poem I wrote long ago. Daughters may recognise the patriarchal fault in the lines of this poem, the discrepant realities that want bridging. It’s the same old story that could teach us, in the words of my late teacher, Fazal Inayat-Khan:

‘We are not here to agree with each other, but to create beauty.’

Truth worth seeking springs from the middle of each moment. Evolved individuals don’t see a women as inferior to men. The concept has harmed, and still harms, the psychological growth of both men and woman. Yet the deeply-etched hierarchical system keeps working its mean distortions across the globe.

He rests in stasis – cast in stone,

placed high in a niche

of this grand cathedral.

Sculpture Park, Churt, Surrey, UK

Sculpture Park, Churt, Surrey, UK

His daughters wake

and dare looking up.

What are they meant to do

with this apostolic vision

in their genes?

Someone tell them now,

tell them how the vacant room

was always theirs to own.

Here – sun streams through

rounded glass – crimson,

amber, cobalt, gold and green

play across crisp white walls.

Here – colours soften light,

a child can breathe deeply,

is free to release stale sorrows

and style fresh dreams.

Dad, we kick your ghost

out of here … no more

bargains with your fear.

What’s the cause of this stasis, so feared – like dying life, or living death? I think it’s war, each new war piled on top of other wars, and the unbearable injustices my father, many fathers, and mothers, were, and still are, subjected to. I shake my head, I nod my head, and somewhere between all contradictions I must accept the inherited traumas of humanity and seek life and joy with each new day.

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